As part of a series of artworks, Stanza painted an ink and watercolour illustration of the letter A in which the name of the flower and the butterfly began with A; the result was beautiful and inspiring. This led to the letter B and a year later the alphabet was complete. Most of the original artworks were sold, but in 2016 she worked with her husband to turn the stunning series into a book featuring the entire alphabet. It is a colourful book of beautiful artworks for everyone.

As part of a series of artworks, Stanza painted an ink and watercolour illustration of the letter A in which the name of the flower and the butterfly began with A; the result was beautiful and inspiring. This led to the letter B and a year later the alphabet was complete. Most of the original artworks were sold, but in 2016 she worked with her husband to turn the stunning series into a book featuring the entire alphabet. It is a colourful book of beautiful artworks for everyone.

The Alphabet of the Trees is a superb collection of essays about teaching all aspects and forms of nature writing, including poems, field journals, fiction, and nonfiction. It is a practical handbook; an introduction to nature writing, nature poetry, and fieldwork; and a guide to some basic strategies for teachers at all levels. The distinguished contributors to this volume include nature writers, poets, fiction writers, and educators: Eleanor J. Bader, Barbara Bash, Joseph Bruchac, Jordan Clary, Jack Collom, Carolyn Duckworth, Margot Fortunato Galt, Barry Gilmore, Cynde Gregory, Penny Harter, Terry Hermsen, William J. Higginson, Susan Karwoska, Clare Walker Leslie, Christian McEwen, Suzanne Rogier Marshall, Holly Masturzo, Michael Morse, Mary Oliver, Carol F. Peck, Sarah Juniper Rabkin, Charles E. Roth, Matthew Sharpe, Gary Snyder, Kim Stafford, Sam Swope, John Tallmadge, Mary Edwards Wertsch, Janine Pommy Vega, and Ann Zwinger. Their essays present inspiring models from Tu Fu, Wallace Stevens, William Carlos Williams, Denise Levertov, Matsuo Basho, Muriel Rukeyser, Henry David Thoreau, Rainer Maria Rilke, Pablo Neruda, and many others. The Alphabet of the Trees also includes an extensive bibliography and resource section.

Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.

Focusing on his evocative and profound references to children and their stories, Children's Stories and 'Child-Time' in the Works of Joseph Cornell and the Transatlantic Avant-Garde studies the relationship between the artist's work on childhood and his search for a transfigured concept of time. This study also situates Cornell and his art in the broader context of the transatlantic avant-garde of the 1930s and 40s. Analisa Leppanen-Guerra explores the children's stories that Cornell perceived as fundamental in order to unpack the dense network of associations in his under-studied multimedia works. Moving away from the usual focus on his box constructions, the author directs her attention to Cornell's film and theater scenarios, 'explorations', 'dossiers', and book-objects. One highlight of this study is a work that may well be the first artist's book of its kind, and has only been exhibited twice: Untitled (Journal d'Agriculture Pratique), presented as Cornell's enigmatic tribute to Lewis Carroll's Alice books.