Meticulously researched and engagingly written, this is the first biography of the important Irish playwright Stewart Parker. It illuminates the genesis and meaning of such classic plays as Spokesong and Pentecost - works that continue to shed light on Northern Ireland's past, present, and future - in the context of Parker's life and times.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

A thorough and insightful study of the work of twenty-five important Irish playwrights.

The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

This collection contains a selection from the papers given at the 1989 conference of the International Association for the study of Anglo-Irish Literature. The selection is broadly representative of the truly international nature of the conference, whose delegates came from every continent, and of the study of Irish literature today. It includes essays on Beckett, Joyce, Friel, Yeats, O'Casey, Parker, Clarke, Kinsella, Muldoon, Mahon, Banville, Brian Moore, Edna O'Brien, Swift and Edgeworth, as well as on critical issues, such as the uses of the fantastic in prose and drama, modernism and romanticism, Irish semiotics, social criticisms in contemporary Irish poetry and, especially appropriate for the occasion, the relationship and influence of Hungary and Ireland in one another's literature. Contributors to this volume are Csilla Bertha, Eoin Bourke. Patrick Burke, Martin J. Croghan, Ruth Felischmann, Maurice Harmon, Werner Huber, Thomas Kabdebo, Veronica Kniezsa, Maria Raizis, Aladar Sarbu, Bernice Schrank, Joseph Swann and Andras Ungar. This is the forty-fifth volume of the Irish Literary Studies Series.