Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.

Saint Peter's Fair is a grand festive event, attracting tradesmen from across England and beyond. There is a pause in the civil war racking the country in the summer of 1139, and the fair promises to bring some much needed gaiety to the town of Shrewsbury. Until, that is, the body of a wealthy trader is found in the River Severn. Was Thomas of Bristol the victim of murderous thieves? And if so, why were his valuables abandoned nearby? Brother Cadfael offers to help the merchant's lovely niece Emma. But while he is seaching for the killer, the man's wares are ransacked and two more men are murdered. Emma almost certainly knows more than she is telling, as others will soon realise. Cadfael desperately races to save the young girl, knowing that in a country at war with itself, betrayal can come from any direction, and even good intentions can kill.

In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters—Michelangelo, Raphael, and Bramante—and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth—and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.

"A fresh, vigorous new translation of the Gospel of Mark."—The American Conservative "Professor Pakaluk provides not only a thrilling new rendering of the ancient Greek text but also provides lively scholarship in the commentary that follows his translation of Mark's sixteen chapters."—The Catholic Thing "This is a very rewarding version of Mark, and even those who have made long study of the text will find a wise and sensitive guide in Michael Pakaluk."—National Catholic Register "Pakaluk's translation and commentary offers us a wonderful way to immerse ourselves anew..."—The B.C. Catholic "Like his translation, Pakaluk's notes do a lot to bring St. Mark and his gospel alive for us."—Aleteia The Gospel as You Have Never Heard It Before... At a distance of twenty centuries, the figure of Jesus of Nazareth can seem impossibly obscure—indeed, some skeptics even question whether he existed. And yet we have an eyewitness account of his life, death, and resurrection from one of his closest companions, the Simon Bar-Jona, better known as the Apostle Peter. Writers from the earliest days of the Church tell us that Peter’s disciple Mark wrote down the apostle’s account of the life of Jesus as he told it to the first Christians in Rome. The vivid, detailed, unadorned prose of the Gospel of Mark conveys the unmistakable immediacy of a first-hand account. For most readers, however, this immediacy is hidden behind a veil of Greek, the language of the New Testament writers. Four centuries of English translations have achieved nobility of cadence or, more recently, idiomatic accessibility, but the voice of Peter himself has never fully emerged. Until now. In this strikingly original translation, atten- tive to Peter’s concern to show what it was like to be there, Michael Pakaluk captures the tone and texture of the sherman’s evocative account, leading the reader to a bracing new encounter with Jesus. The accompanying verse-by-verse commentary—less theological than historical—will equip you to experience Mark’s Gospel as the narrative of an eyewitness, drawing you into its scenes, where you will come to know Jesus of Nazareth with new intimacy. A stunning work of scholarship readily accessible to the layman, The Memoirs of St. Peter belongs on the bookshelf of every serious Christian.

Michelangelo, Raphael, Bramante—together these artists created some of the most glorious treasures of the Vatican, viewed daily by thousands of tourists. But how many visitors understand the way these artworks reflect the passions, dreams, and struggles of the popes who commissioned them? For anyone making an artistic pilgrimage to the High Renaissance splendors of the Vatican, George L. Hersey's book is the ideal guide. Before starting the tour of individual works, Hersey describes how the treacherously shifting political and religious alliances of sixteenth-century Italy, France, and Spain played themselves out in the Eternal City. He offers vivid accounts of the lives and personalities of four popes, each a great patron of art and architecture: Julius II, Leo X, Clement VII, and Paul III. He also tells of the complicated rebuilding and expanding of St. Peter's, a project in which Bramante, Raphael, and Michelangelo all took part. Having set the historical scene, Hersey then explores the Vatican's magnificent Renaissance art and architecture. In separate chapters, organized spatially, he leads the reader through the Cortile del Belvedere and Vatican Museums, with their impressive holdings of statuary and paintings; the richly decorated Stanze and Logge of Raphael; and Michelangelo's Last Judgment and newly cleaned Sistine Chapel ceiling. A fascinating final chapter entitled "The Tragedy of the Tomb" recounts the vicissitudes of Michelangelo's projected funeral monument to Julius II. Hersey is never content to simply identify the subject of a painting or sculpture. He gives us the story behind the works, telling us what their particular themes signified at the time for the artist, the papacy, and the Church. He also indicates how the art was received by contemporaries and viewed by later generations. Generously illustrated and complete with a useful chronology, High Renaissance Art in St. Peter's and the Vatican is a valuable reference for any traveler to Rome or lover of Italian art who has yearned for a single-volume work more informative and stimulating than ordinary guidebooks. At the same time, Hersey's many anecdotes and intriguing comparisons with works outside the Vatican will provide new insights even for specialists.

"All thoughtful leaders can admit experiences of ongoing incompetence--dilemmas, decisions, and even debacles that make them question how they became leaders in the first place. When we look at St. Peter, however, we see a great leader who engaged with his weaknesses and knew his shortcomings. By following his example, we become better leaders in any arena. Seminary president Peter Lillback's profound treatment of more than 100 principles drawn from St. Peter helps you to think through your management style, communication, decision-making, and more. Practical spiritual exercises put the lessons of each short chapter into action--bringing joy to our hearts, guidance to our lives, and help to our service"--From publisher's description.

Originally published: 1st ed. Garden City, N.Y.: Doubleday, 1982.