For 35 years, SouthWest Writers, headquartered in Albuquerque, New Mexico, has helped authors find their voice, through a strong collaboration of 350+ writers, editors, illustrators, publishers and marketers, gladly sharing their expertise through meeting presentations, workshops, classes, conferences and one-on-one mentoring. For more information on the group go to www.southwestwriters.com. Their motto is "Writers Helping Writers, and one of the fruits of that labor is their annual short writings contest, open to everyone. It gives writers of prose and poetry, both fiction and non-fiction, an opportunity to showcase previously unpublished work. Their 2021 contest featured 20 categories, including Animals, Biography, Crime/Mystery, Fantasy/Futuristic/Science Fiction, Historical, Humor, Horror/Suspense/Thriller, Love, Loss, Memoir, Nature, Romance, Spirituality, Social Consciousness and Travel; a literary smorgasbord containing something for every reader's taste, with several proudly showcasing southwestern themes; Native American culture, Cowboys, even alien encounters. From 337 entries received--each double-judged--the top 58 were selected for cash awards and publication. Authors published here include Chris Allen, Lynn Andrepont, Lynn Assimacpoulos, Larry Baer, Heather Bennett, Alane Brown, Bailey Burk, Joe Cappello, John Cornish, Rebecca Dakota, Donald de Noon, Vanessa Foster, Matthew Geyer, Jenny Hansen, Pk Hill, Kathleen Holmes, Carlton Holt, Ed Lehner, Laina MacRae, Conor McAnally, Tony Major, Marcia Meier, Jennifer Mitchell, Claire Murray, Matt Nyman, Sue Ann Owens, Laurie Pals, Meg Scherch Peterson, Elise Phillips, Charles Powell, Lucy M. Quinn, Dustin Ramsbacher, Carol Rawie, Tisha Reichle-Aguilera, Kimberly Rose, Lois Ruby, Lynne Sebastian, Avraham Shama, Michelle Smith, Anna Sochocky, Dana Starr, Maggie Griffin Taylor and Emmaly Weiderholt. You are sure to enjoy their imaginative, thought-provoking and entertaining stories and poems.

Gilb has created more than a literary anthology--this is a mosaic of the cultural and historical stories of Texas Mexican writers, musicians, and artists.

Desert vistas are often deemed vacant, inhospitable wastelands. Don't suggest that to Joy Harjo, Pat Mora, or other contemporary southwestern writers. In these arid stretches, often devoid of green, today's southwestern writers see pyrotechnic colors and Gothic shapes that excite and often overwhelm the imagination. And they capture this excitement in words that fix these desert images in the minds of readers who may too often look at the world through green-colored glasses. This anthology of contemporary nature writing from the Greater Southwest brings together a host of writers including peers of Edward Abbey such as Charles Bowden and Ann Zwinger and representatives of a new generation of writers such as Rick Bass and Terry Tempest Williams. The book is an eclectic blend of nonfiction and fiction, field notes and poetry, through which artists of diverse backgrounds both celebrate and illuminate the unique vitality and complexity of southwestern literature— proving that green is only one of many colors on their palette. The selections included here range all across the southwestern landscape and explore adventures in the wild, topics in natural history, living close to the land, and efforts at conservation and restoration. They clearly demonstrate that there is grace and beauty in this often-maligned part of the world— both in the human traditions that have developed in the region and in the natural features of the desert itself.

The KiMo Theater, built in 1927, has been a key piece in the arts and cultural history of Albuquerque, New Mexico. This book covers the period from its founding to today and includes information about its architecture, the people and groups which have, and still, perform there and the challenges it faced remaining pertinent to the community and structurally sound over time.The KiMo theater name and architecture are a reflection of the Native American Pueblo influences prevalent in the area. The stories contained in the book are by artists, managers, and government officials whose lives and hearts were touched by the unique ambiance and energy encompassed in the soul of the KiMo.

More college students than ever are majoring in Outdoor Recreation, Outdoor Education, or Adventure Education, but fewer and fewer Americans spend any time in thoughtful, respectful engagement with wilderness. While many young people may think of adrenaline-laced extreme sports as prime outdoor activities, with Outdoors in the Southwest, Andrew Gulliford seeks to promote appreciation for and discussion of the wild landscapes where those sports are played. Advocating an outdoor ethic based on curiosity, cooperation, humility, and ecological literacy, this essay collection features selections by renowned southwestern writers including Terry Tempest Williams, Edward Abbey, Craig Childs, and Barbara Kingsolver, as well as scholars, experienced guides, and river rats. Essays explain the necessity of nature in the digital age, recount rafting adventures, and reflect on the psychological effects of expeditions. True-life cautionary tales tell of encounters with nearly disastrous flash floods, 900-foot falls, and lightning strikes. The final chapter describes the work of Great Old Broads for Wilderness, the Colorado Fourteeners Initiative, and other exemplars of “wilderness tithing”—giving back to public lands through volunteering, stewardship, and eco-advocacy. Addressing the evolution of public land policy, the meaning of wilderness, and the importance of environmental protection, this collection serves as an intellectual guidebook not just for students but for travelers and anyone curious about the changing landscape of the West.

2022 Before Columbus Foundation American Book Award Winner The Diné Reader: An Anthology of Navajo Literature is unprecedented. It showcases the breadth, depth, and diversity of Diné creative artists and their poetry, fiction, and nonfiction prose.This wide-ranging anthology brings together writers who offer perspectives that span generations and perspectives on life and Diné history. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities. The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word. This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of Diné writers and their compelling work. The volume also includes a chronology of important dates in Diné history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The Diné Reader is an exciting convergence of Navajo writers and artists with scholars and educators.

Offers examples of oral narratives and literature from the nineteenth century to the present