Inside a dark, dead volcano, the Hkusi military prepares for war. There, Jharroz za Rukh faces an important day in his mage training: the rite of Ya'at khu ma'tika, where he must kill a man to become a weapon just like his father, Khatsik the Finisher. Will Jharroz rise to glory at the right hand of the emperor, or will he heed a different voice, one that is calling him toward another life, another place, and another self? Follow Jharroz on a dark and winding journey, full of adventure, self-discovery, friendship, and love. Speaker of Ma'ila is the first book in the Speaker Trilogy, a developing series of works by new author Trenton Anthony. The sequel, Speakers of Elor, is out now!

This Book Provides The First Ever Detailed Ethnography Of A Caste Panchayat-That Of A Non-Literate Telugu Speaking Caste Of Maharashtra.

Maila Nurmi, the beautiful and sheltered daughter of Finnish immigrants, stepped off the bus in 1941 Los Angeles intent on finding fame and fortune. She found men eager to take advantage of her innocence and beauty but was determined to find success and love. Her inspired design and portrayal of a vampire won a costume contest that lead to a small role on the Red Skelton show which grew into a persona that brought her the notoriety she desired yet trapped her in a character she could never truly escape. This is Malia’s story. Her diaries, notes, and ephemera and family stories bring new insights to her relationships with Orson Welles, James Dean, and Marlon Brando. Sandra Niemi—Malia’s niece—fills in the nuances of her life prior to fame and her struggles after the limelight faded and she found a new community within the burgeoning Los Angeles punk scene who embraced her as their own. , Includes rare photographs.

Spoken Chamorro is designed to enable the student to learn to speak and understand the Chamorro language the way native speakers do in their everyday activities. This second edition has been revised to incorporate the spelling conventions adopted by the Marianas Orthography Committee in January 1971, and suggestions made by teachers who have used the text in the classroom. The basic material in the text remains unchanged, the work of the author and Pedro M. Ogo, principal of Rota Elementary and High School, who is a native speaker of the language. As much as possible, the lessons exclude regionalisms, presenting the language as it is heard generally on Guam, Saipan, Rota, and elsewhere throughout the Mariana Islands.

An essential contribution to contemporary Kanaka Maoli (Native Hawaiian) scholarship, Moʻolelo: The Foundation of Hawaiian Knowledge elevates our understanding of the importance of language and narrative to cultural revitalization. Moʻolelo preserve the words, phrases, sentences, idioms, proverbs, and poetry that define Kānaka Maoli. Encompassing narratives, literature, histories, and traditions, moʻolelo are intimately entwined with cultural identity, reciprocal relationships, and the valuing of place; collectively informing and enriching all Hawaiian life. The contributors—Kanaka Maoli scholars, artists, and advocates fluent in ʻŌlelo Hawaiʻi (Hawaiian language) from across the Pae ʻĀina o Hawaiʻi (Hawaiian archipelago)—describe how moʻolelo constantly inform their linguistic, literary, translation, rhetorical, and performance practices, as well as their political and cultural work. Chapters in ‘Ōlelo Hawaiʻi alternate with chapters in English, with translanguaging appearing when needed. Kamalani Johnson honors Larry Kauanoe Kimura’s commitment to the revitalization of ʻŌlelo Hawaiʻi. Cover artist ʻAhukini Kupihea tells the story of his own creative process and uncovers the layers of meaning behind his artwork. Through careful analysis of nineteenth-century texts, R. Keawe Lopes Jr. demonstrates the importance of moʻolelo and mele (song/poetic expression) preservation. Hiapo Perreira explores the profound relationship between moʻolelo and the resurgence of kākāʻōlelo (oratory). Kekuhi KealiʻikanakaʻoleoHaililani shares a methodology and praxis for engaging with moʻolelo. Highlighting the ideology of aloha ʻāina embedded in mele, Kahikina de Silva reveals themes of political resistance found in mele about food. Kaipulaumakaniolono Baker examines mele that archive key movements in Hawaiʻi’s history and employs contemporary practices to document current events. Tammy Hailiʻōpua Baker delineates the political implications of drawing on moʻolelo heritage in Kanaka Maoli theatre. kuʻualoha hoʻomanawanui focuses upon moʻolelo found in the politically conscious artwork of Kanaka Maoli wāhine (women) visual artists. Kamaoli Kuwada evaluates the difficulties and benefits of translation and stresses the importance of fluency. C. M. Kaliko Baker further demonstrates how fluency and comprehension of moʻolelo make it possible to retrieve essential empirical data on Hawaiian linguistic practice. Kalehua Krug takes us on his journey of learning to become a kākau mōlī (traditional tattoo artist). The essays together provide rich perspectives for Kānaka Maoli seeking to understand their pasts, to define who they are today, and to set their courses for desired and necessary futures.

Linguistics; non-Aboriginal material on discourse structure, referential strategies and markers in African and Central Asian languages.