"Includes a new introduction and afterword by Harlan Ellison"--Page 4 of cover.

The Original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison 'The City on the Edge of Forever' has been surrounded by controversy since the airing of an "eviscerated" version - which subsequently has been voted the most beloved episode in the series' history. In its original form, 'The City on the Edge of Forever' won the 1966-67 Writers Guild of America Award for best teleplay. As aired, it won the 1967 Hugo Award. 'The City on the Edge of Forever' is, at its most basic, a poignant love story. Ellison takes the reader on a breathtaking trip through space and time, from the future, all the way back to 1930s America. In this harrowing journey, Kirk and Spock race to apprehend a renegade criminal and restore the order of the universe. It is here that Kirk faces his ultimate dilemma: a choice between the universe - or his one true love. This edition makes available this astonishing teleplay as Ellison intended it to be aired. The author's introductory essay (expanded by 15,000 words from the limited edition) reveals all of the details of what Ellison describes as a "fatally inept treatment" of his creative work. Was he unjustly edited, unjustly accused, and unjustly treated?

Harlan Ellison's Hugo- and WGA Award-winning teleplay, visualized for the first time! Stranded in the past of old Earth, Captain Kirk and Mr. Spock search for the focal point that altered the timestream and changed everything about the universe they knew. And once they find her, they could find themselves foiled by a force even greater than the Guardians of Forever--love!

The controversy has raged for almost 30 years--now readers can judge for themselves. Harlan Ellison wrote the original award-winning teleplay for "The City on the Edge of Forever", which was rewritten and became the most-loved Star Trek episode of all time. Ellison sued Paramount in protest and one. This book contains the teleplay and afterwords by Leonard Nimoy, DeForest Kelley, George Takei and others.

"An engaging account of the uniquely creative spirit and bustling cultural ecology of contemporary Los Angeles ... [The author] weaves together the city's art, architecture, and design, juxtaposes its entertainment and literary histories, and moves from restaurant kitchens to recording studios to ultra-secret research and development labs. In the process, he reimagines Los Angeles as simultaneously an exemplar and cautionary tale for the 21st century"--Provided by publisher.

David R. George's Crucible Trilogy explores the legacy of one pivotal, crucial moment in the lives of the men at the heart of Star Trek -- what led them to it, and to each other, and how their destinies were intertwined. For Doctor Leonard McCoy, life takes two paradoxically divergent paths. In one, displaced in time, he saves a woman from dying in a traffice accident, and in doing so alters Earth's history. Stranded in the past, he struggles to find a way back to his own century. But living an existence he was not meant to, he will eventually have to move on, and ultimately face the shadows born of his lost life. In the other, he is prevented from saving the woman's life, allowing Earth's history to remain unchanged. Returning to the present, he is nonetheless haunted by the echoes of an existence he never lived, and by fears which will bring him full circle to the shadows he never faced.

“An enjoyable, irascible collection” of smart and sometimes-scathing film criticism from a famously candid author (Library Journal). Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism. It’s pure, raw, unapologetic opinion. Star Wars? “Luke Skywalker is a nerd and Darth Vader sucks runny eggs.” Big Trouble in Little China? “A cheerfully blathering live-action cartoon that will give you release from the real pressures of your basically dreary lives.” Despite working within the industry himself, Ellison never learned how to lie. So punches go unpulled, the impersonal becomes personal, and sometimes even the critics get critiqued, as he shares his views on Pauline Kael or Siskel and Ebert. Ultimately, it’s a wild journey through the cinematic landscape, touching on everything from Fellini to the Friday the 13th franchise. As Leonard Maltin writes in his preface, “I don’t know how valuable it is to learn Harlan Ellison’s opinion of this film or that, but I do know that reading an Ellison essay is gong to be provocative, infuriating, hilarious, or often a combination of the above. It is never time wasted. . . . Let me assure you, Harlan Ellison is never dull.”