Selections from the satirical, moving short stories and sketches featured in Proust's first published work. Telling reflections of the lives, loves, manners, and motivations of salon society in fin-de-siècle Paris.

Marcel Proust is regarded by many as the greatest writer of the twentieth century; now you can own the majority of his landmark novel REMEMBRANCE OF THINGS PAST on your eReader. This is the most complete works possible of the great French writer Marcel Proust, with the usual high quality Delphi features. (Current version: 1) * six volumes of the groundbreaking novel REMEMBRANCE OF THINGS PAST, with individual contents tables * features C. K. Scott Moncrieff’s celebrated translations * illustrated with images relating to Proust, his life and his works * special images of first editions, giving your eReader a flavour of the original texts * annotated with concise introductions to the novels and other texts * ALL of the original French texts are also included, allowing you to explore the beauty of Proust’s original text * scholarly ordering of texts into chronological order PLEASE NOTE: the seventh and final volume ‘TIME REGAINED’ will not enter European public domains until January 2015, when it will be added to this collection as a free update. To compensate for the missing text, the original French text has been provided. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: Remembrance of Things Past SWANN’S WAY WITHIN A BUDDING GROVE THE GUERMANTES CITIES OF THE PLAIN THE CAPTIVE THE SWEET CHEAT GONE TIME REGAINED (only in French) The Novels in French Other Works in French LES PLAISIRS ET LES JOURS PASTICHES ET MELANGES ARTICLES DE ‘La Nouvelle Revue Française’ CHRONIQUES LA BIBLE D’AMIENS SESAME ET LES LYS UNAVAILABLE WORKS Please visit www.delphiclassics.com to browse through our range of exciting titles

This book describes the development of Proust's treatment of material objects from his earliest work Les Plaisirs et les jours to his mature novel À la recherche du temps perdu. It examines the literary influences on Proust's way with objects in the light of certain critical texts and reconsiders the significance of Ruskin. As the movement from unreflective and spontaneous representation to a meta-narrative of consciousness is traced, some questions as to the banality of the 'banal object' arise. The meta-narrative finds resonance in a peculiarly Proustian pictoriality which has been largely unnoticed. It resides in descriptions where objects appear simultaneously or at different times as things in paintings and in the real. By exploring connections between Proust's pictoriality and his reflections on 'matière' and 'surface', the author suggests a radical approach to the modernism of À la recherche du temps perdu.

Grouped together after the part-title "Swann's Way" are the portraits of the family members, diplomats, doctors, school friends, salonistes, and servants who made up the Right Bank bourgeois milieu into which Proust was born. Part-title "The Guermantes Way" includes the aristocratic, Faubourg Saint-Germain world to which Proust aspired. With part-title "The Artists' and Writers' Way" come the Bergotte of Anatole France and actresses with whom he became romatically involved. The closing section is the self-portrait of Paul Nadar, son fo Felix Nadar, the legendary avant-gardist in whose studio the Impressionists had held their first exhibition.

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For a century now, scholars have searched for the “source” of Marcel Proust’s startlingly innovative novel À la recherche du temps perdu. Some have pointed to Henri Bergson, Sigmund Freud, or Paul Sollier. Others have referenced the novels of Henry James. But no one has focused on the more significant influence of the writings of Henry’s older brother, the psychologist and Harvard professor William James. A close comparison reveals the degree to which Proust’s novel stems from James’s psychological and philosophical theories. William James was a prominent member of the scientific, medical and philosophical communities in Proust’s Paris and was close friends with two men well known to Proust. His works were translated into French and reviewed in French journals and newspapers. This book discloses how Proust likely became familiar with William James and illustrates how James’s writings were key to Proust’s ability to craft the book he had been trying to write, extending even to his use of similar language and imagery and a narrative schema that arguably mimics James’s descriptions of consciousness, perception, and memory. Proust’s hero assiduously explores the vague, uncertain, relational aspects of experience, the trials and comforts of habit, the salvational potential of memory, the “moral” aspects of personal history teeming with impression and desire—these are the truths of human psychology and behavior theorized by William James and made fictional flesh in Proust’s rendition of lived experience.