A woman has had enough of her husbands cheating way. She decides to teach him the ultimate lesson as she takes him on a ride of tease and denial! This 6000 short story contains mature themes including and should be read by adults only!

Presumed dead, a group of undergraduate students who go missing on a deserted Pacific island emerge one year later in two groups of ragged (and naked) survivors. All but one of the surviving women have conceived, and two students, plus their professor, are said to have died. In the glare of the world's media, every survivor sticks to the same unconvincing version of events. Piece-by-piece the narrator examines the evidence and conducts interviews with the survivors, to work out exactly what happened on the island during that year. Slowly, a disturbing picture emerges of feral humans driven by rivalry and sexual tension ...a 'Lord of the Flies' scenario for adults that suspiciously seems to test the dead professor's theory that by nature people are no different from apes in the wild.

An expert at wrapping men around her ice-cold finger, Kirsty uses her seductive charm, her touch and every inch of her curvy tanned body to draw her first sub in. She promises Dillon a night of unparalleled passion and extreme pleasure. What she forgot to mention was, the pleasure was going to be all hers, Kirsty leads him back to her garage, and locks him into a chastity cage. The end result will be extreme pleasure for Kirsty and agonizing frustration and painful blue balls for Dillon. Download Click LOOK INSIDE and learn how this ice-cold woman controls the very essence of her male counterpart, teasing and denying him the very release she has built him up for.

In a world filled with warriors, Valentine’s Day means war for the creatures of Zanalia. Mina, queen of the disciplinarian tribe, is responsible for spearheading attacks on the land’s worst enemies. Spike, Mina’s biggest adversary and the son of king Theo, no longer believes in provoking battles on this love-filled holiday. He secretly encourages the Zanalians to put away their weapons and spend time with their loved ones instead. The absurd suggestion goes against the territory’s oldest tradition and is rejected by many, to the point that Spike receives death threats. His father grows worried for his son and orders Mina to stage his kidnapping, then provide him with personal, around-the-clock protection. Mina is infuriated by the mission as she’s being forced to protect a disloyal traitor. She vows to make Spike’s time with her as torturous as possible until she unwittingly finds pleasure in the pain she inflicts upon him, while he seemingly relishes her harsh punishments. Emotions run high between the pair, and Mina realizes that Spike’s wish to spread love this Valentine’s Day just may come true after all.

Responding to the controversy surrounding drug use and drug criminalization, Thomas Szasz suggests that the "therapeutic state" has overstepped its bounds in labeling certain drugs as "dangerous" substances and incarcerating drug "addicts" in order to cure them. Szasz shows that such policies scapegoat certain drugs as well as the persons who sell, buy, or use them; and 'misleadingly pathologize the "drug problem" by defining disapproved drug use as "disease" and efforts to change the behavior as "treatment." Readers will find in Szasz's arguments a cogent and committed response to a worldwide debate.

Hailed by critics and scholars as the most valuable study of Faulkner's fiction, Cleanth Brooks's William Faulkner: The Yoknapatawpha Country explores the Mississippi writer's fictional county and the commanding role it played in so much of his work. Brooks shows that Faulkner's strong attachment to his region, with its rich particularity and deep sense of community, gave him a special vantage point from which to view the modern world.Books's consideration of such novels as Light in August, The Unvanquished, As I Lay Dying, and Intruder in the Dust shows the ways in which Faulkner used Yoknapatawpha County to examine the characteristic themes of the twentieth century. Contending that a complete understanding of Faulkner's writing cannot be had without a thorough grasp of fictional detail, Brooks gives careful attention to "what happens: In the Yoknapatawpha novels. He also includes useful genealogies of Faulkner's fictional clans and a character index.

With great tenderness, poet and critic Robert Peters recalls the brief life and sudden death of his son Richard, a four-year-old called "Feather" by his sister Meredith and brother Rob. Feather returns home ill one day from nursery school, spends the afternoon in bed with his father and his stuffed toy seal, and dies that evening. Looking back after decades on that February day in 1960, when the skinned knees, colds, and fevers of childhood were obliterated by the unthinkable--fatal meningitis--Peters sees with harrowing clarity the image of that little boy in the tugboat pajamas lying still on a gurney, one bare foot visible at the edge of the sheet. He recalls his anger, his confusion: "What shall I do with my hands?" Feather: A Child's Death and Life is an album of poetic and sometimes visceral snapshots: portraits of a family, a house, a strained marriage, a father reading poems to his children, a young academic struggling to establish himself, Peters catches his family in moments of almost transcendent joy and crushing grief. The children's happiness on Christmas morning, in summer at a Canadian lake, or ice skating is shadowed by lessons in accepting death: a succession of pet turtles, mice, and goldfish succumb; Dad butchers the Thanksgiving turkey, nicknamed "Gobble," in the snowy backyard. The fourth book in Robert Peters' series of memoirs, Feather not only illuminates the lives of father and child, but also reflects a moment in the life of a writer, as Peters' grief for his son finds expression in his first collection of poetry, Songs for a Son.