A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.

The first title in the DCI Banham series by acclaimed author and actress, Linda Regan. A thrilling tale of murder and mayhem set in the world of theatre, Behind You! is the scintillating debut crime novel from acclaimed actress Linda Regan. DI Paul Banham and Sergeant Alison Grainger investigate a series of mysterious deaths at a London theatre during pantomime season: it may be Christmas, but one of the cast certainly isn't full of goodwill to all men . . .

A deep investigation into historical documents that prove the notorious outlaw Jesse James faked his own death • Presents the legend of Jesse James and counters it with the real story, based on family records • Provides photographic evidence, a journal of Jesse James’s, and historical records that prove James faked his death, verified by experts and civic authorities • Debunks the 1995 DNA test results of James’s supposed remains The story of the notorious outlaw Jesse James’s assassination at the hands of Robert Ford has been clouded with mystery ever since its inception. Now, James’s great-great-grandchildren Daniel and Teresa Duke present the results of more than 20 years of exhaustive research into state and federal records, photographs, newspaper reports, diaries, and a 1995 DNA test in search of the truth behind Jesse James’s demise. Explaining how the accepted version of the history of Jesse James is wrong, the authors confirm their family’s oral tradition that James faked his own death in 1882 and lived out his remaining days in Texas. They methodically unravel the legend surrounding his death, with evidence vetted by qualified experts and civic authorities. They share the journal of their great-great-grandfather, kept from 1871 to 1876 and verified to be written in James’s handwriting. They reveal forensically confirmed photographs of James before and after his supposed killing, including one of James attending his own funeral. Examining James’s life both before and after his faked death, they provide an account of where he lived and who he associated with, including his interactions with secret societies. They compare the contradictory newspaper reports of James’s death with accounts by his family and associates, which support that the man buried as James was actually his cousin, and reveal how James tricked authorities into believing he had been killed. Further supporting their claim, the authors debunk the DNA test results of the exhumation of James’s body in 1995. The Dukes detail the ways in which the test was fraudulent, an assertion supported by the deputy counselor for Clay County at the time of the testing. Backed by a wealth of evidence, the descendants of Jesse James conclusively prove what really happened to America’s Robin Hood.

A revealing and dramatic chronicle of the twelve months leading up to Dr. Martin Luther King, Jr.'s assassination. Martin Luther King, Jr. died in one of the most shocking assassinations the world has known, but little is remembered about the life he led in his final year. New York Times bestselling author and award-winning broadcaster Tavis Smiley recounts the final 365 days of King's life, revealing the minister's trials and tribulations -- denunciations by the press, rejection from the president, dismissal by the country's black middle class and militants, assaults on his character, ideology, and political tactics, to name a few -- all of which he had to rise above in order to lead and address the racism, poverty, and militarism that threatened to destroy our democracy. Smiley's Death of a King paints a portrait of a leader and visionary in a narrative different from all that have come before. Here is an exceptional glimpse into King's life -- one that adds both nuance and gravitas to his legacy as an American hero.

A cozy blend of murder and romance. A fun read--with recipes! --Laura Levine Welcome to Kismet, PA, where home stager Caprice De Luca helps her clients shine in a lackluster real estate market--and where someone may only be in the market for murder. . . Caprice De Luca has successfully parlayed her skills as an interior designer into a thriving home staging business. So when her old high school friend Roz Winslow asks her to spruce up her mess of a mansion to perk up a slow buyer's market, Caprice is more than happy to share her skills. But when Roz's husband Ted is found skewered by one of his sword room's prized possessions, it appears the Winslows may have a few skeletons in their palatial closets. With the stage set for murder, Caprice will discover she can track down an antique tapestry and a cold-blooded killer with equal aplomb--as long as she's not the next victim. . . "A fascinating inside look at the art of home-staging--but did I mention it's also an elegantly crafted murder mystery featuring an irresistible sleuth?" --Leslie Meier

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

This book is open access under a CC BY 4.0 licence. This book is a multidisciplinary work that investigates the notion of posthumous harm over time. The question what is and when is death, affects how we understand the possibility of posthumous harm and redemption. Whilst it is impossible to hurt the dead, it is possible to harm the wishes, beliefs and memories of persons that once lived. In this way, this book highlights the vulnerability of the dead, and makes connections to a historical oeuvre, to add critical value to similar concepts in history that are overlooked by most philosophers. There is a long historical view of case studies that illustrate the conceptual character of posthumous punishment; that is, dissection and gibbetting of the criminal corpse after the Murder Act (1752), and those shot at dawn during the First World War. A long historical view is also taken of posthumous harm; that is, body-snatching in the late Georgian period, and organ-snatching at Alder Hey in the 1990s.