Jimmy Santiago Baca continues his daily pilgrimage through the meadows, riverbanks, and bosques of the Rio Grande where winter dies, spring explodes, and inextricable links between the human spirit and the natural world are revealed, chronicling and expanding upon those in his recent Winter Poems Along the Rio Grande. In Spring Poems the words of the river "rise around thorny thickets / then descend again into the burbling stubble," and the poet surrenders himself to this place where his own words are woven by "a thumbnail-sized yellow spider/ with poppy seed eyes."--Amazon.com.

“Baca writes with unconcealed passion . . . and manifests both an intense lyricism and that transformative vision which perceives the mythical and archetypal significance of life events.”—Denise Levertov Champion of the International Poetry Slam, winner of the Before Columbus American Book Award, the International Hispanic Heritage Award, the Pushcart Prize, and the prestigious International Award, Jimmy Santiago Baca has been writing as a mestizo (part Native American, part Mexican) and an outsider ever since he learned to read and write—in English—during a six-year Federal prison sentence when he was in his twenties. Drawing on his rich ethnic heritage and his life growing up in poverty in the Southwestern United States, Baca has a created a body of work which speaks to the disenfranchised by drawing on his experiences as a prisoner, a father, a poet, and by reflecting on the lush, and sometimes stark, landscape of the Rio Grande valley. In response to increased demand for Latino poetry in Spanish, and to thousands of Baca fans who are bilingual, this unique collection contains Spanish translations of Baca’s poetry selected from the volumes Martín and Mediations on the South Valley (1987), Black Mesa Poems (1989), Immigrants in Our Own Land (1990), Healing Earthquakes (2001), C-Train and Thirteen Mexicans (2002), Winter Poems Along the Rio Grande (2004), and Spring Poems Along the Rio Grande (2007).

New poetry by the Champion of the International Poetry Slam and winner of the Before Columbus American Book Award, the International Hispanic Heritage Award, the Pushcart Prize, and the prestigious new International Award.

Poet-activist Jimmy Baca immerses the reader in an epic narrative poem, imagining the experience of motherhood in the context of immigration, family separation, and ICE raids on the Southern border. Jimmy Santiago Baca sends us on a journey with Sophia, an El Salvadorian mother facing a mountain of obstacles, carrying with her the burden of all that has come before: her husband’s murder, a wrenching separation from her young son at the border, then rape and abuse at the hands of ICE, yet persevering: “I keep walking/carrying you in my thoughts,” she repeats, as she wills her boy to know she is on a quest to find him.

This curriculum-based collection of lesson plans is designed to build student confidence for articulating their unique ideas and sensibilities about the world through literary expression. For this book, Jimmy Santiago Baca, one of the foremost poets in America today, collaborates with two National Writing Project Fellows and literacy professionals, Kym Sheehan and Denise VanBriggle. Together they present a teaching tool that uses poems from Baca’s incarceration as a young man, along with curricular activities and probing questions crafted to help students heal through writing. Each exercise reinforces the theme that a strong grasp of self-esteem borne from unique expression lends itself to the student enjoying day-to-day life at the highest creative and fulfilling level. Book Features: Draws on the extraordinary life and career of Jimmy Santiago Baca, who came to write poetry in prison and now has 28 works in print, ranging from a feature movie Blood In Blood Out to his bestselling memoir A Place to Stand. Based on the authors’ combined experience of facilitating hundreds of writing workshops. Offers field-tested recommendations to help educators inspire and fortify students suffering from doubt or damaged self-esteem. Includes detailed descriptions, exercises, and sample poetry to assist teachers and students in the writing process.

Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders. Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.

Presents a reference on Hispanic American literature providing profiles of Hispanic American writers and their works.