In the summer of 1944 the Red Army crushed Army Group Centre in one of the largest offensives in military history. Operation Bagration - launched almost exactly three years after the Nazi invasion of the Soviet Union - was Stalin's retribution for Hitler's Operation Barbarossa. Earlier battles at Stalingrad and Kursk paved the way for Soviet victory, but as Anthony Tucker-Jones demonstrates in this fascinating study, Bagration ensured that the Germans would never regain the strategic initiative. In one fell swoop the Wehrmacht lost a quarter of its strength on the Eastern Front. And in a series of overwhelming assaults, the Red Army recaptured practically all the territory the Soviet Union had lost in 1941, advanced into East Prussia and reached the outskirts of Warsaw. As he reconstructs this massive and complex battle, Anthony Tucker-Jones assesses the opposing forces and their commanders and gives a vivid insight into the planning and decision-making at the highest level. He recreates the experience of the soldiers on the battlefield by using graphic contemporary accounts, and he sets the Bagration offensive in the wider context of the Soviet war effort. He also asks why Stalin's road to retribution proved to be such a long and bloody one - for the Germans, despite their crippling losses, managed to resist for another ten months.

From the author of the international bestseller On Tyranny, the definitive history of Hitler’s and Stalin’s politics of mass killing, explaining why Ukraine has been at the center of Western history for the last century. Americans call the Second World War “the Good War.” But before it even began, America’s ally Stalin had killed millions of his own citizens—and kept killing them during and after the war. Before Hitler was defeated, he had murdered six million Jews and nearly as many other Europeans. At war’s end, German and Soviet killing sites fell behind the Iron Curtain, leaving the history of mass killing in darkness. Assiduously researched, deeply humane, and utterly definitive, Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of a single story. With a new afterword addressing the relevance of these events to the contemporary decline of democracy, Bloodlands is required reading for anyone seeking to understand the central tragedy of modern history and its meaning today.

While Joseph Stalin is commonly reviled in the West as a murderous tyrant who committed egregious human rights abuses against his own people, in Russia he is often positively viewed as the symbol of Soviet-era stability and state power. How can there be such a disparity in perspectives? Utilizing an ethnographic approach, extensive interview data, and critical discourse analysis, this book examines the ways that the political elite in Russia are able to control and manipulate historical discourse about the Stalin period in order to advance their own political objectives. Appropriating the Stalinist discourse, they minimize or ignore outright crimes of the Soviet period, and instead focus on positive aspects of Stalin’s rule, especially his role in leading the Soviet Union to victory in the Second World War. Advancing the concepts of “preventive” and “complex” co-optation, this book analyzes how elites in Russia inhibit the emergence of groups that espouse alternative narratives, while promoting message-friendly groups that are in line with the Kremlin’s agenda. Bringing the resources of the state to bear, the Russian elite are able to co-opt multiple avenues of discourse formulation and dissemination. Elite-sponsored discourse positions Stalin as the symbol of a strong, centralized state that was capable of great achievements, despite great cost, enabling favorably portrayals of Stalin as part of a tradition of harsh but effective rulers in Russian history, such as Peter the Great. This strong state discourse is used to legitimize the return of authoritarianism in Russia today.

In May 1945, as World War II drew to a close in Europe, some 30,000 Russian Cossacks surrendered to British forces in Austria, believing they would be spared repatriation to the Soviet Union. The fate of those among them who were Soviet citizens had been sealed by the Yalta Agreement, signed by the Allied leaders a few months earlier. Ever since, mystery has surrounded Britain's decision to include among those returned to Stalin a substantial number of White Russians, who had fled their country after the Russian Revolution of 1917 and found refuge in various European countries. They had never been Soviet citizens, and should not have been handed over. Some were prominent tsarist generals, on whose handover the Soviets were particularly insistent. General Charles Keightley, the responsible British officer, concealed the presence of White Russians from his superiors, who had issued repeated orders stipulating that only Soviet nationals should be handed over, and even then only if they did not resist. Through a succession underhanded moves, Keightley secretly delivered up the leading Cossack commanders to the Soviets, while force of unparalleled brutality was employed to hand over thousands of Cossack men, women, and children to a ghastly fate. Particularly sinister was the role of the future British Prime Minister Harold Macmillan, whose own machinations are scrutinized here.Following the publication of Count Nikolai Tolstoy's last book on the subject in 1986, the British government closed ranks, and three years later an English court issued a £1,500,000 judgment against him for allegedly libeling the British chief of staff who issued the fatal orders. Since then, however, Count Tolstoy has gradually acquired a devastating body of heretofore unrevealed evidence filling the remaining gaps in this tragic history. Much of this material derives from long-sealed Soviet archives, to which Tolstoy received access by a special decree from the late Russian President Boris Yeltsin. What really happened during these murky events is now revealed for the first time.

A Newbery Honor Book. Sasha Zaichik has known the laws of the Soviet Young Pioneers since the age of six: The Young Pioneer is devoted to Comrade Stalin, the Communist Party, and Communism. A Young Pioneer is a reliable comrade and always acts according to conscience. A Young Pioneer has a right to criticize shortcomings. But now that it is finally time to join the Young Pioneers, the day Sasha has awaited for so long, everything seems to go awry. He breaks a classmate's glasses with a snowball. He accidentally damages a bust of Stalin in the school hallway. And worst of all, his father, the best Communist he knows, was arrested just last night. This moving story of a ten-year-old boy's world shattering is masterful in its simplicity, powerful in its message, and heartbreaking in its plausibility. One of Horn Book's Best Fiction Books of 2011

How do states and societies confront the legacies of war and occupation, and what do truth, guilt, and justice mean in that process? In Ghosts of War, Franziska Exeler examines people's wartime choices and their aftermath in Belarus, a war-ravaged Soviet republic that was under Nazi occupation during the Second World War. After the Red Army reestablished control over Belarus, one question shaped encounters between the returning Soviet authorities and those who had lived under Nazi rule, between soldiers and family members, reevacuees and colleagues, Holocaust survivors and their neighbors: What did you do during the war? Ghosts of War analyzes the prosecution and punishment of Soviet citizens accused of wartime collaboration with the Nazis and shows how individuals sought justice, revenge, or assistance from neighbors and courts. The book uncovers the many absences, silences, and conflicts that were never resolved, as well as the truths that could only be spoken in private, yet it also investigates the extent to which individuals accommodated, contested, and reshaped official Soviet war memory. The result is a gripping examination of how efforts at coming to terms with the past played out within, and at times through, a dictatorship.

'Rapoport has written a remarkable family memoir about growing up in the loftiest of Soviet Kremlin medical circles, where her father (Yakov Rapoport) was a distinguished pathologist, a man of scientific brilliance, technical expertise, great humor, and even greater courage during the rule of Joseph Stalin, around whom many suffered violent and mysterious deaths. The author's tone is lively, direct, humorous, and bluntly honest about her family and the rarified scientific and political circles in which they lived and worked. She reveals the heights of greatness that brilliant Jews could attain under the Soviet system, and also the discriminatory prejudice and harms, including threats and likelihood of arrest, torture, and death, that they experienced under Stalin and his successors … This marvelous book is an accessible work of important historical memory and warm scholarly and personal analysis. Summing Up: Highly recommended. All readers.'CHOICEThis manuscript offers a behind-the-scenes glimpse into some extraordinary moments of 20th century Russia. In a series of entrancing stories, the book demonstrates the disastrous consequences of a totalitarian regime's intervention in medicine and medical science. The narration is based on first-hand accounts the author gathered in conversations with her father, a world-renowned pathologist, and family friends, members of the Soviet intellectual elite.As one of the leading pathologists in the country, the author's father participated in many dramatic events that were hidden from the general public. The author describes Stalin's revenge on his doctors and the fabrication of the 'Doctors' Plot'; the thrilling story of the Moscow Brain Institute; the mysterious circumstances of the death of Stalin's second wife, Nadezhda Alliluyeva; the outbreak of plague in the center of Moscow and the NKVD's approach to curbing an epidemic; the fraught drama associated with the death and autopsy of the 'father' of the H-bomb, Andrey Sakharov; and the world's first attempt at cancer biotherapy.In the Afterward entitled A Different Globe the author depicts the difficult and sometimes hilarious process of her family's adjustment to their new life in America.A number of TV programs, documentaries, and movies were shot in the author's Moscow apartment by Russian, European, and American media and movie companies.