An old loner and his misfit dog spend a year on the road in this acclaimed Irish novel of “singing prose [and] two unlikely Beckettian wanderers” (The Guardian, UK). It is springtime, and an isolated man shunned by his village has forged a connection with the one-eyed dog he’s taken into his tightly shuttered life. But as their friendship grows, their small seaside community becomes suspicious. And when an accident is misconstrued as menace, this pair of outcasts must take to the road. As they travel from town to town, sleeping in the car and subsisting on canned spaghetti, the man confides in One Eye the strange and melancholy story of his life. With its gorgeously poetic prose, Spill Simmer Falter Wither has garnered enthusiastic praise in its native Ireland, where the Irish Times pointed to Baume’s “astonishing power with language” and praised it as “a novel bursting with brio, braggadocio and bite.” “Baume has a rare ability to look afresh at muted scenes and ordinary objects… the book hums with its own distinctiveness.”—The Guardian, UK

A young artist in the midst of a breakdown escapes to the Irish countryside in this “cleareyed, beautiful rendering of a woman struggling against despair” (Kirkus). Shortlisted for the Goldsmiths Prize A twenty-something artist, Frankie is struggling to cope with urban life—and life in general. So she retreats to her family’s rural house on “turbine hill,” vacant since her grandmother’s death three years earlier. Surrounded by countryside and wild creatures, she can finally grapple with the chain of events that led her here—her shaky mental health, her difficult time in art school—and maybe even regain her footing in art and life. Reconsidering the relevance of art and closely examining the natural world around her, Frankie begins to pick up photography once more. With “prose that makes sure we look and listen,” Sara Baume has written an intimate and powerful novel that is also a meditation on wildness, community, the art world, and mental illness (Atlantic). “Fascinating, because of the cumulative power of the precise, pleasingly rhythmic sentences, and the unpredictable intelligence of the narrator’s mind.” —Guardian, UK

“One of the most beautiful novels I have ever read.” —New York Times Book Review A stunning, powerful novel about a couple that pushes against traditional expectations, moving with their dogs to the Irish countryside where they embed themselves in nature and make attempts to disappear from society. It is the winter following the summer they met. A couple, Bell and Sigh, move into a remote house in the Irish countryside with their dogs. Both solitary with misanthropic tendencies, they leave the conventional lives stretched out before them to build another—one embedded in ritual, and away from the friends and family from whom they’ve drifted. They arrive at their new home on a clear January day and look up to appraise the view. A mountain gently and unspectacularly ascends from the Atlantic, “as if it had accumulated stature over centuries. As if, over centuries, it had steadily flattened itself upwards.” They make a promise to climb the mountain, but—over the course of the next seven years—it remains unclimbed. We move through the seasons with Bell and Sigh as they come to understand more about the small world around them, and as their interest in the wider world recedes. Seven Steeples is a beautiful and profound meditation on the nature of love and the resilience of nature. Through Bell and Sigh, and the life they create for themselves, Sara Baume explores what it means to escape the traditional paths laid out before us—and what it means to evolve in devotion to another person, and to the landscape.

The Wild Atlantic Way is a driving route along Ireland's Atlantic seaboard, covering over 2,350km of coastline and showcasing the region's breathtaking landscapes. This guide adapts the route for cyclists - and throws in a couple of other highlights (such as the Aran Islands and Killarney) for good measure. Since relatively few people are likely to have seven weeks to spare for a full Wild Atlantic Way tour, the book presents six self-contained cycle tours, each offering 7-10 days of riding. For the full Wild Atlantic Way experience, these distinct routes can be linked together into a 44-stage trip from Derry/Londonderry to Cork. Each route includes detailed advice on accommodation and facilities, plus optional detours and shortcuts and points of interest. The routes themselves are presented as 'route cards': ideal for use with a cycle computer, these pages provide 'at a glance' information for when you're on the road, covering navigation, facilities and local highlights. The guide covers all the practicalities - including transport, equipment and general tips on cycling in Ireland.

To what extent, and in what manner, do storytelling practices accommodate nonhuman subjects and their modalities of experience, and how can contemporary narrative study shed light on interspecies interactions and entanglements? In Narratology beyond the Human, David Herman addresses these questions through a cross-disciplinary approach to post-Darwinian narratives concerned with animals and human-animal relationships. Herman considers the enabling and constraining effects of different narrative media, examining a range of fictional and nonfictional texts disseminated in print, comics and graphic novels, and film. In focusing on techniques such as the use of animal narrators, alternation between human and nonhuman perspectives, the embedding of stories within stories, and others, the book explores how specific strategies for portraying nonhuman agents both emerge from and contribute to broader attitudes toward animal life. Herman argues that existing frameworks for narrative inquiry must be modified to take into account how stories are interwoven with cultural ontologies, or understandings of what sorts of beings populate the world and how they relate to humans. Showing how questions of narrative bear on ideas of species difference and assumptions about animal minds, Narratology beyond the Human underscores our inextricable interconnectedness with other forms of creatural life and suggests that stories can be used to resituate imaginaries of human action in a more-than-human world.

The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.

‘One of the books of the year. Cunnell’s style is matchless: intimate, dark, sincere, wry and exquisitely beautiful’ – Irish Times ‘A cracking, urgent page-turner of a novel’ – Observer The painter Terry Godden was on the brink of his first success. After a violent crisis, he finds himself outcast. In his fifties, and with little money, he retreats to a small island. Arriving in the winter, the island at first seems a desolate and forgotten place. As the seasons turn, Terry begins to see the island’s beauty, and discovers that he is only one of many people who have sought refuge here. These independent outsiders, all with their own considerable struggles, have made a precarious home. The island is owned by the business man and art collector Alex Kaplan. His decision to enforce a rent increase as he seeks to improve his property looks set to destroy this community that cannot afford to lose the little they have left. As an artist, Terry believes making the invisible struggles of the island visible to the world will help – but will his interference save anybody other than himself? The Painter’s Friend shows the human cost of gentrification for those dispossessed. The novel also explores the role of art in protest, and asks who gets to be an artist and what they owe in return. Written with visual lyricism and driven clarity, Howard Cunnell’s incendiary story about class and resistance builds to an unforgettable climax. It is an urgent novel for our unjust times. ‘I loved it. Cunnell’s writing has an unforgettable visual and moral clarity’ – Melissa Harrison, author of All Among the Barley