At the start of his career Innis set out to explain the significance of price rigidities in the cultural, social, and political institutions of new countries; by the end of his intellectual journey he had become one of the most influential critics of modernity. The essays in this collection address a variety of themes, including the rise of industrialism and the expansion of international markets, staples trades, critical factors in Canadian development, metropolitanism and nationality, the problems of adjustment, the political economy of communications, the economics of cultural change, and Innis's conception of the role of the intellectual as citizen. Innis succeeded as few others have in providing an astute and comprehensive account of the economic and social forces shaping modernity. His abiding interest in the contradictory and unintended consequences of markets in general - the dominant structure of modern economic activity - gave rise to the rich legacy of his prodigious output.

This new edition of Harold Innis's essays, published on the occasion of his centenary, assembles his most significant and representative writing. Included are many of Innis's essays on cultural issues and economic development - subjects he explored throughout his life - that have not been readily accessible before.

This book addresses the notorious split between the two fields of cultural studies and political economy. Drawing on the works of Harold Innis, Theodor Adorno, Raymond Williams, Richard Hoggart, E.P. Thompson, and other major theorists in the two fields, Robert E. Babe shows that political economy can be reconciled to certain aspects of cultural studies, particularly with regards to cultural materialism. Uniting the two fields has proven to be a complex undertaking though it makes practical sense, given the close interaction between political economy and cultural studies. Babe examines the evolution of cultural studies over time and its changing relationship with political economy. The intersections between the two fields center around three subjects: the cultural biases of money, the time/space dialectic, and the dialectic of information.

For nearly two decades, Jody Berland has been a leading voice in cultural studies and the field of communications. In North of Empire, she brings together and reflects on ten of her pioneering essays. Demonstrating the importance of space to understanding culture, Berland investigates how media technologies have shaped locality, territory, landscape, boundary, nature, music, and time. Her analysis begins with the media landscape of Canada, a country that offers a unique perspective for apprehending the power of media technologies to shape subjectivities and everyday lives, and to render territorial borders both more and less meaningful. Canada is a settler nation and world power often dwarfed by the U.S. cultural juggernaut. It possesses a voluminous archive of inquiry on culture, politics, and the technologies of space. Berland revisits this tradition in the context of a rich interdisciplinary study of contemporary media culture. Berland explores how understandings of space and time, empire and margin, embodiment and technology, and nature and culture are shaped by broadly conceived communications technologies including pianos, radio, television, the Web, and satellite imaging. Along the way, she provides a useful overview of the assumptions driving communications research on both sides of the U.S.-Canadian border, and she highlights the distinctive contributions of the Canadian communication theorists Harold Innis and Marshall McLuhan. Berland argues that electronic mediation is central to the construction of social space and therefore to anti-imperialist critique. She illuminates crucial links between how space is traversed, how it is narrated, and how it is used. Making an important contribution to scholarship on globalization, Berland calls for more sophisticated accounts of media and cultural technologies and their complex “geographies of influence.”

Berland (humanities, York U., Canada) and Hornstein (art history, York U.) present 22 contributions that attempt to explore the connections between art and money in a world increasingly dominated by the practices and ideologies of market culture. Consisting of both essays and reproductions of art works, the contributions come from Canadian artists, academics, curators, and critics. Among the topics addressed in the essays are the relationship between nationalism and the value of art, a challenge to the universality of aesthetics, the erosion of artistic and educational freedoms, and cultural policy and funding in Canada. Annotation copyrighted by Book News, Inc., Portland, OR

The ranchers who resettled BC’s interior in the late nineteenth and early twentieth centuries depended on grassland for their cattle, but in this they faced some unlikely competition from grasshoppers and wild horses. With the help of the government, settlers resolved to rid the range of both. Resettling the Range explores the ecology and history of the grassland and the people who lived there by looking closely at these eradication efforts. In the claims of “range improvement” and “rational land use,” author John Thistle uncovers more complicated stories of marginalization: the destruction of wild horses worked to dispossess aboriginal people, while the campaign to exterminate grasshoppers exposed class conflicts and competing versions of resettlement among immigrant ranchers. This unconventional history examines the lasting effects of range improvement, revealing a fascinating – and troubling – chapter of BC history.

The new rural economy involves a fundamental shift in the stability and security of people's lives and ultimately causes wrenching change and an arduous struggle as rural dwellers struggle to rebuild their lives in the new economic terrain.