A truthful look at the French saint follows her life from her childhood to her death when she was burned at the stake for witchcraft.

An historical biography of fifteenth-century saint and national heroine of France, Joan of Arc, that relies on the letters and testimony given at her trial.

Joan of Arc was born in a small French village during the worst period of the Hundred Years' War. For generations, France had been besieged by the British. At age 11, Joan began to see religious visions telling her to join forces with the King of France. By the time she was a teenager, she was leading troops into battle in the name of her country. Though she was captured and executed for her beliefs, Joan of Arc became a Catholic saint and has since captured the world's imagination.

Written in a straight-forward, concise, and at times humorous manner, Nash-Marshall's Joan of Arc acquaints the reader with a historical character who became a legend during her lifetime legend. Joan is presented to us as a brave young girl who received a mission and who courageously used all of her faculties and gifts to accomplish it. Nash Marshall's approach is refreshingly honest. The narrative is centered on Joan, her mission, her work to fulfill it, her betrayal. The author gives us the facts and allows us readers to draw our own conclusions. Lovers of history will find the author's thesis on the connection between the resurgence of France, the betrayal of Joan, and the fall of Byzantium very interesting.

A biography of the fifteenth-century peasant girl who led a French army to victory against the English, witnessed the crowning of King Charles VII, and was later burned at the stake for witchcraft.

The literary genetics of Shaw's most famous play are here examined for the first time. The sources of Saint Joan are closely compared with the original shorthand manuscript and that is compared with its subsequent revisions. This evidence is supplemented by facts drawn from Shaw's correspondence in print, in the British Library, and in private collections, and by accounts both in print and in the correspondence of people who knew Shaw at the time of his writing Saint Joan. The manuscript and its revisions are examined in the light of all that has been written about the play since it first appeared in 1923. Tyson examines the events that led Shaw to write Saint Joan, establishes the times and places of its composition, and speculates on the "models" upon which Shaw may have based his heroine. The scene-by-scene investigation of the original manuscript accounts as far as possible for later alterations and revisions and discusses passages of critical or historical interest. The concluding chapters survey the circumstances surrounding the first production of the play in the United States, Great Britain, France, and Germany and reflect on the impact that Saint Joan has had on drama for more than half a century.