In the host clubs of Tokyo's Kabuki-chō red-light district, ambitious young men seek their fortunes by selling love, romance, companionship, and sometimes sex to female consumers for exorbitant sums of money. Staged Seduction reveals a world where all intimacies and feigned feelings are fair game for the hosts who employ feathered bangs, polished nails, fine European suits, and the sensitivity of the finest salesmen to create a fantasy for wealthy women seeking an escape from the everyday. Akiko Takeyama's investigation of this beguiling underground "love business" provides an intimate window into Japanese host clubs and the lives of hosts, clients, club owners, and managers. The club is a place where fantasies are pursued and the art of seduction isn't merely about romance; a complex set of transactions emerges. Like a casino of love, the host club is a site of desperation, aspiration, and hope, in which both hosts and clients are eager to roll the dice. Takeyama reveals the aspirational mode not only of the host club, but also of a Japanese society built on the commercialization of aspiration, seducing its citizens out of the present and into a future where hopes and dreams are imaginable—and billions of dollars can be made.

Through its examination of Balzac's and Sand's representations of seduction from the perspectives of feminism, psycho-analysis, and cultural studies, this book sheds lights on erotic relations and the ways in which they are embedded in wider issues of subjectivity and political and social structures."--Jacket.

Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.

“Sexy, surprising, funny, insightful, and wildly entertaining” (Huffington Post)—the definitive biography of Giacomo Casanova, the impoverished boy who became the famous writer, notorious libertine, and self-invented genius in decadent eighteenth-century Europe. Today, “Casanova” is a synonym for “great lover,” yet the real story of this remarkable figure is little known. A figure straight out of a Henry Fielding novel, Giacomo Casanova was erotic, brilliant, impulsive, and desperate for recognition; a self-destructive genius. Over the course of his lifetime, he claimed to have seduced more than one hundred women, among them married women, young women in convents, girls just barely in their teens, women of high and low birth alike. Abandoned by his mother, an actress and courtesan, Casanova was raised by his illiterate grandmother, coming of age in a Venice filled with spies and political intrigue. He was intellectually curious and read forbidden books, for which he was jailed. He staged a dramatic escape from Venice’s notorious prison, I Piombi, the only person known to have done so. He then fled to France, ingratiated himself at the royal court, and invented the national lottery that still exists to this day. He crisscrossed Europe, landing for a while in St. Petersburg, where he was admitted to the court of Catherine the Great. He corresponded with Voltaire and met Mozart and Lorenzo da Ponte—assisting them as they composed the timeless opera Don Giovanni. And he wrote what many consider the greatest memoir of the era, the twelve-volume Story of My Life. Laurence Bergreen’s Casanova recounts this astonishing life in rich, intimate detail, and at the same time, paints a dazzling portrait of eighteenth-century Europe, filled with a cast characters from serving girls to kings and courtiers, “great fun for any history lover” (Kirkus Reviews).

This play concerns the intended hostile take-over of a deserving but obsolescent Rhode Island family business ... --dust jacket.

The long-awaited guide to writing long-form nonfiction by the legendary author and teacher Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising—and revising, and revising. Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world.

Heartache. Betrayal. Forgiveness. Redemption... Real families aren’t always the ones you know about… A Family Affair Boxed Set 4, Books 10-12, is about so much more than a secret family. Set in the small town of Magdalena, New York, the people have big hearts and good intentions…at least most of them do! Magdalena is a place of family, forgiveness, redemption, and second chances. And hope. Lots of hope. This town, and the people in it are about helping others get through the tough times and broken dreams, and doing it with the help of family, friends, sometimes even strangers. This boxed set includes A Family Affair: The Gift, A Family Affair: The Weddings, and A Family Affair: The Cabin. A FAMILY AFFAIR: THE GIFT Only one thing is missing from Tess and Daniel “Cash” Casherdon’s perfect life—a child. Oh, how they long for one to make their life complete. But what is it people say about being careful what you wish for…? Their wish will come true, but not in the way they think. Daniel Casherdon’s past is about to catch up with him. It’s bad enough when a woman arrives in Magdalena with a nine-year-old boy she claims is his, but confessing to a terminal illness and asking Tess and Cash to raise the boy when she’s gone? Well, that’s going to require a big leap of faith that won’t be easy or without repercussions. How can anyone refuse a dying mother such a heartbreaking request? Tess is torn between doing right by the child and acknowledging that another woman has given the man she loves something she may never be able to—a child. As the woman pulls Cash closer into her emotional circle, it is Tess who becomes the outsider, and soon she wonders if the woman has secrets she’s not telling. More than one resident is suspicious of anyone who drives a wedge between one of Magdalena’s favorite couples. The newcomer may look and act like the girl next door, but something isn’t right, and Pop Benito is going to gather ammunition and find out what that something is. But he’d better do it fast, before it’s too late. A FAMILY AFFAIR: THE WEDDINGS What’s more charming than a Christmas wedding? How about two Christmas weddings? Join us as we head back to Magdalena in this holiday novella and witness two couples head down the road of happily-ever-after. But don’t expect that road to be nice and smooth. Is anything worthwhile ever easy? Still, I’m betting on this town to help these couples through the rough patches and a good amount of snow to get to their happily-ever-after. So, are you wondering who these couples might be? There are quite a few possibilities, but I’ve decided to give you the true gift of a good surprise! A FAMILY AFFAIR: THE CABIN He’s lost his fortune… She’s nursing a broken heart…When fate steps in, will love prevail? Pete Finnegan had it all—money, power, status, a future wife, until he lost it all in one huge financial “gamble.” Now he’s back in his hometown of Magdalena, trying to figure out what to do with his life. When Nate Desantro offers him a job fixing up a cabin one hundred miles away, he jumps at the opportunity. Peace and solitude in the woods away from busybodies and do-gooders is exactly what he needs to contemplate his future. But Pete doesn’t expect to find a beautiful woman staying at the cabin. Elissa Cerdi has escaped to the Blacksworth cabin to heal her broken heart. As Gloria Blacksworth’s former caregiver, she’s agreed to honor the dead woman’s last request by mailing letters to select residents of Magdalena. When Elissa meets Pete, she doesn’t know he has ties to Magdalena, and she certainly doesn’t know the final letter she plans to mail is about his father. Pete and Elissa are both in need of healing and maybe that’s why they agree to shut down the outside world and pretend nothing exists but what’s inside the cabin. Could that also be why they’re able to open up to one another, talk about disappointments, hurts, betrayals, and hopes? Because it’s all pretend? Is that why passion consumes them, burns them with a need they’ve never felt before? Is it so powerful because it isn’t real? Except it is. When Pete uncovers the truth about Elissa’s part in Gloria Blacksworth’s cruel scheme for vengeance, he feels betrayed and questions everything that happened in the cabin. As weeks pass and the couple forge separate lives, Pete must decide if he can open his heart once again to forgiveness and love.