"Harrigan's novel, part mystery and part coming-of-age, explores the process of healing from tragedies and misunderstandings."—Publishers Weekly An atmospheric novel about a young woman who uncovers devastating secrets that will resurrect the people she lost and the lies she buried—a suspenseful spin on the tender Southern novel. Ten years ago, Julie Portland accidentally killed her best friend, Reba. What's worse is she got away with it. Consumed by guilt, she left the small town of Lawrence Mill, Mississippi, and swore nothing would ever drag her back. Now, raising her daughter and struggling to make ends meet, Julie still can't forget the ghost of a girl with golden hair and a dangerous secret. When August, Reba's first love, begs Julie to come home to find the diary that Reba kept all those years ago, Julie's past comes creeping back to haunt her. That diary could expose the shameful memories Julie has been running from, but it could also unearth the truths that Reba left buried...and reveal that Julie isn't the only one who feels responsible for Reba's death. A Southern mystery perfect for fans of Diane Chamberlain and Ellen Marie Wiseman, Secrets of Southern Girls, is a thriller that delivers suspense, romance, and healing. "Harrigan is a great prose stylist who knows how to sustain the tension and tone required of a Southern Gothic novel."—ForeWord

Marriage is harder than uncooked grits. Annabelle offers advice for newlyweds on how to handle those times when they wonder what in tarnation they got themselves into. In this down-home, hilarious handbook, Annabelle Robertson dishes up creative solutions for those annoying male habits that drive wives stark-raving mad. In true Southern Girl style, she deciphers the nuances of male-speak and addresses marital challenges-from disguising their designer shampoos and conditioners, to videotaping embarrassing habits for the family reunion-not to mention the no-fail method for motivating a man to do housework. Armed with these charm-infused tactics-and some delicious recipes-newly married gals everywhere will be on their way to matrimonial bliss!

From the time she was a little girl, Nia has dreamed up adventures about the Javanese mythical princess, Dewi Kadita. Now fourteen, Nia would love nothing more than to continue her education and become a writer. But high school costs too much. Her father sells banana fritters at the train station, but too much of his earnings go toward his drinking habit. Too often Nia is left alone to take over the food cart as well as care for her brother and their home in the Jakarta slums. But Nia is determined to find a way to earn her school fees. After she survives a minibus accident unharmed and the locals say she is blessed with 'good luck magic,' Nia exploits the notion for all its worth by charging double for her fried bananas. Selling superstitions can be dangerous, and when the tide turns it becomes clear that Nia’s future is being mapped without her consent. If Nia is to write a new story for herself, she must overcome more obstacles than she could ever have conceived of for her mythical princess, and summon courage she isn't sure she has.

Three black women and three white women are Southern Girls - followed from childhood (circa 1952) through middle age. In a small town a few hours outside of Birmingham, six little girls play together. As teenagers, the invisible line dividing their worlds become ever more pronounced. Wanda-Sue, a light skinned black, teeters between the world of her white half-sister, Charlotte (plus friends Dolly and June-Adele) and her black friends, sisters Ruth and Naomi. Each woman is driven by unique fears, hopes and secrets. As the years pass and their world changes, each woman's dreams are affected by the turbulent times in which they live. Southern Girls is a bittersweet memory play, set against the backdrop of the changing South which mirrors the lives of these six women. -- from back cover.

Much has been written about America's troubled teens, particularly endangered teenage girls. Works like Mary Pipher's Reviving Ophelia and many others have contributed to the general perception that contemporary young women are in a state of crisis. Parents, educators, social scientists, and other concerned individuals worry that our nation's girls are losing their ambition, moral direction, and self-esteem as they enter adolescence--which can then lead them to promiscuous sex, anorexia, drug abuse, and at the very least, declining math scores. In spite of evidence to the contrary in life and literature, this bleak picture is seldom challenged, but a good place to begin may be with recent literary representations of young women, fictional and autobiographical, which show proud young women who are highly focused and use their brains and good humor to work toward satisfying adult lives. This book addresses the ways in which 12 women writers use their heroines' stories to challenge commonly held and frequently damaging notions of adolescence, femininity, and regional identity. The book begins with a chapter on sociological and literary theories of adolescent female development. This chapter also includes theoretically informed discussions of young adult fiction and Southern literature. Chapters that follow focus on adolescent heroines in the novels and autobiographies of the contemporary Southern women writers Anne Tyler, Bobbie Ann Mason, Josephine Humphreys, Dorothy Allison, Kaye Gibbons, Tina Ansa, Janisse Ray and Jill McCorkle and young adult writers Katherine Paterson, Mildred Taylor and Cynthia Voigt. Instructors considering this book for use in a course may request an examination copy here.

A Southern family’s adoption of a Korean orphan uncovers long-buried tensions in this novel of family, heritage, and clashing cultures. Set in the insular South of Broad neighborhood of Charleston, South Carolina, A Southern Girl is a tale of international adoption and Southern identity, of family bonds and hidden biases. With two sons and a successful career, Coleman Carter’s life seems complete until his wife, Elizabeth, champions their adoption of a Korean orphan. This seemingly altruistic mission estranges Coleman’s conservative parents and sends him headlong on a journey into the unknown. The arrival of Soo Yun (later called Allie) opens Coleman’s eyes to the subtle racism that had always dominated his sheltered life. Now Coleman must come to terms with his past in order to help Allie on her own life journey. Deftly told through the voices of Allie’s birth mother, her orphanage nurse, her adoptive mother Elizabeth, and finally Coleman himself, A Southern Girl brings readers into Allie’s plights—first for her very survival and then for her sense of identity and belonging. John Warley guides us through the enclaves of southern privilege, the poverty-stricken back alleys of Seoul, South Korea, the jungles of Vietnam, and the stone sidewalks of San Miguel de Allende, Mexico, as the bonds between father and daughter become strong enough to confront the trials of their pasts and present alike. Foreword by New York Times bestselling novelist Therese Ann Fowler

Carol Hollywell is beautiful, smart, elegant, and charming. A debutante from De Soto Point, Arkansas, and a recent graduate of Ole Miss, she is heir to a good southern name and a small southern fortune. She knows what she wants and, more important, knows how to get it. She is, in other words, the prototypical southern belle, a Scarlett O’Hara for the 1950s, and when she moves to Washington, D.C., in 1957, she sets the town on its ear. Willie Morris’ cleverly conceived and brilliantly executed novel (loosely based on a real-life figure) follows this headstrong woman from her arrival at the Capital and traces the ups and downs of her life in the political and social whirl of the city over the next decade and a half. Eventually, she becomes romantically involved with a prominent congressman—an idealist, a reformer, a man perhaps headed for the very pinnacle of political life. It is at first a dazzling alliance, yet the genuine satisfactions they find in their relationship cannot long withstand the pressures of the ambitions both of them harbor. The very drives that initially brought them together in the end propel their love affair into jeopardy. Morris paints a devastatingly accurate portrait not only of a power-hungry woman but also of the society that feeds such hunger. His descriptions of Washington and its denizens—the politicos, the journalists, the socialites, and the hangers-on—are nothing short of breathtaking.