“Never has the aftermath for Germans been better depicted than in Siegfried Lenz’s elegiac, The Turncoat. A newly discovered masterpiece.” —Alex Kershaw, New York Times bestselling author of Avenue of Spies Previously unpublished, this German postwar classic is one of the best books of this major writer, who died in 2014. The last summer before the end of World War II, Walter Proska is posted to a small unit tasked with ensuring the safety of a railway line deep in the forest on the border with Ukraine and Byelorussia. In this swampy region, a handful of men—stunned by the heat, attacked by mosquitoes, and abandoned by their own troops in the face of the resistance—must also submit to the increasingly absurd and inhuman orders of their superior. Time passes, and the soldiers isolate themselves, haunted by madness and the desire for death. An encounter with a young Polish partisan, Wanda, makes Proska further doubt the validity of his oath of allegiance, and he seeks to answer the questions that obsess him: When conscience and duty clash, which is more important? Is it possible to take any action without becoming guilty in some way? And where is Wanda, this woman from the resistance he can’t forget? Written in 1951, The Turncoat is Siegfried Lenz’s second novel. Rejected by his publisher, who thought that the story of a German soldier defecting to the Soviet side would be unwelcome in the context of the Cold War, the manuscript was forgotten for nearly seventy years before being rediscovered after the author’s death. A posthumous triumph.

The Bolshevik takeover of Russia created an alternative Russia in exile that never laid down its arms. For two decades, expelled White Russians sought ways to retaliate against the Soviet Union and return home. Their irreconcilability was galvanized by a superstructure, the dominant military organization, the Russian All-Military Union (ROVS). Eventually, militant anti-Bolshevism led the exiled Russians into alliance with Nazi Germany, despite the latter’s anti-Slavic stance. For Russia with Hitler tells the story of how thousands of White Russian émigrés joined the German invasion of the Soviet Union as soldiers, translators, and civilian workers. Oleg Beyda investigates and contextualizes émigré collaboration with National Socialist Germany, explaining how it was possible for Russians to fight against the Russians. The book reveals that the exiles, although united ideologically by Russian nationalism in a general sense, did not establish one single, clear-cut political solution for a future “liberated Russia.” Drawing on wide archival material, For Russia with Hitler details the background and ideological framework of the émigrés, how they rationalized their support for Nazism, and what they did on the Eastern Front, including their reactions to life in occupation, war crimes, and the Holocaust.

A veteran writer on Russia and the Soviet Union explains why Russia refuses to draw from the lessons of its past and what this portends for the future Russia today is haunted by deeds that have not been examined and words that have been left unsaid. A serious attempt to understand the meaning of the Communist experience has not been undertaken, and millions of victims of Soviet Communism are all but forgotten. In this book David Satter, a former Moscow correspondent and longtime writer on Russia and the Soviet Union, presents a striking new interpretation of Russia's great historical tragedy, locating its source in Russia's failure fully to appreciate the value of the individual in comparison with the objectives of the state. Satter explores the moral and spiritual crisis of Russian society. He shows how it is possible for a government to deny the inherent value of its citizens and for the population to agree, and why so many Russians actually mourn the passing of the Soviet regime that denied them fundamental rights. Through a wide-ranging consideration of attitudes toward the living and the dead, the past and the present, the state and the individual, Satter arrives at a distinctive and important new way of understanding the Russian experience.

Since glasnost began, Russia's most eminent historians have taken advantage of new archival access and the end of censorship and conformity to reassess and reinterpret their history. Through this process they are linking up with Russia's great historiographic tradition while producing work that is fresh and modern. In "The Emperors and Empresses of Russia", renowned Russian historians tell the story of the Romanovs as complex individual personalities and as key institutional actors in Russian history, from the empire builder Peter I to the last tsar, Nicholas II. These portraits are contributions to the writing of history, partaking neither of wooden ideologisation nor of naive romanticisation.

Russia’s Dangerous Texts examines the ways that writers and their works unnerved and irritated Russia’s authoritarian rulers both before and after the Revolution. Kathleen F. Parthé identifies ten historically powerful beliefs about literature and politics in Russia, which include a view of the artistic text as national territory, and the belief that writers must avoid all contact with the state. Parthé offers a compelling analysis of the power of Russian literature to shape national identity despite sustained efforts to silence authors deemed subversive. No amount of repression could prevent the production, distribution, and discussion of texts outside official channels. Along with tragic stories of lost manuscripts and persecuted writers, there is ample evidence of an unbroken thread of political discourse through art. The book concludes with a consideration of the impact of two centuries of dangerous texts on post-Soviet Russia.

An extensive revision of the valued but unobtainable 1960 edition. Nearly 300 key documents are now readily available in translation.