Between the summer of 1937 and November 1938, the Stalinist regime arrested over 1.5 million people for "counterrevolutionary" and "anti-Soviet" activity and either summarily executed or exiled them to the Gulag. While we now know a great deal about the experience of victims of the Great Terror, we know almost nothing about the lower- and middle-level Narodnyi Komissariat Vnutrennikh Del (NKVD), or secret police, cadres who carried out Stalin's murderous policies. Unlike the postwar, public trials of Nazi war criminals, NKVD operatives were tried secretly. And what exactly happened in those courtrooms was unknown until now. In what has been dubbed "the purge of the purgers," almost one thousand NKVD officers were prosecuted by Soviet military courts. Scapegoated for violating Soviet law, they were charged with multiple counts of fabrication of evidence, falsification of interrogation protocols, use of torture to secure "confessions," and murder during pre-trial detention of "suspects" - and many were sentenced to execution themselves. The documentation generated by these trials, including verbatim interrogation records and written confessions signed by perpetrators; testimony by victims, witnesses, and experts; and transcripts of court sessions, provides a glimpse behind the curtains of the terror. It depicts how the terror was implemented, what happened, and who was responsible, demonstrating that orders from above worked in conjunction with a series of situational factors to shape the contours of state violence. Based on chilling and revelatory new archival documents from the Ukrainian secret police archives, Stalinist Perpetrators on Trial illuminates the darkest recesses of Soviet repression -- the interrogation room, the prison cell, and the place of execution -- and sheds new light on those who carried out the Great Terror.

Between the summer of 1937 and November 1938, the Stalinist regime arrested over 1.5 million people for "counterrevolutionary" and "anti-Soviet" activity and either summarily executed or exiled them to the Gulag. While we now know a great deal about the experience of victims of the Great Terror, we know almost nothing about the lower- and middle-level Narodnyi Komissariat Vnutrennikh Del (NKVD), or secret police, cadres who carried out Stalin's murderous policies. Unlike the postwar, public trials of Nazi war criminals, NKVD operatives were tried secretly. And what exactly happened in those courtrooms was unknown until now. In what has been dubbed "the purge of the purgers," almost one thousand NKVD officers were prosecuted by Soviet military courts. Scapegoated for violating Soviet law, they were charged with multiple counts of fabrication of evidence, falsification of interrogation protocols, use of torture to secure "confessions," and murder during pre-trial detention of "suspects" - and many were sentenced to execution themselves. The documentation generated by these trials, including verbatim interrogation records and written confessions signed by perpetrators; testimony by victims, witnesses, and experts; and transcripts of court sessions, provides a glimpse behind the curtains of the terror. It depicts how the terror was implemented, what happened, and who was responsible, demonstrating that orders from above worked in conjunction with a series of situational factors to shape the contours of state violence. Based on chilling and revelatory new archival documents from the Ukrainian secret police archives, Stalinist Perpetrators on Trial illuminates the darkest recesses of Soviet repression -- the interrogation room, the prison cell, and the place of execution -- and sheds new light on those who carried out the Great Terror.

Even more than thirty years after the dissolution of the Soviet Union, the role of the secret police in shaping culture and society in communist USSR has been difficult to study, and defies our complete understanding. In the last decade, the opening of non-Russian KGB archives, notably in Ukraine after 2015, has allowed scholars to explore state security organizations in ways not previously possible. Moving beyond well-known cases of high-profile espionage and repression, this study is the first to showcase research from a wide range of secret police archives in former Soviet republics and the countries of the former Soviet bloc—some of which are rapidly closing or becoming inaccessible once again. Rather than focusing on Soviet leadership, The Secret Police and the Soviet System integrates the secret police into studies of information, technology, economics, art, and ideology. The result is a state-of-the-art portrait of one of the world’s most notorious institutions, the legacies of which are directly relevant for understanding Vladimir Putin’s Russia today.

This thought-provoking collection of essays analyses the complex, multi-faceted, and even contradictory nature of Stalinism and its representations. Stalinism was an extraordinarily repressive and violent political model, and yet it was led by ideologues committed to a vision of socialism and international harmony. The essays in this volume stress the complex, multi-faceted, and often contradictory nature of Stalin, Stalinism, and Stalinist-style leadership, and. explore the complex picture that emerges. Broadly speaking, three important areas of debate are examined, united by a focus on political leadership: * The key controversies surrounding Stalin's leadership role * A reconsideration of Stalin and the Cold War * New perspectives on the cult of personality Revisioning Stalin and Stalinism is a crucial volume for all students and scholars of Stalin's Russia and Cold War Europe.

How did the Soviet Union control the behaviour of its people? How did the people themselves engage with the official rules and the threat of violence in their lives? In this book, the contributors examine how social control developed under Stalin and Khrushchev. Drawing on deep archival research from across the former Soviet Union, they analyse the wide network of state institutions that were used for regulating individual behaviour and how Soviet citizens interacted with them. Together they show that social control in the Soviet Union was not entirely about the monolithic state imposing its vision with violent force. Instead, a wide range of institutions such as the police, the justice system, and party-sponsored structures in factories and farms tried to enforce control. The book highlights how the state leadership itself adjusted its policing strategies and moved away from mass repression towards legal pressure for policing society. Ultimately, Social Control under Stalin and Khrushchev explores how the Soviet state controlled the behaviour of its citizens and how the people relied on these structures.

Laboratories of Terror explores the final chapter of Stalin's Great Terror in Soviet Ukraine. When the Communist Party Central Committee and the Council of People's Commissars of the USSR halted mass operations in repression in November 1938, large numbers of mainly Communist purge victims whose cases remained incomplete were released. At the same time, hundreds of NKVD operatives who had carried out the Great Terror were scapegoated and arrested. Drawing on materials from the largely closed archives of the Soviet security police, this collection of essays by an international team of researchers illuminates the previously opaque world of the NKVD perpetrator. It uncovers the mechanics and logistics of the terror at the local level by examining the criminal files of a series of mid-level NKVD operatives from across Ukraine. The result offers new perspectives on both Stalin's central role in the architecture of the terror and NKVD perpetrators' agency in implementing one of the most horrific episodes of twentieth-century mass violence.

Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials. The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, this book examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors and political authorities embraced new photographic technologies to advance their legal propaganda and legal photography. Drawing on contemporary theoretical work in the area, the book then challenges straightforward accounts of the relationship between law and the visual, critically engaging entrenched legal historical narratives, in relation to three different protagonists, to offer the possibility of reclaiming and rewriting past accounts. As its analysis demonstrates, the power of images can also be subversive; and, as such, the cases it addresses contribute to the discourse on visual epistemology and open onto contemporary questions about law and its inherent performativity. This original and insightful engagement with the relationship between law and the visual will appeal to legal and cultural theorists, as well as those with more specific interests in Stalinism, and in Central, East, and Southeast European history.