Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta

In this timely work, the bishops open a new dialogue on crime and justice in the United States.

On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.

The beginning of the golden age of Spanish literature and the particular socio-political circumstances of early 16th century Spain made fertile ground for the emergence of the picaresque novel, an early form of the first-person narrative novel relating the adventures of a rogue or lowborn traveler (Spanish picaro) as he drifts through the Spanish countryside from one social milieu to another in an effort to survive. Influenced largely by the medieval tradition of the fabliaux and by the early Italian Renaissance, and structured upon a foundation of anecdotes, proverbs, popular beliefs, and folk tales, the picaro's discourse becomes a satirical survey of the hypocrisies and corruptions of society. The picaresque novel is exemplified by the prototypical and anonymously written Lazarillo de Tormes, published in 1554, in which the poor boy Lazaro describes his services under seven successive lay and clerical masters, each of whom hides a dubious character beneath a mask of hypocrisy. So piercing are its deliberate social criticisms, irreverent wit, anticlerical attitude and string of mischievous misadventures that Lazarillo was an entry in the 1559 Index of Prohibited Books. For the modern reader, the choice of characters and the backdrop for Lazarillo de Tormes reveal the heart of Spain's national dilemma after the crucial events of the 1520s. This dual-language, annotated critical edition of Lazarillo de Tormes presents the complete text of the novel in both English and Spanish. The translation attempts to capture in modern English not only the meaning of the historical text, but also the qualities of its original style.