Clearly rendered illustrations on 30 pages display authentic designs taken from rugs, masks, sandpaintings, pottery, jewelry, baskets, and other artifacts created by southwestern Native Americans. Geometrical designs on a Navajo woven saddlebag, a Chumash rock painting of mythical creatures, a Hopi kachina doll, an Apache "crown headdress," and more.

"A terrific guide for the novice that offers a wealth of valuable information. This book is academic, yet written in an approachable style. Maureen T. Schwarz, author of Blood and Voice: The Life Courses of Navajo Women Ceremonial Practitioners The Columbia Guide to American Indians History and Culture Also Includte: The Columbia Guide to American Indians of the Lorella Fowler The Columbia Guide to American Indians of the Southeast Theda Perdue and Michael D. Green A major work on the history and culture of Southwest Indians, The Columbia Guide to American Indians of the Southwest tells a remarkable story of cultural continuity in the face of migration, displacement, violence, and loss. The Native peoples of the American Southwest are a unique group, for while the arrival of Europeans forced many Native Americans to leave their land behind, those who lived in the Southwest held their ground. Many still reside in their ancestral homes, and their oral histories, social practices, and material artifacts provide revelatory insight into the history of the region and the country as a whole. Trudy Griffin-Pierce incorporates her lifelong passion for the people of the Southwest, especially the Navajo, into an absorbing narrative of pre-and postcontact Native experiences. She finds that, even though the policies of the U.S. government were meant to promote assimilation. Native peoples formed their own response to outside pressures, choosing to adapt rather than submit to external change. Griflin-Pierce provides a chronology of instances that have shaped present-day conditions in the region, as well as an extensive glossary of significant people, places, and events. Setting a precedent for ethical scholarship, she describes different methods for researching the Southwest and cites sources for further archaeological and comparative study. Completing the volume is a selection of key primary documents, literary works, films, Internet resources, and contact information for each Native community, enabling a more thorough investigation into specific tribes and nations.

A comprehensive guide to the historic and contemporary indigenous cultures of the American Southwest, intended for college courses and the general reader.

Examines how the Southwest emerged as a symbolic cultural space for Anglos, from 1880 through the early decades of the twentieth century, particularly in the works of amateur ethnographer Charles Lummis, pulp novelist Zane Grey, translator of Indian songs Mary Austin, and modernist author Willa Cather.

Southwestern American Indian Literature: In the Classroom and Beyond addresses several challenges that teaching Southwestern American Indian literature presents, and suggests innovative ways of teaching the material. Drawing on the author's experiences teaching literature - both in the classroom and in the canyons of the Southwest - the book covers works ranging from the famous (Leslie Marmon Silko's Ceremony) to the underappreciated (George Webb's A Pima Remembers). One chapter discusses teaching Sherman Alexie's Smoke Signals along with Silko's Yellow Woman as world literature; another functions as a guide to organizing a travel seminar that will enable students to experience American Indian literature and culture in potentially life-changing ways. This book provides a practical approach to the teaching of Southwestern American Indian literature without simplifying its inherent challenges.

American Indian Ghost Stories of the Southwest is the first book of American Indian ghost stories told by American Indians and written by an American Indian. These stories were told to the author by present-day Indians who had directly witnessed helpful spirits and horrific hauntings throughout the states of Arizona and New Mexico. Put aside disbelief, inhale deeply the scent of the desert mountain sage and listen.

Literary criticism situated within the Southwest borderlands, exploring embodiment and ethics, place and landscape, memory and haunting.