A true account of a shoot-down, capture, imprisonment and liberation. The author was in Germany's Stalag 17B, force- marched across Austria, and had a horrifying brush with the holocaust. Patton's troops liberated him and returned him to front line duty. He helped capture many enemy troops before war's end.

THE STORY: This turbulent and gutsy play tells the story of a group of American prisoners who embarrass and irritate their captors as they try to escape from a German prison camp. The plot revolves around the escape of an American who will face ser

War, guns, bombs and waist gunners—far removed from the small town of Fowler, Colorado, population about 1200, twenty-eight miles east of Pueblo, Colorado on Highway 50. I lived there with my Dad, Ray, who was Pastor of the Second Baptist church, my Mom, Florence, grandmother, Dora Kelley; older brother Fred, who went into the Army a year before I did, and my sister Lorene. Germany, with the leadership of Hitler had overrun several small countries—the Netherlands, Belgium, France and Austria; as well as the war with Russia and England, incarcerating all the Jews as he went along. The United States was furnishing England with food and all types of war supplies. Then a state of shock fell upon our country and our small town of Fowler when the Japanese bombed Pearl Harbor, December 7, 1941. On December 8, 1941, our government declared war on Japan. On December 11, 1941, Germany and Italy declared war on the United States and we in turn declared war on Germany the same day.

A facsimile edition of the screenplay of Billy Wilder's film set in an Austrian prisoner of war camp. With a new introduction by biographer Jeffrey Meyers.

This is a fascinating first-person account of a World War II soldier's capture and imprisonment in Stalag 17, one of Germany's most notorious prisoner-of-war compounds, where he led an escape team determined to tunnel to freedom. photos.

Stalag 17 (1953), the riveting drama of a German prisoner-of-war camp, was adapted from the Broadway play directed by José Ferrer in 1951. Billy Wilder developed the play and made the film version more interesting in every way. Edwin Blum, a veteran screenwriter and friend of Wilder's, collaborated on the screenplay but found working with Wilder an agonizing experience. Wilder's mordant humor and misanthropy percolate throughout this bitter story of egoism, class conflict, and betrayal. As in a well-constructed murder mystery, the incriminating evidence points to the wrong man. Jeffrey Meyers's introduction enriches the reading of Stalag 17 by including comparisons with the Broadway production and the reasons for Wilder's changes.

In addition to concentration camps, World War II Germany was also home to 54 prisoner-of-war camps, the largest of which was Stalag IVB. Throughout the more than five years of its existence, Stalag IVB supported numerous satellite camps, eventually housing thousands of prisoners of many nationalities. Here Poles, French, Belgians, British, Americans, Dutch and Russians fought to survive in a place where life's most basic needs were barely fulfilled. Interned in the camp for several months from late 1943, Tony Vercoe engaged in a struggle for life, sanity and escape. This historical chronicle evokes the heartbreaking reality of day-to-day life in Stalag IVB. Rich with firsthand accounts by the author and other veterans of the camp, it provides particulars regarding rations, prisoner-of-war registration, camp hygiene, inmate activities and prisoner morale. Special emphasis is placed on the role of the International Red Cross in prisoner survival and the multinational "melting pot" characteristics of the camp itself. Possibilities of flight and the events that motivated prisoners' daring escape attempts are discussed, along with the consequences of their frequent failures. Closing chapters detail the camp's final months and the prisoners' long awaited deliverance.