“Every single American needs to read Michael Knowles’s Speechless. I don’t mean ‘read it eventually.’ I mean: stop what you’re doing and pick up this book.” —CANDACE OWENS "The most important book on free speech in decades—read it!” —SENATOR TED CRUZ A New Strategy: We Win, They Lose The Culture War is over, and the culture lost. The Left’s assault on liberty, virtue, decency, the Republic of the Founders, and Western civilization has succeeded. You can no longer keep your social media account—or your job—and acknowledge truths such as: Washington, Jefferson, and Columbus were great men. Schools and libraries should not coach children in sexual deviance. Men don’t have uteruses. How did we get to this point? Michael Knowles of The Daily Wire exposes and diagnosis the losing strategy we have fallen for and shows how we can change course—and start winning. In the groundbreaking Speechless: Controlling Words, Controlling Minds Knowles reveals: How the “free speech absolutists” gave away the store The First Amendment does not require a value-neutral public square How the Communists figured out that their revolution could never succeed as long as the common man was attached to his own culture Where political correctness came from How, comply or resist, political correctness is a win-win game for the bad guys Why taking our stand on “freedom of speech” helps put atheism, decadence, and nonsense on the same plane with faith, virtue, and reality The real question: Will we shut down drag queen story hour, or cancel Abraham Lincoln? For 170 years the First Amendment was compatible with prayer in public school How the atheists got the Warren Court to rule their way To this day, there’s a First Amendment exception for obscenity. What exactly is the argument that perverts’ teaching toddlers to twerk is not obscene? Read Speechless: Controlling Words, Controlling Minds if you want to learn how to take the fight to the enemy.

Jelly is as surprised as anyone when he decides that he's going to win the annual sixth grade speech contest. Just like that, Joe Alton Miles, better known as Jelly (because his initials are J.A.M. and his best friend's are P.B.), is faced with overcoming not only his terror of being in the spotlight, but also the wrath of smart, popular Victoria, who believes that the prize (like all prizes) is rightfully hers. At first, Jelly only cares about winning the awesome prize (a new tablet), but as Victoria escalates her campaign against him, Jelly begins to realize that it's not only the prize that's at stake, but also his reputation, his self-respect and the friendship he values most. Jelly must dig deep inside himself to find out if he's strong enough to stand up to Victoria and show everyone what he's really capable of. Hilariously funny and just as poignant, Speechless is about finding out who your friends are, giving back, standing up to bullying and finding your own unique voice.

"No one pays much attention to you if you don't have much to say, so there was no way I could have predicted what would happen when I stopped talking altogether." When his teacher announces that it's time for the yearly class speeches, Griffin Maxwell starts to sweat. His past experience with the dreaded speech was humiliating, to say the least, and he just knows there's no way he can go through that again. So Griffin's best friend, Bryan, comes up with a solution -- one that's so simple it just has to work. But neither boy can begin to predict the bizarre chain of events that will be set in place when Griffin goes along with the idea. From squaring off with the school bully to reading a teacher's private letters, Griffin Maxwell wil have to face things he never imagined, and all without saying a word!

How do you give a eulogy when you can’t think of one good thing to say? A poignant, funny, and candid look at grief, family secrets, difficult people, and learning to look behind the facade. As if being stuffed into last year’s dress pants at his cousin’s wake weren’t uncomfortable enough, thirteen-year-old Jimmy has just learned from his mother that he has to say a few words at the funeral the next day. Why him? What could he possibly say about his cousin, who ruined everything they did? He can’t recall one birthday party, family gathering, or school event with Patrick that didn’t result in injury or destruction. As Jimmy attempts to navigate the odd social norms of the wake, he draws on humor, heartfelt concern, and a good deal of angst while racking his brain and his memory for a decent and meaningful memory to share. But it’s not until faced with a microphone that the realization finally hits him: it’s not the words that are spoken that matter the most, but those that are truly heard.

Everyone knows that Chelsea Knot can't keep a secret Until now. Because the last secret she shared turned her into a social outcast—and nearly got someone killed. Now Chelsea has taken a vow of silence—to learn to keep her mouth shut, and to stop hurting anyone else. And if she thinks keeping secrets is hard, not speaking up when she's ignored, ridiculed and even attacked is worse. But there's strength in silence, and in the new friends who are, shockingly, coming her way—people she never noticed before; a boy she might even fall for. If only her new friends can forgive what she's done. If only she can forgive herself.

Steven Curtis Chapman, one of America's best-known contemporary Christian performing artists, and his pastor, Scotty Smith, call believers to join them in the invigorating adventure of grace-based living. Chapman and Smith reveal how God exposed and dismantled legalism in their lives and replaced it with something far greater and more exciting: God's disruptive grace.

Available in English for the first time, a collection of deeply humane stories depicting marginalized populations by one of the greatest South American writers of the 20th century. The Peruvian writer Julio Ramón Ribeyro is one of the masters of the short story and a major contributor to the great flourishing of Latin American literature that followed the Second World War. In a letter to an editor, Ribeyro said about his stories, “in most of [them] those who are deprived of words in life find expression—the marginalized, the forgotten, those condemned to an existence without harmony and without voice. I have restored to them the breath they’ve been denied, and I’ve allowed them to modulate their own longings, outbursts, and distress.” This is work of deep humanity, imbued with a disorienting lyricism that is Ribeyro’s alone. The Word of the Speechless, edited and translated by Katherine Silver, introduces readers to an indispensable and unforgettable voice of Latin American fiction.