"Carracci, Tintoretto, Poussin, Guercino, Gainsborough, Romney, Fragonard, Tiepolo, Blake, Turner, Gericault, Delacroix, Menzel, Whistler, Klimt, Rodin, Derain, Tobey, de Kooning, and Diebenkorn are among the artists represented in the Stanford Museum. Its collection of nearly 1,500 drawings is strongest in the eighteenth and nineteenth centuries, but also includes notable drawings of the Late Renaissance, Baroque, and contemporary periods, many of which have until now remained unpublished." "This volume presents 140 of the drawings with a full-page duotone or color illustration accompanied by an essay consisting of a critical text, as well as a complete physical description, bibliography, provenance, and exhibition history. Additional drawings are presented on a smaller scale and with abbreviated descriptions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Foreword / Connie Wolf and Alison Gass -- Private to Public / Gretchen Diebenkorn Grant -- Understanding Diebenkorn / Steven A. Nash -- Two Sides of a Coin: Reflections on Artistic Practice / Enrique Chagoya -- The Ace of Spades / Alexander Nemerov -- (With)Drawing from Mastery / Peggy Phelan -- The Sketchbooks -- Notes to Myself of Beginning a Painting / Richard Diebenkorn

The exploration of the human figure has been the pursuit of artists for millennia. Manuel Neri (b. 1930), a California native and former student of Richard Diebenkorn and Nathan Oliveira, has spent a lifetime accentuating the gesture, surface, and materiality of the figure. He renders his work in several different mediums that include plaster, marble, bronze, and paper. This exhibition, drawn from and celebrating gifts donated to the museum by The Manuel Neri Trust, provides a glimpse into the artist's creative process and his quest to define the figure on his own terms. Manuel Neri is known for his prolonged artistic engagement with the figure in a variety of materials, starting with plaster in the late 1950s and moving into bronze and marble. The seven sculptures in the outdoor installation reference Neri's origins with plaster and his expressionistic manipulation of the medium. By casting plaster in bronze, tactile surfaces are preserved and enhanced.

Insightful and interdisciplinary, this book considers the movement of people around the world and how contemporary artists contribute to our understanding of it In this timely volume, artists and thinkers join in conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations. The featured artworks range from painting, sculpture, and photography to installation, video, and sound art, and their makers--including Isaac Julien, Richard Mosse, Reena Saini Kallat, Yinka Shonibare MBE, and Do Ho Suh, among many others--hail from around the world. Texts by experts in political science, Latin American studies, and human rights, as well as contemporary art, expand upon the political, economic, and social contexts of migration and its representation. The book also includes three conversations in which artists discuss the complexity of making work about migration. Amid worldwide tensions surrounding refugee crises and border security, this publication provides a nuanced interpretation of the current cultural moment. Intertwining themes of memory, home, activism, and more, When Home Won't Let You Stay meditates on how art both shapes and is shaped by the public discourse on migration.

Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.

"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.