2009 revised edition. A Buddhist book exploring the sutric teaching of 'The Four Thoughts that turn the Mind to Practice' as vividly relevant to our everyday lives: the extraordinarily precious opportunity to live as an honourable human being; the experience of impermanence that pervades our existence as an opportunity to awaken; the emotional and psychological patterning which dominates our lives (karma); and the seemingly endless cycle of dissatisfaction in which we imprison ourselves. Each chapter ends with a series of questions and answers which are both pragmatic and inspirational. Ngakma Nor'dzin has been a practitioner of Tibetan Buddhism for more than twenty years. ISBN: 978-1-898185-07-9 Spacious Passion website

Anyone who reads a Tantric text or enters a Tantric temple immediately encounters a pantheon of female Buddhas and a host of female enlighteners known as "dakinis," who dance and leap in joyous poses that communicate a sense of mastery and spiritual power. This striking female imagery is fully compatible with Shaw's findings. Drawing on interviews and archival research conducted during two years of fieldwork in India and Nepal, including more than forty previously unnoticed works by women of the Pala period (eighth through twelfth centuries C.E.), she substantially reinterprets the history of Tantric Buddhism during its first four centuries. In her view, the Tantric theory of this period promotes an ideal of cooperative, mutually liberative relationships between women and men while encouraging a sense of reliance on women as a source of spiritual insight and power.

Kate Duncan agrees to help her young cousin land a husband though she draws the line when she learns the foolish girl wants to use an apothecary's love potion to snag the notorious Marcus Pelham! To prove the elixir a fake, Kate drinks it herself-and experiences the most erotic moment of her life when she stumbles upon Marcus in a most compromising position. Every nerve in Kate's body sings as she watches from the shadows, but is her response a result of the potion...or the man? Luckily, Marcus is far too busy to notice Kate's spying-or so she thinks... As the Earl of Stamford, Marcus has his choice of willing ladies to share his bed. Yet nothing has ever aroused him as much as the image of Kate watching him. Marcus tries to have a little fun with Kate by drinking the elixir-and then appearing to lose all control every time she's near. But the prank goes awry when Marcus finds himself wildly and truly attracted to the innocent Kate. As he teaches her the passionate art of seduction, will he lose his heart for the very first time?

In an industry that celebrates extravagance and showmanship, Danish film director Carl Th. Dreyer was a rarity, a man who guarded his privacy fiercely and believed that film provided a way to understand human nature by focusing on the individual person. Best known for his 1928 film The Passion of Joan of Arc, dominated by its emotionally harrowing close-ups of Joan during her trial, it was Dreyer who pioneered some of the seminal techniques of modern film, techniques that would later be made famous by better known contemporaries such as Sergei Eisenstein and D.W. Griffith. Now, in My Only Great Passion, the first full-length English language biography of Dreyer, Jean and Dale D. Drum restore his reputation to its rightful place. Based on extensive and exclusive interviews with both Dreyer and the people who worked with him—including personal correspondence dating back to 1952—this biography provides the most comprehensive critical examination to date of both Dreyer's life and his approach to filmmaking. A valuable resource for film critics and historians, those in the film industry, and university cinema departments, as well as anyone with an interest in Danish art and culture, My Only Great Passion provides long neglected insights into the man who first raised European film above the level of entertainment and placed it in the realm of art.

Young Elizabeth O'Connor is the little sister John Brady always longed for. But she wants much more than that from her spiritual mentor. As she blossoms into a beautiful young woman intent on loving John, he must push back the very real attraction he feels for her. His past just won't let him go there. Unfortunately, Lizzie won't let him go anywhere else--until she discovers he is not all that he seems. Can true love survive such revelations? Full of the romance and relationships Lessman readers have come to love, A Passion Denied is the final book in the popular Daughters of Boston series.

From the acclaimed author of Atticus and Mariette in Ecstasy comes a stylish novel set in the hard-drinking, fast-living New York City of the Jazz Age that follows two lovers in a torrid affair on an arc of murder and sexual self-destruction. Based on a real case whose lurid details scandalized Americans in 1927 and sold millions of newspapers, acclaimed novelist Ron Hansen’s latest work is a tour de force of erotic tension and looming violence. Trapped in a loveless marriage, Ruth Snyder is a voluptuous, reckless, and altogether irresistible woman who wishes not only to escape her husband but that he die—and the sooner the better. No less miserable in his own tedious marriage is Judd Gray, a dapper corset-and-brassiere salesman who travels the Northeast peddling his wares. He meets Ruth in a Manhattan diner, and soon they are conducting a white-hot affair involving hotel rooms, secret letters, clandestine travels, and above all, Ruth’s increasing insistence that Judd kill her husband. Could he do it? Would he? What follows is a thrilling exposition of a murder plan, a police investigation, the lovers’ attempt to escape prosecution, and a final reckoning for both of them that lays bare the horror and sorrow of what they have done. Dazzlingly well-written and artfully constructed, this impossible-to-put-down story marks the return of an American master known for his elegant and vivid novels that cut cleanly to the essence of the human heart, always and at once mysterious and filled with desire.

Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays--an uncommon practice in the film industry--and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history. Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.