The traditional arts of the Southwest are brought together in one volume for the first time. Comprehensive descriptions of Native American and Hispano art are accompanied by full-color photographs of art from museums, galleries, and private collections.

By analyzing ways in which indigenous cultures described the American Southwest, David Teague persuasively argues against the destructive approach that Americans currently take to the region. Included are Native American legends and Spanish and Hispanic literature. As he traces ideas about the desert, Teague shows how literature and art represent the Southwest as a place to be sustained rather than transformed. 14 illustrations.

This book features the work of 100 important painters, sculptors, photographers, potters, weavers, and jewelers living and working in New Mexico and Arizona today. Their stories and works of art will amaze as well as illuminate. This book provides the most vibrant picture of contemporary Southwestern art that you can find anywhere.

Native American pottery of the U.S. southwest has long been considered collectible and today can fetch many thousands of dollars per piece. Authors, collectors, and dealers Carol and Allen Hayes provide readers with a concise overview of the pottery of the southwest, from its origins in the Bastketmaker period (around 400 AD) to the Spanish entrada (1540 AD-1879 AD) to today's new masters. Readers will find dozens of color images depicting pottery from the Zuni, Hopi, Anasazi, and many other peoples. Maps help readers identify where these master potters and their peoples lived (i.e. the Pueblo a tribal group or area). Pottery of the Southwest will serve as a useful introduction as well as a lovely guide for enthusiasts.

This book provides an overview of the uses of turquoise in native arts of the Southwest, beginning with the earliest people who mined and processed the stone for use in jewelry, on decorative objects, and as a powerful element in ceremony. In the past, as now, turquoise was valued for its color and beauty but also for its symbolic nature: sky, water, health, protection, abundance. The book traces historical and contemporary jewelry made by Navajo, Zuni, Hopi, and Santo Domingo artisans, and the continuously inventive ways the stone has been worked.

The Barnes Foundation's historic Pueblo and Navajo collections are explored alongside works by contemporary Native American artists This richly illustrated book makes the Barnes Foundation's exceptional collection of Native American art from the Southwest available to the public for the first time. Collector and educator Albert C. Barnes traveled to the U.S. Southwest in 1930 and 1931 and, deeply impressed by the generative art practices he saw there, formed a collection of Pueblo and Navajo pottery, textiles, and jewelry. Water, Wind, Breath illuminates the materials, forms, and designs of the objects as they relate to Pueblo and Navajo histories and ideas. The book blends postcolonial and Indigenous perspectives, introducing readers to living artistic traditions filled with purpose, intention, and a deeply embedded spirituality that connects places, practices, and Native identities. Works by contemporary Native American artists are juxtaposed with historic pieces, illuminating the connections between heritage traditions and modern practices.