This volume covers all aspects of sound (including dialogue) and music as they have been utilised in comedy film.

Curious but not concerned as to where they would sleep that night, Bimisi and Sumguyen aimlessly meandered down the cobblestone calles of Puerto Vallarta, Mexico. As the sun set over the Pacific they found themselves sequestered by a weathered native peddler who mimed towards his cart and through his guttural broken english encouraged them to "Put Tony's nuts in your mouth..."60 pesos later, as a cold cerveza washed down the first of Tony's nuts,pen was put to parchment and book four of season one came to be.Put Tony's Nuts in Your Mouth is the fourth of five books that make up Reach Around Books Season One.

The most important speeches of America's "Great Communicator": Here, in his own words, is the record of Ronald Reagan's remarkable political career and historic eight-year presidency.

The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Tackling the history of race relations, global migration, and the changing tension between high and low culture, author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Kick It shows how the drum kit and drummers helped change modern music--and society as a whole--from the bottom up.

There are "how to" books on voiceover or voice acting and then, there is this singular book on the truth of the voiceover business. Superbly narrated with extensive sound design, Todd brings over three decades of knowledge and experience in voiceover to the table. Weaving stories of the voiceover industry and its history, Todd reveals the raw truth of the business in what can only be described as an aural sculpture. In comparison to most eBook/audiobook offerings, this book is like no other; setting precedent for sonic entertainment within the audiobook/e-book realm With the release of this book, Todd Schick throws down the gauntlet using the power of his voice and pen. Blending sound, comedy, drama and personal experiences, it boldly reveals the genuine, honest truth everyone should hear about the modern-day voiceover industry. This book is simply a great listen - regardless of the subject matter. Whether you're just curious about voice acting, or have been in the voiceover/voice acting business for a long time, it is without question a trendsetter well worth purchase. From the inventor of the modern-day voice talent business model, Todd Schick brings a cast of voices from many sources and colleagues (including his dog and parrot) to this rare, entertaining and incredibly informative publication on voiceover and voice acting; the first in an on-going series. From the Author's Introduction: "There is no such thing as the "bible" of voiceover or voice acting; to make that claim is to sell someone a dream. Indeed, books on voiceover or voice acting are rarely narrated by the author, much less feature sound design. Voiceover is an aural product; spoken words born from imagination, to communicate imagination. I could not in good conscience publish a book on voiceover without recording it; doing anything less would speak to the integrity of the content and author. In my humble opinion, it's pointless to publish any book on voiceover and/or voice acting if the customer can't hear the product. That said, if you choose to purchase the e-book version of this publication, be sure to listen to it; you'll really be missing out by simply reading text." Author's note: If you purchase the eBook and your reader doesn't support audio playback, be sure to download a desktop/tablet app to listen to the book.

Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.

Vera and David have been passionately in love since the day they met more than twenty years ago. They live in the Blue Mountains where Vera is a sculptor and David makes furniture. Their son, Ben, is at university in Sydney. Or at least he was. What the Light Hides begins five months after Ben’s death, an apparent suicide. Vera is trying to pick up the pieces, but David cannot let go, cannot believe that Ben is dead. He goes to Sydney, ostensibly to work, but cannot get Ben out of his mind. He keeps seeing him in the street, visits the room where he was living, goes in pursuit of Ben’s friends. His refusal to come to terms with the death of his son is destroying his relationship with Vera, but he cannot help himself, in spite of all the evidence. David is risking everything. Mette Jakobsen’s gifts of delicate and empathetic observation are on display in this tender and moving novel, a much-anticipated follow-up to her debut, The Vanishing Act. Mette Jakobsen was born in Copenhagen, Denmark and now lives in Newtown, Sydney. She has a PhD in Creative Writing and a BA in philosophy. In 2004 she graduated from NIDA’s Playwrights Studio and several of her plays have been broadcast on ABC Radio National. Her novels are The Vanishing Act, shortlisted for the Commonwealth Book Prize in 2012, and What the Light Hides. ‘Mette Jakobsen is an expert in creating images...Jakobsen describes the sights and sounds of inner-city Newtown as lovingly as she details the bush in the Blue Mountains.’ Readings ‘A moving look at love and loss.’ New Zealand Women’s Weekly ‘Jakobsen skillfully paints the picture of grief, illustrates the importance of empathetic support and shows just how destructive denial can be. Her characters are real and flawed, and it is impossible not to feel their suffering. She evokes her setting, both the mountains and the inner city, with consummate ease. Many readers will find they are moved to tears by this stirring read.’ BookMooch ‘A short book that packs an emotional punch.’ Otago Daily Times ‘Jakobsen’s sensory sensibility shines...Beautifully evocative and undoubtedly Australian in its voice.’ Farrago ‘A tenderly rendered story...Quietly written with a deft hand and a light touch.’ Geelong Advertiser ‘This was such powerful writing, and I could feel all of the characters leaping out of their pages like real people...I felt like I was walking the streets of Sydney and the mountain homes.’ Cosy Dragon ‘Poignant...The suicide of a child seems an unlikely subject for a rewarding novel, but Jakobsen has written a very special book, a tender and considered exploration of how we love and how we cope with loss.’ Adelaide Advertiser ‘A moving portrayal of denial, the first stage of grief.’ Big Book Club ‘A delicate portrayal of shared grief...Impressionistic and beautifully written.’ Overland ‘This little novel delves into the subject of loss and grief with a light touch and acute sensitivity.’ North & South