Helmut Illbruck traces the concept of nostalgia from the earliest uses of the term in the seventeenth century to today as it evolves with different meanings and intensities in the discourses of medicine, literature, philosophy, and aesthetics. Following nostalgia’s troubled relations to the philosophical project of the Enlightenment, Illbruck’s study builds a cumulative argument about nostalgia’s modern significance that often revises and thoroughly enriches our understanding of cultural, literary, and intellectual history. Illbruck concludes with an attempt at a reinterpretation and defense of nostalgia, which seduces us to read and think with, rather than against, nostalgia’s wistful yearning for the past. Nostalgia: Origins and Ends of an Unenlightened Disease is a comprehensive, insistent, and profound interdisciplinary investigation of the history of an idea. It should appeal to readers interested in the cultural makings of the Enlightenment and modernity or in the histories of medicine, literature, and philosophy.

Nostalgic Design presents a rhetorical analysis of twenty-first century nostalgia and a method for designers to create more inclusive technologies. Nostalgia is a form of resistant commemoration that can tell designers what users value about past designs, why they might feel excluded from the present, and what they wish to recover in the future. By examining the nostalgic hacks of several contemporary technical cultures, from female software programmers who knit on the job to anti-vaccination parents, Kurlinkus argues that innovation without tradition will always lead to technical alienation, whereas carefully examining and layering conflicting nostalgic traditions can lead to technological revolution.

A lion on the loose; a barking cat; smoke, and a bridal veil. In an indeterminate future in Toronto, people can now live lives of two or three ‘generations’; when the time feels right, a person can transition into the next generation. Current personal history becomes irretrievable, replaced by an ideal life story of choice: a neatly concocted fiction which aids in constant rejuvenation. But one day, a strange-looking man—Presley Smith—arrives in the office of Dr Frank Sina one day, presenting symptoms of Leaked Memory Syndrome or Nostalgia; random scenes from a previous generation flash persistently through his mind. When the Department of Internal Security begins to take an interest in Presley’s case, he goes into hiding, and a public search ensues. Who exactly is Presley, and what does this mean for life as his fellow citizens know it? Dr Sina—rejuvenated in his second or third generation and feeling financially secure but sexually inadequate—struggles to solve this difficult case, even as he deals with his own life. And through it all there is the spectre of the Long Border, separating the rich North and the violence and famine of the failed states. Readers will enjoy this refreshing new turn for Vassanji, as one of the finest Indian writers in English takes us into exciting new territory.

The Novel as Network: Forms, Ideas, Commodities engages with the contemporary Anglophone novel and its derivatives and by-products such as graphic novels, comics, podcasts, and Quality TV. This collection investigates the meaning of the novel in the larger system of contemporary media production and (post-)print culture, viewing the novel through the lens of actor network theory as a node in the novel network. Chapters underscore the deep interconnection between all the aspects of the novel, between the novel as a (literary) form, as an idea, and as a commodity. Bringing together experts from American, British, and Postcolonial Studies, as well as Book, Publishing, and Media Studies, this collection offers a new vantage point to view the novel in its multifaceted expressions today.

In 1988, a retired schoolteacher named Pius Fernandes receives an old diary found in the back room of an East African shop. Written in 1913 by a British colonial administrator, the diary captivates Fernandes, who begins to research the coded history he encounters in its terse, laconic entries. What he uncovers is a story of forbidden liaisons and simmering vengeances, family secrets and cultural exiles--a story that leads him on an investigative journey through his own past and Africa's.