The taste for history is the most ariswcratic of all tastes. Ernest Rerum "Our century is pre-eminently an historical century . . . . Even art has now become pre-eminently historical. The historical novel and drama interest each and everyone more at present than do similar works belonging to the realm of pure fiction. "! Although Belinskii was writing in 1841, his statement could equally well apply to the Russia of a century later, when the interest in historical fiction had become, if anything, more intense. In fact, the abundance of Soviet historical novels and plays tempts one to believe Heine, when he said that the people want their history handed to them by the poet, not the historian. The infatuation with history to which Belinskii referred was not, however, indigenous to Russia; it was part of a rage, largely inspired by Waiter Scott, which had swept western Europe in the early nine teenth century, and which soon spread to Russia. Today, Scott's star has been eclipsed in the West, but it still burns brightly in the Soviet Union. Indeed, it can be said that the West has not only rejected Scott, but, to a considerable extent, the historical novel and playas well. As one writer recently put it: "The reading public, brought up on a strict diet of sex and science, prefers to take its history undiluted in the form of unexpurgated memoirs and frank biographies.

Drawing on hundreds of newly available, top-secret KGB and party Central Committee documents, historian Matthew E. Lenoe reexamines the 1934 assassination of Leningrad party chief Sergei Kirov. Joseph Stalin used the killing as the pretext to unleash the Great Terror that decimated the Communist elite in 1937–1938; these previously unavailable documents raise new questions about whether Stalin himself ordered the murder, a subject of speculation since 1938.The book includes translations of 125 documents from the various investigations of the Kirov murder, allowing readers to reach their own conclusions about Stalin’s involvement in the assassination.

In this monumental work, Laurence Senelick and Sergei Ostrovsky offer a panoramic history of Soviet theater from the Bolshevik Revolution to the eventual collapse of the USSR. Making use of more than eighty years’ worth of archival documentation, the authors celebrate in words and pictures a vital, living art form that remained innovative and exciting, growing, adapting, and flourishing despite harsh, often illogical pressures inflicted upon its creators by a totalitarian government. It is the first comprehensive analysis of the subject ever to be published in the English language.

A comprehensive history of Russian theatre, written by an international team of experts.