In Staging and Re- cycling , John Keefe and Knut Ove Arntzen re-visit and reappraise a selection of their work to explore how the retrieval, re-approaching and re-framing of material can offer pathways for new work and new thinking. The book includes a collection of reprinted and first-published (although previously presented) textual material interspersed with editorial material - reflective essays from John and Knut on these pieces from the archives and original essays from invited scholars that explore the theme of repetition and re-cycling. The project has a number of aims: to suggest how the status of 'new' with regard to academic and staged dramaturgical materials may be reframed; to re-examine these through certain lenses and concepts (re-cycling; re-working; the spectator; landscape, post- and other dramaturgies); to explore the possibilities of critique offered by particular modes of juxtaposition, dialogue and dialectic; to offer further provocations to received ideas; and to retrieve and re-approach material, once published or presented, that becomes 'lost' in archives or on library shelves. As shown here, the role of the hyphen acts as an indicator to the status of 're-' in relation to the 'new'. Written for scholars and academics, researchers, undergraduate and postgraduate students, and practitioners working in all forms for theatre and performance, Staging and Re-cycling suggests a new form of dialogue between work, authors and readers, and draws out threads that extend back into the past and potentially forward into the future.

This book highlights current challenges and developments in waste material recycling in the framework of a circular economy. The increase in the standard of living has resulted in the large consumption of several materials, mainly polymers. Therefore the problem of waste recycling, specifically polymer recycling, in an environmentally friendly way is more urgent than ever. Nowadays, more specialized recycling methods are required to manage a wide variety of wastes. Over fourteen chapters in three sections, this book addresses such topics as chemical recycling techniques, recycling of polyethylene, denim production and recycling, valorization of waste materials, urban mining, the circular economy, and much more.

This volume examines the potential resource available from several waste streams. Opportunities for exploiting waste are discussed, along with their environmental and economic considerations.

Topics covered in this collection include the following: •Enabling & Understanding Sustainability - Ferrous & Non-ferrous Metals Processing •Understanding & Enabling Sustainability - (Rechargeable) Batteries •Enabling & Understanding Sustainability - Rare Earth Element Applications •Enabling & Understanding Sustainability - Building Materials & Slag Valorisation •Designing Materials and Systems for Sustainability •Understanding & Enabling Sustainability - Light Metals Recycling & Waste Valorisation •Understanding & Enabling Sustainability - Education Research Innovation I •Understanding & Enabling Sustainability - Education Research Innovation II + Electronic Equipment

This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history. Sarah Browne interrogates key scenes from the musical which will seek to identify the relationship between performance and the cultural moment. Whilst it is widely acknowledged that Hair is a product of the sixties counter-culture, this study will place the analysis in its socio-historical context to specifically reveal American values towards race, gender, and adolescence. In arguing that Hair is a rebellion against the established normative values of both American society and the art form of the musical itself, this book will suggest ways in which Hair can be considered utopian: not only as a utopian ‘text’ but in the practices and values it embodies, and the emotions it generates in its audiences. This book will be of great interest to scholars and students of music, musical theatre, popular music, American studies, film studies, gender studies, or African American studies.

This book discusses sustainable waste management technologies for managing end-of-life (EoL) post-consumer and packaging plastic solid waste (PSW) from domestic and commercial waste streams. It does so particularly in the context of providing a way forward for developing economies. Treating recycling and composting of, and energy recovery from, plastics, the book is directed at individuals who are responsible for or have a significant role in solid waste management. Academics and students in solid waste management pursuing research or study in solid waste management with particular interest in plastics will find this book useful. Sustainable options for managing PSW are presented with reference to the scientific, engineering, and management standpoints to enable decision makers and relevant stakeholders in industry arrive at the best decision for achieving sustainable resource management. The book further integrates waste management and technologies so that PSW recycling can be viewed from environmental, economic, and social perspectives. Greener technologies for PSW management are addressed so as to provide drivers that will influence key stakeholders and policy-makers achieve sustainability in this field.