Identifies the factors and causes of the South's festering propensity for aggression that contributed to the outbreak of the Civil War in 1861. This title asserts that the South was dominated by militant white men who resorted to violence in the face of social, personal, or political conflict. It details the consequences of antebellum aggression.

For: Franklin L. Bialon.

The 1952 Coast Guard mission to save the crews of two oil tankers that were torn in half by the force of one of New England's worst nor'easters.

This book recreates the tensions and uncertainties of the events of 1940.

An anecdotal, rollicking tour through America's most colorful region. From the Tidewater through Appalachia, down the Blue Ridge country and into the sunbelt, B.C. Hall and C.T. Wood take us through the American South, inviting us to listen to its music -- blues, country, gospel, and rock -- and to the voices that have shaped its extraordinary, distinctive literature. Interweaving interviews with people both ordinary and famous with thought-provoking reflections on Southern life, history, politics, humor, religion, and cultural icons, The South is a matchless, impressionistic portrait of a people and a place.

In this insight-studded work that established him as the premier interpreter of southern literary culture, Fred Hobson explores the southern urge toward self-examination, the seeming compulsion of southern writers to discuss their region -- some defending it, others damning it. He focuses on fourteen practitioners of the southern genre of regional confession who wrote between 1850 and 1970, showing how they -- in many cases linking their own destinies with the fate of the South -- produced deeply felt, impassioned books that sought to explain the region to outsiders as well as to fellow southerners, and perhaps most of all to themselves.

What do Madonna, Ray Charles, Mount Rushmore, suburbia, the banjo, and the Ford Mustang have in common? Whether we adore, ignore, or deplore them, they all influence our culture, and color the way America is perceived by the world. In this A-to-Z collection of essays scholars explore more than one hundred people, places, and phenomena as they seek to discover what it means to be labeled icon. From the Alamo to Muhammad Ali, from John Wayne to the zipper, the American icons covered in this unique three-volume set include subjects from culture, law, art, food, religion, and science. By providing numerous ways for the reader to engage in the process of interpreting these images and artifacts, the work serves as a unique resource for students of American history and culture. Features 100 illustrations. What do Madonna, Ray Charles, Mount Rushmore, suburbia, the banjo, and the Ford Mustang have in common? Whether we adore, ignore, or deplore them, they all influence our culture, and color the way America is perceived by the world. This A-to-Z collection of essays explores more than one hundred people, places, and phenomena that have taken on iconic status in American culture. The scholars and writers whose thoughts are gathered in this unique three-volume set examine these icons through a diverse array of perspectives and fields of expertise. Ranging from the Alamo to Muhammad Ali, from John Wayne to the zipper, this selection of American icons represents essential elements of our culture, including law, art, food, religion, and science. Featuring more than 100 illustrations, this work will serve as a unique resource for students of American history and culture. The interdisciplinary scholars in this work examine what it means when something is labeled as an icon. What common features do the people, places, and things we deem to be iconic share? To begin with, an icon generates strong responses in people, it often stands for a group of values (John Wayne), it reflects forces of its time, it can be reshaped or extended by imitation, and it often breaks down barriers between various segments of American culture, such as those that exist between white and black America, or between high and low art. The essays contained in this set examine all these aspects of American icons from a variety of perspectives and through a lively range of rhetoric styles.