A young chef who revels in local bounty, a long-ago murder that remains unsolved, the homeless of Stanley Park, a smooth-talking businessman named Dante — these are the ingredients of Timothy Taylor's stunning debut novel — Kitchen Confidential meets The Edible Woman. Trained in France, Jeremy Papier, the young Vancouver chef, is becoming known for his unpretentious dishes that highlight fresh, local ingredients. His restaurant, The Monkey's Paw Bistro, while struggling financially, is attracting the attention of local foodies, and is not going unnoticed by Dante Beale, owner of a successful coffeehouse chain, Dante's Inferno. Meanwhile, Jeremy's father, an eccentric anthropologist, has moved into Stanley Park to better acquaint himself with the homeless and their daily struggles for food, shelter and company. Jeremy's father also has a strange fascination for a years-old unsolved murder case, known as "The Babes in the Wood" and asks Jeremy to help him research it. Dante is dying to get his hands on The Monkey's Paw. When Jeremy's elaborate financial kite begins to fall, he is forced to sell to Dante and become his employee. The restaurant is closed for renovations, Inferno style. Jeremy plans a menu for opening night that he intends to be the greatest culinary statement he's ever made, one that unites the homeless with high foody society in a paparazzi-covered celebration of "local splendour."

In early December 2006, a powerful windstorm ripped through Vancouver’s Stanley Park. The storm transformed the city’s most treasured landmark into a tangle of splintered trees, and shattered a decades-old vision of the park as timeless virgin wilderness. In Inventing Stanley Park, Sean Kheraj traces how the tension between popular expectations of idealized nature and the volatility of complex ecosystems helped transform the landscape of one of the world’s most famous urban parks. This beautifully illustrated book not only depicts the natural and cultural forces that shaped the park’s landscape, it also examines the roots of our complex relationship with nature.

Stanley Park Story: Life, Love and the Merseyside Derby charts the recent history of the longest continuous running derby game in English football. Liverpool and Everton have now contested the fixture every season since 1962. Using a mixture of fact, fiction and personal experience, Jeff Goulding has crafted a compelling tale spanning three generations of two families, Red and Blue. Their lives become intricately woven together through 50 years of this unique sporting rivalry. The story explores the changing fortunes of each team and the relationship between the two sets of supporters, which evolves over the years. The life and times of Jimmy, a Blue, and Tommy, a Red, form the basis of the drama which unfolds against a backdrop of thrilling sporting encounters, social and political upheaval and catastrophe. Ultimately, the story is one of a love so strong it reaches across the park to forge a timeless bond between the two families.

An engaging, informative, and visually stunning tour of the numerous native, introduced, and ornamental tree species found in Vancouver's Stanley Park, combining a wealth of botanical knowledge with a fascinating social history of the city's most celebrated landmark. Measuring 405 hectares (1,001 acres) in the heart of downtown Vancouver, Stanley Park is home to more than 180,000 trees. Ranging from centuries-old Douglas firs to ornamental Japanese cherry trees, the trees of Stanley Park have come to symbolize the ancient roots and diverse nature of the city itself. For years, Nina Shoroplova has wandered through Vancouver's urban forest and marvelled at the multitude of tree species that flourish there. In Legacy of Trees, Shoroplova tours Stanley Park's seawall and beaches, wetlands and trails, pathways and lawns in every season and every type of weather, revealing the history and botanical properties of each tree species. Unlike many urban parks, which are entirely cultivated, the area now called Stanley Park was an ancient forest before Canada's third-largest city grew around it. Tracing the park's Indigenous roots through its colonial history to its present incarnation as the jewel of Vancouver, visited by eight million locals and tourists annually, Legacy of Treesis a beautiful tribute to the trees that shape Stanley Park's evolving narrative.

"These legends (with two or three exceptions) were told to me personally by my honored friend, the late Chief Joe Capilano, of Vancouver, whom I had the privilege of first meeting in London in 1906, when he visited England and was received at Buckingham Palace by their Majesties King Edward VII and Queen Alexandra. To the fact that I was able to greet Chief Capilano in the Chinook tongue, while we were both many thousands of miles from home, I owe the friendship and the confidence which he so freely gave me when I came to reside on the Pacific coast. These legends he told me from time to time, just as the mood possessed him, and he frequently remarked that they had never been revealed to any other English-speaking person save myself."--Author's pref.

Finalist for 2006 BC Book Prize - Roderick Haig-Brown Regional Prize Shortlisted for George Ryga Award for Social Awareness in B.C. Writing and Publishing Each year, over eight million people visit Stanley Park, a 400-hectare (1000-acre) haven of beauty that offers a backdrop of majestic cedars and firs and an environment teeming with wildlife just steps from the sidewalks and skyscrapers of Vancouver. But few visitors stop to contemplate the secret past of British Columbia's most popular tourist destination. Officially opened in 1888, Stanley Park was born alongside the city of Vancouver, so it is easy to assume that the park was a pristine wilderness when it was first created. But much of it had been logged and it was home to a number of settlements. Aboriginal people lived at the villages of Whoi Whoi, now Lumberman's Arch, and nearby Chaythoos. Some of the immigrant Hawaiians earlier employed in the fur trade took jobs at the lumber mills that dotted Burrard Inlet from the 1860s and settled at "Kanaka Ranch," which was located just outside the park's southeast boundary. Others resided at Brockton Point on the peninsula's eastern tip. Only in 1958 was the last of the many families forced out of their homes and the park returned to its supposed "pristine" character. Working in collaboration with descendants of the families who once lived in the park area, historian Jean Barman skilfully weaves together the families' stories with archival documents, Vancouver Parks Board records and court proceedings to reveal a troubling, yet deeply important facet of BC's history.

Performance embodies knowledge transfer, cultural expression, and intercultural influence. It is a method through which Indigenous people express their relations to land and continuously establish their persistent political authority. But performance is also key to the misrepresentation of Indigenous peoples in settler colonial societies. Against the Current and Into the Light challenges dominant historical narratives of the land now known as Stanley Park, exploring performances in this space from the late nineteenth century to the present. Selena Couture engages with knowledge held in an endangered Indigenous language's place names, methods of orientation in space and time, and conceptions of leadership and respectful visiting. She then critically engages with narratives of Vancouver history created by the city's first archivist, J.S. Matthews, through his interest in Lord Stanley's visit to the park in 1889. Matthews organized several public commemorative performances on this land from the 1940s to 1960, resulting in the iconic yet misleading statue of Lord Stanley situated at the park's entrance. Couture places Matthews's efforts at commemoration alongside continuous political interventions by Indigenous people and organizations such as the Native Brotherhood of British Columbia, while also responding to contemporary performances by Indigenous women in Vancouver that present alternative views of history. Using the metaphor of eddies of influence - motions that shape and are shaped by obstacles in their temporal and spatial environments - Against the Current and Into the Light reveals how histories of places have been created, and how they might be understood differently in light of Indigenous resurgence and decolonization.