This book covers the International Concrete Society Conference held at the Cardiff International Arena and will be of interest to architects and planners, facility managers and consultants in the fields of engineering, environmental control and services and leisure managemnet, media facilities and to client organizations planning major sports and '

This book covers the International Concrete Society Conference held at the Cardiff International Arena and will be of interest to architects and planners, facility managers and consultants in the fields of engineering, environmental control and services and leisure managemnet, media facilities and to client organizations planning major sports and 'landmark' stadia.

A practical guide to stadia design for designers, managers, investors and all those who have an interest in one of the most exciting and rewarding building types of today. It includes the very latest projects in a wealth of international case studies.

As a result of a lifetime of incomparably wide-ranging investigations, Aaron Wildavsky concluded that politics in the United States and elsewhere was a patterned activity, exhibiting recurring regularities. Political values, beliefs, and institutions were neither endlessly varied, nor haphazardly organized. They tended to exhibit a limited range of variation, and were organized in discoverable, predictable ways. In Cultural Analysis, the fourth collection of his essays posthumously published by Transaction, Wildavsky argues that American politics, public law, and public administration are the contested terrain of rival, inescapable political cultures.Analysts of American politics distinguish liberals from conservatives and Democrats from Republicans, but do not explain how these categories of political allegiance develop, maintain themselves, or change. Wildavsky offers a cultural-functional explanation for ideological and partisan coherence and realignment. Wildavsky also felt that these dualisms did not adequately capture the ideological and partisan variation he observed on the political landscape. Like others, he detected another recurring strain of political allegiance: that of classical liberalism or libertarianism. People of this political stripe valued freedom more than equality (the primary political value of contemporary liberals), and also more than order, the primary political value of conservatives.The value of Wildavsky's reconceptualization of the ideological and social foundations of political conflict, compromise, and coalition is assessed here by Wildavsky's former colleagues and students at the University of California, Berkeley: Dennis Coyle, Richard Ellis, Robert Kagan, Austin Ranney, and Brendon Swedlow.

This book offers a rigorous but graphically compelling narrative historic analysis of one of the most important civic buildings not only of the University of Illinois Urbana-Champaign, or the State of Illinois, but arguably of the United States, Memorial Stadium. Like all spatial products, the design and construction of the University of Illinois Memorial Stadium embodies the social, political, economic, aspiration, and aesthetic values of its time. This book will engage in critical analysis including documenting the civic discourse that led to the Stadium and thereafter explore the iterative nature of the Stadium in shaping civic discourse. In this vein, central topics include its role in embodying the state’s economic growth; the changing nature of the sociocultural tendencies and its impact on campus life and the University’s community; the Stadium’s effects on UIUC sports and the campus’ built environment; the rise of College sports as big business; and the impact on mass culture across the State and the country, like the use of stadiums as concert venues and place of public discourse. More than a simple study of the building’s conceptualization, design, and construction, this book reveals why Illinois’ Memorial Stadium is an iconic part of the American Midwest’s built landscape and in many ways part of the American mythic landscape. This will be interesting reading for all those familiar with the building, as well as all students and scholars of sports architecture.

Since 1962, the inspiring architecture and sweeping vistas of Dodger Stadium have inspired millions of Los Angeles Dodgers baseball fans. What team president Walter O­Malley envisioned nearly half a century ago endures as one of professional baseball­s most striking pieces of architecture, standing in the shadow of the dramatic San Gabriel Mountains. Dodger Stadium is also one of only two such parks built during the 20th century constructed entirely with private funds. Most people think of the stadium as a world-class baseball park, and Dodger Stadium has certainly earned such a reputation, hosting eight World Series, an All-Star contest, and hundreds of action-filled games through the years, during which the Dodgers won eight National League championships and four World Series. But the stadium has been much more than a sporting ground, hosting Olympic ceremonies and events, a papal visit from John Paul II in 1987, and world-renowned musical events, ranging from Elton John to KISS to The Three Tenors. Other events have included ski-jumping competitions, boxing, and a Harlem Globetrotters basketball exhibition. For four years in the 1960s the stadium was also used by the Los Angeles Angels baseball team.