Archaeologist Saul Lazenby has been all but unemployable since his disgrace during the War. Now he scrapes a living working for a rich eccentric who believes in magic. Saul knows it's a lot of nonsense...except that he begins to find himself in increasingly strange and frightening situations. And at every turn he runs into the sardonic, mysterious Randolph Glyde. Randolph is the last of an ancient line of arcanists, commanding deep secrets and extraordinary powers as he struggles to fulfil his family duties in a war-torn world. He knows there's something odd going on with the haunted-looking man who keeps turning up in all the wrong places. The only question for Randolph is whether Saul is victim or villain. Saul hasn't trusted anyone in a long time. But as the supernatural threat grows, along with the desire between them, he'll need to believe in evasive, enraging, devastatingly attractive Randolph. Because he may be the only man who can save Saul's life-or his soul. Book 1 of the Green Men series

SHORTLISTED FOR THE PEN ACKERLEY PRIZE 2020 ‘A uniquely strange and wonderful work of literature’ Philip Hoare ‘An exciting new voice’ Mark Cocker, author of Crow Country

This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In his introductory essay Robert Macfarlane explains that the eerie, involves that form of fear which is felt first as unease then as dread, and it tends to be incited by glimpses and tremors rather than outright attack. Horror specialises in confrontation and aggression; the eerie in intimation and intimidation.? Macfarlane suggests that eerie art has often flourished at times of crisis, as seen in the work of Neo-Romantic artists around the time of the Second World War. The works featured in the exhibition are grouped around four overlapping themes: Ancient Landscapes? features that are inexplicable and mysterious, connecting us to the unknown distant past; Unquiet Nature ? landscapes and natural forms used to unsettling effect, such as trees, lonely expanses of heath and the borderlands where different worlds meet; Absence/Presence, how the inclusion (and absence) of figures and objects can generate feelings of the eerie through mystery, suggestion and isolation; Atmospheric Effect ? the influence of weather, season, light and the time of day on responses to landscape. Exhibition: St Barbe Museum and Art Gallery, New St, Lymington, UK (11.09.2021-08.01.2022).

The sequel to the novel Doomware. Having escaped the clutches of the Acybernetic Initiative, David Lawney finds himself on a small island off the coast of southern England. But now zombies may be the least of his worries. All indications point towards irresistible forces massing against him and the adoptive son he has sworn to protect. Soon David comes to a stark realisation: protecting the boy – along with what remains of the human race – means going on a mission to assassinate Holohive, the artificial intelligence whose virus decimated humankind. But Holohive is no easy target. It has started a new empire, expanding its race to include lethal androids capable of tearing human beings apart. What David faces is a virtual suicide mission, but it’s one he seems destined to embark upon whether he wants to or not.

Introducing the most innovative of the new directions emerging in Shakespearean scholarship, this volume identifies and explores the new, the changing and the radically 'other' possibilities for Shakespeare Studies at this current time.

In the sordid streets of Victorian London, unwanted desire flares between two bitter enemies brought together by a deadly secret. Crusading journalist Nathaniel Roy is determined to expose spiritualists who exploit the grief of bereaved and vulnerable people. First on his list is the so-called Seer of London, Justin Lazarus. Nathaniel expects him to be a cheap, heartless fraud. He doesn’t expect to meet a man with a sinful smile and the eyes of a fallen angel—or that a shameless swindler will spark his desires for the first time in years. Justin feels no remorse for the lies he spins during his séances. His gullible clients simply bore him. Hostile, disbelieving, utterly irresistible Nathaniel is a fascinating challenge. And as their battle of wills and wits heats up, Justin finds he can’t stop thinking about the man who’s determined to ruin him. But Justin and Nathaniel are linked by more than their fast-growing obsession with one another. They are both caught up in an aristocratic family’s secrets, and Justin holds information that could be lethal. As killers, fanatics, and fog close in, Nathaniel is the only man Justin can trust—and, perhaps, the only man he could love. Don’t miss any of the captivating Sins of the Cities novels: AN UNSEEN ATTRACTION | AN UNNATURAL VICE | AN UNSUITABLE HEIR And look for the enticing Society of Gentlemen series by KJ Charles: THE RUIN OF GABRIEL ASHLEIGH | A FASHIONABLE INDULGENCE | A SEDITIOUS AFFAIR | A GENTLEMAN’S POSITION Praise for An Unnatural Vice “Explosive.”—Publishers Weekly “Animosity and attraction surge in equal measures when Nathaniel Roy, investigative journalist, faces off against Justin Lazarus, the Seer of London. Their opposing vocations and radically different backgrounds create a powerful and fascinating conflict. Although this book can be read as a stand-alone, [K. J.] Charles continues to build tension and add menace by deepening the overarching mystery introduced in the first novel. The series is definitely building to a firecracker conclusion.”—RT Book Reviews “An Unnatural Vice is a tremendous follow-up to the first book in the Sins of the City trilogy. Fans of the series—and of K. J. Charles—will love the romance between Nathaniel and Justin, and the Taillefer family mystery. . . . An Unnatural Vice is exciting, entertaining, romantic—and wonderful.”—All About Romance Includes an excerpt from another Loveswept title.

The masters of horror have united to teach you the secrets of success in the scariest genre of all! In On Writing Horror, Second Edition, Stephen King, Joyce Carol Oates, Harlan Ellison, David Morrell, Jack Ketchum, and many others tell you everything you need to know to successfully write and publish horror novels and short stories. Edited by the Horror Writers Association (HWA), a worldwide organization of writers and publishing professionals dedicated to promoting dark literature, On Writing Horror includes exclusive information and guidance from 58 of the biggest names in horror writing to give you the inspiration you need to start scaring and exciting readers and editors. You'll discover comprehensive instruction such as: • The art of crafting visceral violence, from Jack Ketchum • Why horror classics like Dracula, The Exorcist, and Hell House are as scary as ever, from Robert Weinberg • Tips for avoiding one of the biggest death knells in horror writing—predicable clichés—from Ramsey Campbell • How to use character and setting to stretch the limits of credibility, from Mort Castle With On Writing Horror, you can unlock the mystery surrounding classic horror traditions, revel in the art and craft of writing horror, and find out exactly where the genre is going next. Learn from the best, and you could be the next best-selling author keeping readers up all night long.