Songs (melodies with chord symbols): p. 85-96.

Born in Belfast during World War II, raised in a working-class Protestant family, and educated on scholarship at Queen's University, writer Stewart Parker's story is in many ways the story of his generation. Other aspects of his personal history, though, such as the amputation of his left leg at age 19, helped to create an extraordinarily perceptive observer and commentator. Steeped in American popular culture as a child and young adult, he spent five years teaching in the United States before returning to Belfast in August 1969, the same week British troops responded to sectarian disturbances there. Parker had developed a sense of writing as a form of political action in the highly charged atmosphere of the US in the late 1960s, which he applied in many and varied capacities throughout the worst years of the Troubles to express his own socialist and secular vision of Northern Irish potential. As a young aspiring poet and novelist, he supported himself with free-lance work that brought him into contact with institutions ranging from BBC Northern Ireland to the Irish Times (for which he wrote personal columns and the music review feature High Pop) and from the Queen's University Extramural Department to Long Kesh internment camp (where his creative writing students included Gerry Adams). It is as a playwright, however, that Parker earned a permanent spot in the literary canon with drama that encapsulates his experience of Northern Ireland in the 1970s. Marilynn Richtarik's Stewart Parker: A Life illuminates the genesis, development, and meaning of such classic plays as Spokesong, Northern Star, and Pentecost - works that continue to shed light on the North's past, present, and future - in the context of Parker's life and times. Meticulously researched and engagingly written, this critical biography rewards general readers and specialists alike.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Read the many dramatic, real-life testimonies of people who received miraculous healing from deadly diseases, illnesses, and destructive lifestyles and habits. Discover how they were healed and how you, too, can: Remove hindrances to healing. Overcome fear and hopelessness. Learn the causes of sickness. Defeat the power of evil. Receive physical and emotional healing. Walk in divine health. Minister healing to others. God desires to heal His people. You can be among those who receive healing today!

This collection contains a selection from the papers given at the 1989 conference of the International Association for the study of Anglo-Irish Literature. The selection is broadly representative of the truly international nature of the conference, whose delegates came from every continent, and of the study of Irish literature today. It includes essays on Beckett, Joyce, Friel, Yeats, O'Casey, Parker, Clarke, Kinsella, Muldoon, Mahon, Banville, Brian Moore, Edna O'Brien, Swift and Edgeworth, as well as on critical issues, such as the uses of the fantastic in prose and drama, modernism and romanticism, Irish semiotics, social criticisms in contemporary Irish poetry and, especially appropriate for the occasion, the relationship and influence of Hungary and Ireland in one another's literature. Contributors to this volume are Csilla Bertha, Eoin Bourke. Patrick Burke, Martin J. Croghan, Ruth Felischmann, Maurice Harmon, Werner Huber, Thomas Kabdebo, Veronica Kniezsa, Maria Raizis, Aladar Sarbu, Bernice Schrank, Joseph Swann and Andras Ungar. This is the forty-fifth volume of the Irish Literary Studies Series.

A thorough and insightful study of the work of twenty-five important Irish playwrights.

The lines of Michael Fishbane’s book trace the spiritual face of Judaism in one of its many appearances. Fishbane explores the quest for spiritual perfection in early rabbinic sources and in Jewish philosophy and mysticism. The "kiss of God," a symbol for union with God, and the ritual practices—meditation and performance—connected with it are presented. The book identifies a persistent passion for religious perfection, expressed as the love of God unto death itself. The masters of the tradition cultivated this ideal in all periods, in diverse genres, and in different modes. Rabbinic law and midrash, medieval philosophy and mysticism, public and private ritual all contributed to its development. Rooted in the understanding that the spiritual life requires discipline, the sages set up different ladders of ascension. For some, the Law itself was the means of spiritual growth; for others, more private practices were built upon its foundation. But all agreed that the purification of desire and the perfection of the soul offered the hope of personal salvation. None denied the historical redemption of the nation.