The first study of the everydayness of political life under Stalin, this book examines Soviet citizenship through common practices of expressing Soviet identity in the public space. The book is set in the Ukrainian capital of Kyiv during the last one and a half years of World War II and immediate postwar years, the period best demonstrating how formulaic rituals could create space for the people to express their concerns, fears, and prejudices, as well as their eagerness to be viewed as citizens in good standing.

The chilling story of Stalin’s crimes against humanity Between the early 1930s and his death in 1953, Joseph Stalin had more than a million of his own citizens executed. Millions more fell victim to forced labor, deportation, famine, bloody massacres, and detention and interrogation by Stalin's henchmen. Stalin's Genocides is the chilling story of these crimes. The book puts forward the important argument that brutal mass killings under Stalin in the 1930s were indeed acts of genocide and that the Soviet dictator himself was behind them. Norman Naimark, one of our most respected authorities on the Soviet era, challenges the widely held notion that Stalin's crimes do not constitute genocide, which the United Nations defines as the premeditated killing of a group of people because of their race, religion, or inherent national qualities. In this gripping book, Naimark explains how Stalin became a pitiless mass killer. He looks at the most consequential and harrowing episodes of Stalin's systematic destruction of his own populace—the liquidation and repression of the so-called kulaks, the Ukrainian famine, the purge of nationalities, and the Great Terror—and examines them in light of other genocides in history. In addition, Naimark compares Stalin's crimes with those of the most notorious genocidal killer of them all, Adolf Hitler.

"I served not in defense of the bourgeois order, but only for a crumb of bread since I was burdened with five small children.""From 1923 to 1925 I worked as a musician but later my earnings weren't steady and I quickly stopped. Without an income to live on, I was drawn to the nonlaboring path.""As a man almost completely illiterate and therefore not prepared for any kind of work, I was forced to return to my craft as a barber.""I am as ignorant as a pipe."Golfo Alexopoulos focuses on the lishentsy ("outcasts") of the interwar USSR to reveal the defining features of alien and citizen identities under Stalin's rule. Although portrayed as "bourgeois elements," lishentsy actually included a wide variety of people, including prostitutes, gamblers, tax evaders, embezzlers, and ethnic minorities, in particular, Jews. The poor, the weak, and the elderly were frequent targets of disenfranchisement, singled out by officials looking to conserve scarce resources or satisfy their superiors with long lists of discovered enemies.Alexopoulos draws heavily on an untapped resource: an archive in western Siberia that contains over 100,000 individual petitions for reinstatement. Her analysis of these and many other documents concerning "class aliens" shows how Bolshevik leaders defined the body politic and how individuals experienced the Soviet state. Personal narratives with which individuals successfully appealed to officials for reinstatement allow an unusual view into the lives of "outcasts." From Kremlin leaders to marked aliens, many participated in identifying insiders and outsiders and challenging the terms of membership in Stalin's new society.

Life in Stalin's Soviet Union is a collaborative work in which some of the leading scholars in the field shed light on various aspects of daily life for Soviet citizens. Split into three parts which focus on 'Food, Health and Leisure', the 'Lived Experience' and 'Religion and Ideology', the book is comprised of chapters covering a range of important subjects, including: * Food * Health and Housing * Sex and Gender * Education * Religion (Christianity, Islam and Judaism) * Sport and Leisure * Festivals There is detailed analysis of urban and rural life, as well as explorations of life in the gulag, life as a peasant, life in the military and what it was like to be disabled in Stalin's Russia. The book also engages with the wider Soviet Union wherever possible to ensure the most in-depth discussion of life, in all its minutiae, under Stalin. This is a vitally important book for any student of Stalin's Russia keen to know more about the human history of this complex period of dictatorship.

"The book consists of 166 photographs taken from the interrogation files of the secret police in Moscow of those arrested on falsified charges, found guilty and shot during Stalin's reign of terror from the late 1920s until his death in 1953 - engineers, artists, factory workers, teachers, housewives, heroes of the Soviet Union, even secret policemen themselves. Each photograph is accompanied by the basic details of that person's life and the charges brought against them." - abstract from Francis Boutle Publishers website.

Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection. He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.

Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.