An imaginative way to pray the Stations of the Cross every day of the year. “As Jansen walks with us from station to station, he points us from pain toward love and hope, toward strength and endurance, toward transformation.” —Jessica Mesman Griffith, from the introduction Throughout the centuries, Christians have asked, “Why is there suffering?” or, on a more personal level, “Why am I suffering?” Answers abound, but none are likely to suffice or satisfy. A far more helpful question might be, “How should I respond to suffering?” And the answer to that question, believes Gary Jansen, can be found by looking closely at the Passion of Jesus. In Station to Station, Jansen uses the scriptural Way of the Cross to focus our minds and hearts on Jesus’ anguish and death. Walking through each station, we see the unique ways in which Jesus responded to suffering, and we are challenged to react similarly in our own struggles. Furthermore, through various Ignatian exercises, Jansen encourages us to imaginatively pray our way through the stations and to gradually respond more as Jesus would when we are weighed down by life’s burdens. Whether you are bearing your own cross or helping someone else carry theirs, Station to Station will show you how Christ’s character in the midst of suffering can, with time and prayer, become your character too.

Railway stations have long held a special place in the public's affection. The lure of the great terminus has been especially strong, the breathtaking grandeur of its architecture fused with a promise of adventure and escape. This book is a celebration of the railway station's life and architecture. It examines the history of these fascinating structures, the great events - both factual and fictional - that have occurred there, and how they have formed an integral part of the life of the cities they serve. Steven Parissien discusses, with enthusiasm and erudition, the various architectural styles and developments that stations have witnessed over the past 150 years: from the early provincial and colonial railways, through the Victorian Gothic of London's St Pancras and the Beaux-Arts splendour of Grand Central Station in New York, to the modern structural feats of Nicholas Grimshaw's Waterloo International Terminal and Santiago Calatrava's Lyon Satolas. Archive pictures, railway ephemera and new photography are combined to create a fascinating visual record for anyone seduced by trains, railway stations and travel in general.

"On the backwater planet of Brynner, at Persephone Station, a community of android refugees, all female, are hiding since they were able to awaken their AI and escape servitude. But the Serrao-Orlov Corporation is nothing if not tenacious, especially about it's proprietary AI's, and it wants their property back. However, Persephone is run by Rosie, and they are in charge of an organized group of beneficent criminals and assassins, along with a bunch of worn mercenaries who have a thing for doing the honorable thing, despite the odds. And in a fight with the Serrao-Orlov Corporation, the odds are not going to be good, but it would be a glorious fight. Award-nominated author Stina Leicht has created a visciously feminist take on The Magnificent Seven by the way of Blade Runner and Westworld"--

"For 30 days this summer, Doug Aitken's project Station to Station: A 30 Day Happening, takes over the Barbican Centre with more than 100 free events over 30 days, with special ticketed events every Thursday, Friday and Saturday. This 'living exhibition', brings together a fusion of leading international and UK-based artists from the world of contemporary art, music, dance, graphic design and film in a jam-packed programme." -- Barbican website.

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.

Maurice is the Station Mouse, and so he must follow The Station Mouse Handbook: Rule 1: A Station Mouse must remain unseen. Rule 2: A Station Mouse must never go out in the daytime. Rule 3: A Station Mouse must never approach the passengers. Now, there's a reason why these rules exist: people do not like mice. And if Maurice breaks the rules, even to help a little boy who has lost something very important, there's going to be a price to pay...