In Spirits in the Material World: The Challenge of Technology, Gil Germain provocatively argues that humans are fast becoming spirit-like creatures, beings who assume their bodies are incidental to what it means to be human, and the 'real world' an accidental quality of the human condition. Technology, it is suggested, authorizes such an understanding and legitimates a manner of action that obscures the centrality of embodiment. Technology properly understood is thus an otherworldly or spiritual force. Spirits in the Material World challenges the assumptions underpinning the technological world view through a reading of leading contemporary theorists who have addressed the interconnection between technology and embodiment. The book both reveals and contests the multifarious ways in which technology's spiritual thrust is manifested in contemporary thought and practice. While respecting technology's hold on modernity and its predisposition toward disembodiment, Germain gives important reasons why this inclination toward spiritization ought to be resisted and what shape this resistance must take if it is to be meaningful. Spirits in the Material World will appeal to a broad spectrum of scholars and students alike, especially those interested in philosophy of technology, postmodernism, political theory, phenomenology, the end of history debate, and deep ecology.

Spirits in the Material World: The Challenge of Technology provocatively argues that technology is best understood as an otherworldly or spiritual force. Under its influence, humans are fast becoming spirit-like creatures, beings who assume their bodies are incidental to what it means to be human and the "real world" an accidental quality of the human condition. Technology authorizes such an understanding and legitimates a manner of action that obscures the centrality of embodiment and its significance. Gil Germain challenges many of the assumptions underpinning the technological worldview through a reading of leading contemporary theorists who have addressed the interconnection between technology and disembodiment. The book both reveals and contests the multifarious ways in which technology's spiritual thrust is manifested in contemporary thought and practice. While respecting technology's hold on modernity and its predisposition toward disembodiment, Germain gives important reasons why this inclination toward spiritizaiion ought to be resisted and what shape this resistance must take if it is to be meaningful. Gil Germain is associate professor of political studies at the University of Prince Edward Book jacket.

WITH A BRAND NEW LOOK! ON FEBRUARY 22, 1980, KHORSHED AND RUMI BHAVNAGRI’S WORLD WAS SHATTERED. ONE MONTH LATER, A NEW ONE OPENED. Khorshed and Rumi Bhavnagri lost their sons, Vispi and Ratoo, in a tragic car crash. With both their sons gone, the couple felt they would not survive for long. They had lost all faith in God until a miraculous message from the Spirit World gave them hope and sent them on an incredible journey.

From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction

"The train jerks to a halt, and as I get out at Oxford Circus, Stewart gets out with me. We look at each other, laugh, and make the standard remark about it being a small world. But this is the brilliant collision, one train later and it might all have turned out differently." In this extraordinary memoir, world-renowned guitarist Andy Summers provides a revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote. But, of course, the early work is only part of the story, and Andy's account of his role as guitarist for the Police---a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train---has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band's triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers's personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.

"Following the end of Prohibition in 1933, demand for moonshine remained high due to taxes imposed on large liquor producers. Seeking to answer this demand were the distillers of Appalachia who, having established illegal networks of moonshine distribution under Prohibition, continued their activities and effectively skirted the federal liquor tax scheme. Spirits of Just Men chronicles the Great Moonshine Conspiracy Trial of 1935, held in Franklin County, Virginia, a place that many still refer to as the "Moonshine Capital of the World." While the trial itself made national news, Thompson uses the event as a stepping-off point to explore Blue Ridge Mountain culture, economy, and political engagement in the 1930 illustrating how participation in the moonshine trade was a rational and savvy choice for farmers and community members struggling to maintain their way of life amidst the pressures of the Great Depression and pull of the timber and coal-mining industries in Virginia. Through Thompson's prose, local characters come alive as he pays particular attention to the stories of a key witness for the defense, Miss Ora Harrison, an Episcopalian missionary to the region, and Elder Goode Hash, itinerant Primitive Baptist preacher and juror in a related murder trial. Thompson explores how local religious belief both clashed with and condoned the moonshine trade and how stills and the trade enabled a distinctive cultural formation in the region that goes far beyond the hillbilly stereotype alive today. Not only is his work is based on extensive oral histories and local archival material, but Thompson himself is from the area and his grandparents were involved in not only the moonshine trade but the trial as well"--Provided by publisher.

Explores the rich history of angels in America from Spanish colonialism and Puritan culture to modern incarnations found on TV, in movies, in comic books, and on bumper stickers. Finds that Americans have constructed the "useful angel" as a servant of man rather than an agent of God.