This study analyses the exceptional narratives of five South Asian women writers who uncover hidden manifestations of male violence against women. Their vehement struggle for the attention on gender-based violence is transferred into literary representations that give the impression of an avalanche of feelings impatiently waiting to be transformed into words after a long-endured silence. In analysing the possibilities and consequences of disrupting the silence on male violence, this study discusses the costs and the chances of success of such a non-conformist endeavour.

Master's Thesis from the year 2009 in the subject Gender Studies, grade: 1,3, University of Constance, language: English, abstract: The present paper aims at approaching the exceptional cases of five South Asian women writers who grapple in their novels with different manifestations of male violence against women. What will be examined is their aesthetic perspective and representation of the given topic, as well as their significant contribution to the effort of breaking the silence on gender-based violence by transforming it into a speakable subject. The present paper will be limited to analyse its aesthetic engagements by focusing on the following fictional works: Manju Kapur (India) – Home, Taslima Nasrin (Bangladesh) – My Bengali Girlhood, Mukhtar Mai (Pakistan)- In the Name of Honor, Tehmina Durrani (Pakistan) - My Feudal Lord, and Anita Nair (India) - Ladies Coupé. The visible interest in the South Asian literary writing is legitimized by the writers’ argument that the social systems referred to in the texts display a visible predisposition to protect the male abusers and silence the victims. In an attempt to explore their indictments, it is relevant to introduce theories and empirical results from the area of sociology and psychology, as well as pertinent statements of literary critics, Indian and Pakistani writers and journalists. The present paper will contextualize and thematize the issue of gender-based violence and the silence camouflaging it on the basis of the following structural outline: the next chapter will provide a brief view on the phenomenon of violence, then it will deal with one of its particular areas, namely violence against women. Further, the paper will provide the reader an introductive outlook on gender-based violence, its various implications and the objectives of the three sub-chapters on child sexual abuse, rape, and intimate partner violence. The third chapter will be dedicated to the question of silence on male violence against women; the purpose of this chapter will be to investigate the causes of this particular type of silence, its mechanisms and the factors that contribute to its propagation. Also, in focusing on the possibilities and consequences of disrupting the silence on male violence, the paper will seek to discover what are the costs and chances of success of such an non-conformist endeavour. Finally, the last section of the thesis will be concerned with the review of the main ideas developed along the two main chapters in order to verify the substantially and relevance of the arguments.

Women in India constitute nearly half of its population of over a billion people, and this book is a rigorous social scientific examination of the issue of violence against women in India. It draws from the latest criminological research on the nature and extent of such violence; discusses cultural myths and practices that underlie the problem; and examines policies and programs that respond to it. This collection will advance research, justice, and social action to tackle this heartbreaking problem. The chapters in this book were originally published as a special issue of the International Journal of Comparative and Applied Criminal Justice.

This report documents the dynamics of violence against women in South Asia across the life cycle, from early childhood to old age. It explores the different types of violence that women may face throughout their lives, as well as the associated perpetrators (male and female), risk and protective factors for both victims and perpetrators, and interventions to address violence across all life cycle stages. The report also analyzes the societal factors that drive the primarily male — but also female — perpetrators to commit violence against women in the region. For each stage and type of violence, the report critically reviews existing research from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, supplemented by original analysis and select literature from outside the region. Policies and programs that address violence against women and girls are analyzed in order to highlight key actors and promising interventions. Finally, the report identifies critical gaps in research, program evaluations, and interventions in order to provide strategic recommendations for policy makers, civil society, and other stakeholders working to mitigate violence against women in South Asia.

The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons of the 1971 war with the poet’s modern-day hotel, or the tragic death of a loved one with the holocaust of a nation. Moving from West Texas to Dubai, from Virginia to remote villages in Bangladesh and back again, the narrator calls on the legacies of Willa Cather, César Vallejo, Tomas Tranströmer, and Paul Celan to give voice to the voiceless. Fierce yet loving, devastating and magical at once, Seam is a testament to the lingering potency of memory and the bravery of a nation’s victims. Winner, Great Lakes Colleges Association New Writers Award, 2014 Winner, Binghamton University Milt Kessler Poetry Book Award, 2015 Winner, Drake University Emerging Writers Award, 2015

Bangladeshi women recall the sexualized violence of the war of 1971, fought between India and what was then East and West Pakistan.

Chiefly on the partition of Punjab, 1947.