Discover the Chilling, True Stories of the Spirits Who Haunt the Otherworldly Landscape of the American Southwest Out in the Arizona desert, among the crumbling adobe and nearly forgotten ghost towns, the restless spirits of unfortunate souls still lurk, trapped between this world and the next. For years, Dan Baldwin and Dwight and Rhonda Hull have made it their mission to communicate with the spirits, using pendulums and psychic abilities to discover their ghostly secrets and help them pass to the other side. Discover the secluded spirits of the Courtland Jail in Cochise County, Arizona. Learn about the tragic fate of the miners in the Santa Rita Mountains. Feel the thrill of the investigators' conversation with the ghost of Mattie Earp, the common-law wife of the famous Tombstone lawman. Speaking with the Spirits of the Old Southwest is filled with spine-tingling stories and fascinating historical insights into one of the most spiritually active regions of the world. The authors also share files of the EVPs discussed in the book on their website. Includes photos of the authors' investigations in Arizona

Detective Parker Havenot never felt vulnerable as a lone defender of justice. He could handle the bad guys himself. But when he adopts three children and becomes a family man, his life becomes more complicated -- especially when Alex Prohl, a convicted murderer set on revenge, is released after only five years in prison. This story of vengeance takes a dramatic turn when Havenot's teenage son goes missing while on a boating excursion. Suddenly the hunter and the hunted switch roles, and another murder hangs in the balance. Will the detective overcome his emotional involvement and think clearly enough to save the boy, or will Alex Prohl once again get away with murder?

When seventeen-year-old Jill Hanson and two of her friends witness a fatal pedestrian accident, Jill sets out to prove that the victim was predestined to suffer that fate. Her belief is based on her classroom reading of Thorton Wilder's Pulitzer Prize winning novel, The Bridge of San Luis Rey. Several weeks later, she has another opportunity to investigate the same theory. A well-liked teacher in her high school is brutally murdered. As this story unfolds, she becomes acquainted with a small-town newspaper reporter, Josh Solomon, who is investigating why everyone in authority, including his own editor/publisher, appears to want any interest in the murder of Teresa Owens to simply go away. Although approaching the subject from widely disparate perspectives, both want similar results. In Josh's case, it is justice for a murder victim while Jill is searching for an answer to the deep philosophical question raised in Wilder's book. Do we live by accident and die by accident, or do we live by plan and die by plan? Why are so many people set on making Teresa disappear?

Longlisted for the PEN/Hemingway Award for Debut Novel “Cuyahoga is tragic and comic, hilarious and inventive—a 19th-century legend for 21st-century America” (The Boston Globe). Big Son is a spirit of the times—the times being 1837. Behind his broad shoulders, shiny hair, and church-organ laugh, Big Son practically made Ohio City all by himself. The feats of this proto-superhero have earned him wonder and whiskey, but very little in the way of fortune. And without money, Big cannot become an honest husband to his beloved Cloe (who may or may not want to be his honest wife). In pursuit of a steady wage, our hero hits the (dirt) streets of Ohio City and Cleveland, the twin towns racing to become the first great metropolis of the West. Their rivalry reaches a boil over the building of a bridge across the Cuyahoga River—and Big stumbles right into the kettle. The resulting misadventures involve elderly terrorists, infrastructure collapse, steamboat races, wild pigs, and multiple ruined weddings. Narrating this “very funny, rambunctious debut novel” (Los Angeles Times) tale is Medium Son—known as Meed—apprentice coffin maker, almanac author, orphan, and the younger brother of Big. Meed finds himself swept up in the action, and he is forced to choose between brotherly love and his own ambitions. His uncanny voice—plain but profound, colloquial but poetic—elevates a slapstick frontier tale into a “breezy fable of empire, class, conquest, and ecocide” (The New York Times Book Review). Evoking the Greek classics and the Bible alongside nods to Looney Tunes, Charles Portis, and Flannery O’Connor, Pete Beatty has written “a hilarious and moving exploration of family, home, and fate [and] you won’t read anything else like it this year” (BuzzFeed).

Considering the course his life took, one might wonder how Zachary Taylor ever came to be elected the twelfth president of the United States. According to K. Jack Bauer, Taylor “was and remains an enigma.” He was a southerner who espoused many antisouthern causes, an aristocrat with a strong feeling for the common man, an energetic yet cautious and conservative soldier. Not an intellectual, Taylor showed little curiosity about the world around him. In this biography—the most comprehensive since Holman Hamilton’s two-volume work published forty years ago—Bauer offers a fresh appraisal of Taylor’s life and suggests that Taylor may have been neither so simple nor so nonpolitical as many historians have believed. Taylor’s sixteen months as president were marked by disputes over California statehood and the Texas–New Mexico boundary. Taylor vehemently opposed slavery extension and threatened to hang those southern hotheads who favored violence and secession as a means to protect their interests. He died just as he had begun a reorganization of his administration and a recasting of the Whig party. Balanced and judicious, forthright and unreverential, and based on thoroughgoing research, this book will be for many years the standard biography of Zachary Taylor.

In 2013, when the state of Oklahoma erected a statue of the Ten Commandments on the grounds of the state capitol, a group calling themselves The Satanic Temple applied to erect a statue of Baphomet alongside the Judeo-Christian tablets. Since that time, The Satanic Temple has become a regular voice in national conversations about religious freedom, disestablishment, and government overreach. In addition to petitioning for Baphomet to appear alongside another monument of the Ten Commandments in Arkansas, the group has launched campaigns to include Satanic "nativity scenes" on government property in Florida, Michigan, and Indiana, offer Satanic prayers at a high school football game in Seattle, and create "After School Satan" programs in elementary schools that host Christian extracurricular programs. Since their 2012 founding, The Satanic Temple has established 19 chapters and now claims 100,000 supporters. Is this just a political group perpetuating a series of stunts? Or is it a sincere religious movement? Speak of the Devil is the first book-length study of The Satanic Temple. Joseph Laycock, a scholar of new religious movements, contends that the emergence of "political Satanism" marks a significant moment in American religious history that will have a lasting impact on how Americans frame debates about religious freedom. Though the group gained attention for its strategic deployment of outrage, it claims to have developed beyond politics into a genuine religious movement. Equal parts history and ethnography, Speak of the Devil is Laycock's attempt to take seriously The Satanic Temple's work to redefine religion, the nature of pluralism and religious tolerance, and what "religious freedom" means in America.

One of the most entertaining genres of American literature is the bold, masculine, wildly exaggerated, and highly imaginative frontier humor of the Old Southwest, produced between 1835 and 1861 in an area that extended from Virginia, the Carolinas, and Georgia westward to Lousiana, Arkansas, Missouri, and Texas. Hennig Cohen and William B. Dillingham have tapped the wealth of this region to produce a collection that over the last three decades has become the standard anthology of Old Southwestern humor. This new, extensively revised edition includes an expanded introduction, a dozen replacement sections, an updated bibliography, and works by three new writers--Phillip B. January, Matthew C. Field, and John Gorman Barr. Most generously represented are George Washington Harris, Augustus Baldwin Longstreet, Johnson Jones Hooper, and Thomas Bangs Thorpe. Selections from twenty-five authors are featured along with brief biographical essays that combine historical and political analysis with perceptive literary criticism. These selections document important facets of antebellum American culture and provide the background of the literary achievement of Mark Twain and William Faulkner.