The precision of the tango…the rhythmic excitement of a flamenco guitarist…the clicking of wooden castanets…the whirling of great dancers. Such impressions of Spain are captured effectively by Catherine Rollin in this fantastic sequel to Sounds of Spain Book 1. Seven intermediate solos explore many of the diverse dance and harmonic elements that make up the colorful Spanish music tradition. All are very manageable technically, yet contain dramatic sections that sound difficult and showy. Great crowd-pleasers!

Accompanying CD contains ... "[all] the sounds described in this book."--Page 4 of cover.

Six of Catherine Rollin's favorite early-intermediate to intermediate sheet music solos are included in this volume. The variety of styles and sophisticated sounds make this music appealing to students of all ages. Titles: Blue Bayou Waltz * Jazz Cat * Malibu Mist * Nights in Spain * Nocturne for the Left Hand * Winter Waltz.

An eloquent odyssey through Spain's dark history journeys into the heart of the Spanish Civil War to examine the causes and consequences of a painful recent past, as well as its repercussions in terms of the discovery of mass graves containing victims of Franco's death squads and the lives of modern-day Spaniards. Reprint.

In Museum Masterpieces, Book 1, composer Catherine Rollin has created musical expressions of some of the great works of art found in museums throughout the world. The paintings that inspired these pieces are beautifully displayed on a four-page color insert at the center of the book, along with historical notes about each painting. Titles: *American Gothic (Grant Wood) *Black Square and Red Square (Kazimir Malevich) *Carmencita (William Merritt Chase) *A Dash for the Timber (Frederic Remington) *L'étoile (The Star) (Edgar Degas) *Le fifre (The Fife Player) (Édouard Manet) *Mona Lisa (Leonardo da Vinci) *The Nut Gatherers (William-Adolphe Bouguereau) *Reeds and Cranes (Suzuki Kiitsu) *Senecio (Paul Klee)

This collection of intermediate piano solos is perfect for the romantic at heart. All of the pieces are lyrical, expressive, and absolutely beautiful! Titles: * Daydream * First Loss * A Heart Takes Flight * Lament * A Lovely Mood * Love Theme * Prairie Love * Simple Pleasures.

The 1950s witnessed both the birth of both rock and roll and the creation of Southern literature as we know it. Around the time that Chuck Berry and Elvis Presley put their electric spin on Southern vernacular ballads, a canonical group of white American authors native to rock’s birthplace began to write fiction about the electrification of those ballads, translating into literary form key cultural changes that gave rise to the infectious music coming out of their region. In Novel Sounds, Florence Dore tells the story of how these forms of expression became intertwined and shows how Southern writers turned to rock music and its technologies—tape, radio, vinyl—to develop the “rock novel.” Dore considers the work of Southern writers like William Faulkner, Flannery O’Connor, and William Styron alongside the music of Bessie Smith, Lead Belly, and Bob Dylan to uncover deep historical links between rock and Southern literature. Along with rock pioneers, Southern authors drew from blues, country, jazz, and other forms to create a new brand of realism that redefined the Southern vernacular as global, electric, and notably white. Resurrecting this Southern literary tradition at the birth of rock, Dore clarifies the surprising but unmistakable influence of rock and roll on the American novel. Along the way, she explains how literature came to resemble rock and roll, an anti-institutional art form if there ever was one, at the very moment academics claimed literature for the institution.