The Katha Upanishad tells the story of the brahmana boy Naciketa who is cursed by his angry father to go to the underworld presided over by Yama, the god of death. Naciketa waits for three nights and when the god of death finally arrives, Naciketa is granted three boons by him. His first wish is that he should be reunited with his father and forgiven by him. His second wish is to learn about the worship of the sacred fire that grants one liberation and his third wish is to be given knowledge about the Absolute Truth. Upon hearing Naciketa’s third wish, Yama tests him and offers him all sorts of worldly pleasures instead. However, Naciketa is determined and seeing his resolve, Yama teaches him. Through his conversation with Death, Naciketa attains enlightenment.

This Upanishad forms a part of the Brahmana belonging to the Katha Shakha of the Krishna Yajur Veda. It stands in a class by itself. It combines charming poetry, elevating mysticism, and profound philosophy. The subject of the mystery of death is introduced through the medium of an interesting anecdote; and the teaching of the Upanishad is presented in the form of a dialogue between a mere boy, Nachiketa, and Yama, the King of Death. With the text of the Upanishad in Devanagari, a lucid and faithful translation of the text and commentary, relevant notes, reference to quotations, and index to texts, this Upanishad is a must for all students of Vedanta. Published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math.

This is a new and contemporary translation of one of India's most revered texts - The Katha Upanishad. Tigunait delights us with an understandable version of one of the most difficult texts of all religious traditions. The story is of a young boy who compels the Lord of Death to reveal the secret of what happens after we die. Tigunait's commentary and translation make this text ideal for anyone looking for inner growth and enlightenment.

The whole world runs away from death, because death snatches everything, but the one who accepts it and willingly faces it, receives something from death itself. Ironically, knowledge of death gives you the gift of life. Katopanishad tells the story of young Nachiketa who goes to face the lord of death and the extraordinary dialogue that ensues between them. Upanishad means sitting close to the Master. Gurudev takes us through this beautiful story integrating its profoundness with real-life situations, turning abstract philosophy into existential reality.

Authored by Swami Gambhirananda, who was a scholar-monk of great eminence and the eleventh president of the Ramakrishna Order, this book is one of the authentic biographies on Holy Mother Sri Sarada Devi. The book presents many interesting facts and incidents of her life gleaned from various authentic sources, both oral and written. Presented in a clear and vivid style, the main narrative is profusely interspersed with conversations of the Holy Mother. The book contains a chronology of the Holy Mother’s life and a genealogy of her family in the appendices. The book is a must-read for all devotees and admirers of the Ramakrishna movement to acquaint themselves with the extraordinary life of the Holy Mother.

Kathopaniñad is a unique Upaniñad which starts with a kathä (a story) of a young boy who is ready to face the Lord of Death in his quest for Truth to know what lies beyond death. He asks the very pertinent and philosophical question, ‘Is there or is there not, and if it is what is it?’ In short, this teaching is an extravaganza of spiritual knowledge and meditation that guides a student step by step to the glorious state of immortality, peace and bliss.

The Upanishads are a group of texts in Hindu sacred literature that are considered to reveal the ultimate truth and whose knowledge is considered to lead to spiritual emancipation. In the Upanishads, we find the finest flowering of the Indian metaphysical and speculative thought. They are utterances of seers who spoke out of the fullness of their illumined experience. Upanishad is derived from upa (near), ni (down) and sad (to sit). Hence, the term implies the pupils, intent on learning, sitting near the teacher to acquire knowledge and truth. There are over 200 Upanishads but the traditional number is 108. Of them, only 10 are the principal Upanishads: Isha, Kena, Katha, Prashan, Mundaka, Mandukya, Tattiriya, Aitareya, Chhandogya and Brihadaranyaka. This book is a forerunner in introducing these primary Upanishads to the uninitiated.