guru-carana-saroruha-dvayotthän mahita-rajah-kanakan pranamy murdhnä | gaditam iha vivicya näradadyair yajana-vidhim kathayami śärngapaneḥ||2||| First Ray of Light-Text 2 I bow down, placing my head in the glorious pollen of my spiritual master’s lotus feet. After carefully deliberating on the instructions of Narada Muni and other great devotees, I shall now describe the process of devotional service to Lord Krsna, who carries the sariga bow in His hand.

A. C. Bhaktivedanta Swami Prabhup?da (1896-1977), founder of the Hare Krishna Movement, traced his lineage to the fifteenth-century Indian saint Sri Chaitanya. He authored more than fifty volumes of English translation and commentaries on Sanskrit and Bengali texts, serving as a medium between these distant authorities and his modern Western readership and using his writings as blueprints for spiritual change and a revolution in consciousness. He had to speak the language of a people vastly disparate from the original recipients of his tradition's scriptures without compromising fidelity to the tradition. Tamal Krishna Goswami claims that the social scientific, philosophical, and 'insider' forms of investigation previously applied have failed to explain the presence of a powerful interpretative device-a mahavakya or 'great utterance'-that governs and pervades Prabhupada's 'living theology' of devotion on bhakti. For Prabhupada, the wide range of 'vedic' subject matter is governed by the axiomatic truth: Krishna is the Supreme Personality of Godhead. Goswami's academic training at the University of Cambridge, his thirty years' experience as a practitioner and teacher, and his extensive interactions with Prabhupada as both personal secretary and managerial representative, afforded him a unique opportunity to understand and illuminate the theological contribution of Prabhupada. In this work, Goswami proves that the voice of the scholar-practitioner can be intimately connected with his tradition while sustaining a mature critical stance relative to his subject. A Living Theology of Krishna Bhakti includes a critical introduction and conclusion by Graham M. Schweig.

This book examines the practice of poetry in the devotional Vaiṣṇava tradition inspired by Śrī Kṛṣṇa Caitanya (1486-1533), through a detailed study of the Sanskrit poetic works of Kavikarṇapūra, one of the most significant sixteenth-century Caitanya Vaiṣṇava poets and theologians. It places his ideas in the context both of Sanskrit literary theory (by exploring his use of earlier works of Sanskrit criticism) and of Vaiṣṇava theology (by tracing the origins of his theological ideas to earlier Vaiṣṇava teachers, especially his guru Śrīnātha). Both Kavikarṇapūra's poetics as well as the style of his poetry is in many ways at odds with those of his time, particularly with respect to the place of phonetic ornamentation and rasa. Like later early modern theorists, Kavikarṇapūra reaches back to the earliest Sanskrit poeticians whom he attempts to harmonise with the theories current in his time, to develop a new poetics that values both literary ornamentation and the suggestion of emotion through rasa. This book argues that the reasons of and purposes for Kavikarṇapūra's literary innovations are firmly rooted in his unique Vaiṣṇava theology, and exemplifies this through a careful reading of select passages from the Ānanda-vṛndāvana, his poetic retelling of Kṛṣṇa's play in Vṛndāvana.