Fascinating, brilliant and angry: the tale of Buffalo Bill's Wild West Show and the tragic fate of its Native American participants Buffalo Bill was the prince of show business. His spectacular Wild West shows were performed to packed houses across the world, holding audiences spellbound with their grand re-enactments of tales from the American frontier. For Bill gave the crowds something they'd never seen before: real-life Indians. This astonishing work of historical re-imagining tells the little-known story of the Native Americans swallowed up by Buffalo Bill's great entertainment machine. Of chief Sitting Bull, paraded in theatres to boos and catcalls for fifty dollars a week. Of a baby Lakota girl, found under her mother's frozen body, adopted and displayed on the stage. Of the last few survivors of Wounded Knee, hired to act out the horrific massacre of their tribe as entertainment. And of Buffalo Bill Cody himself, hamming it to the last, even as it consumed him. Told with beauty, compassion and anger, Sorrow of the Earth shows us tragedy turned into a circus act, history into sham, truth into a spectacle more powerful than reality itself. Could any of us turn away? Born in Lyon in 1968, Éric Vuillard is a French author and film director. His books include Conquistadors (winner of the Ignatius J. Reilly Prize 2010), and La Bataille de l'occident and Congo, which were jointly awarded the 2012 Franz-Hessel prize and the 2013 Valery-Larbaud prize. Sorrow of the Earth is the first of his books to be translated into English.

The work of the mature person is to carry grief in one hand and gratitude in the other and be stretched large by them. As seen on All There Is with Anderson Cooper Noted psychotherapist Francis Weller provides an essential guide for navigating the deep waters of sorrow and loss in this lyrical yet practical handbook for mastering the art of grieving. Describing how Western patterns of amnesia and anesthesia affect our capacity to cope with personal and collective sorrows, Weller reveals the new vitality we may encounter when we welcome, rather than fear, the pain of loss. Through moving personal stories, poetry, and insightful reflections he leads us into the central energy of sorrow, and to the profound healing and heightened communion with each other and our planet that reside alongside it. The Wild Edge of Sorrow explains that grief has always been communal and illustrates how we need the healing touch of others, an atmosphere of compassion, and the comfort of ritual in order to fully metabolize our grief. Weller describes how we often hide our pain from the world, wrapping it in a secret mantle of shame. This causes sorrow to linger unexpressed in our bodies, weighing us down and pulling us into the territory of depression and death. We have come to fear grief and feel too alone to face an encounter with the powerful energies of sorrow. Those who work with people in grief, who have experienced the loss of a loved one, who mourn the ongoing destruction of our planet, or who suffer the accumulated traumas of a lifetime will appreciate the discussion of obstacles to successful grief work such as privatized pain, lack of communal rituals, a pervasive feeling of fear, and a culturally restrictive range of emotion. Weller highlights the intimate bond between grief and gratitude, sorrow and intimacy. In addition to showing us that the greatest gifts are often hidden in the things we avoid, he offers powerful tools and rituals and a list of resources to help us transform grief into a force that allows us to live and love more fully.

A radical reimagining of the minotaur myth, from an essential voice in world literature. Winner of the Jan Michalski Prize for Literature • Finalist for the PEN Literary Award for Translation and the Strega Europeo Published a decade before his International Booker Prize–winning Time Shelter, Georgi Gospodinov’s The Physics of Sorrow has become an underground cult classic. Finding strange solace in the myth of the Minotaur, a man named Georgi reconstructs the story of his life like a labyrinth, meandering through the past to find the melancholy child at the center of it all. With profound wit and empathy, he catalogues curious instances of abandonment, spanning from antiquity to the Anthropocene; recounts scenes of a turbulent boyhood in 1970s Bulgaria, spent mostly in a basement; and charts a bizarre run-in with an eccentric flaneur named Gaustine. Exquisitely translated by Angela Rodel, and exhibiting his signature audacious style, this expansive work affirms Gospodinov as “one of Europe’s most fascinating and irreplaceable novelists” (Dave Eggers).

The classic pacifist novel by a major Polish writer, who was nominated for the Nobel Prize At the beginning of the twentieth century the villagers of the Carpathian mountains lead a simple life, much as they have always done. Among them is Piotr, a bandy-legged peasant, who wants nothing more from life than an official railway cap, a cottage, and a bride with a dowry. But then the First World War reaches the mountains and Piotr is drafted into the army. All the weight of imperial authority is used to mould him into an unthinking fighting machine, forced to fight a war he does not understand, for interests other than his own. The Salt of the Earth is a classic war novel and a powerfully pacifist tale about the consequences of war for ordinary men.

The Grand Crossfyre Odyssey, an ancient circus, travels from planet to planet across the galaxy displaying for entertainment the wares of an Earth long forgotten. Xavian Crossfyre is resigned to his fate training under his father to become the next Ring Master of the GCO when he meets Sorrow, a stowaway posing as the niece of the GCO’s pilot. In a galaxy where Earthlings are considered second class citizens Sorrow longs for freedom and sanctuary. On the other hand, Xavian’s life has been sheltered aboard the GCO. Meeting Sorrow forces him to face the reality of his place as an Earthling and what that means. The Ring Master’s son and the Stowaway’s lives are thrown into turmoil when the secret Sorrow is keeping threatens the future of the GCO and those whose lives depend on it.

A dynamic aerial exploration of our changing planet, published on the 50th anniversary of Earth Day The Human Planet is a sweeping visual chronicle of the Earth today from a photographer who has circled the globe to report on such urgent issues as climate change, sustainable agriculture, and the ever-expanding human footprint. George Steinmetz is at home on every continent, documenting both untrammeled nature and the human project that relentlessly redesigns the planet in its quest to build shelter, grow food, generate energy, and create beauty through art and architecture. In his images, accompanied by authoritative text by renowned science writer Andrew Revkin, we are encountering the dramatic and perplexing new face of our ancient home.

Reminiscent of the early work of Jhumpa Lahiri, Ayelet Tsabari’s award-winning debut collection of stories is global in scope yet intimate in feel, beautifully written, and emotionally powerful. From Israel to India to Canada, Tsabari’s indelible characters grapple with love, violence, faith, the slipperiness of identity, and the challenges of balancing old traditions with modern times. These eleven spellbinding stories often focus on Israel’s Mizrahi Jews, featuring mothers and children, soldiers and bohemians, lovers and best friends, all searching for their place in the world. In “Tikkun,” a man crosses paths with his free-spirited ex-girlfriend—now a married Orthodox Jew—and minutes later barely escapes tragedy. In “Brit Milah,” a mother travels from Israel to visit her daughter in Canada and is stunned by her grandson’s upbringing. A young medic in the Israeli army bends the rules to potentially dangerous consequence in “Casualties.” After her mom passes away, a teenage girl comes to live with her aunt outside Tel Aviv and has her first experience with unrequited love in “Say It Again, Say Something Else.” And in the moving title story, two estranged sisters—one whose marriage is ending, the other whose relationship is just beginning—try to recapture the close bond they had as kids. Absorbing, tender, and sharply observed, The Best Place on Earth infuses moments of sorrow with small moments of grace: a boy composes poetry in a bomb shelter, an old photo helps a girl make sense of her mother’s rootless past. Tsabari’s voice is gentle yet wise, illuminating the burdens of history, the strength of the heart, and our universal desire to belong. Praise for The Best Place on Earth “It’s impossible not to be awestruck by the depth and power rendered in Tsabari’s stories.”—Elle “Tsabari creates complex, conflicted, prickly people you'll want to get to know better.”—Kirkus Reviews (starred review) “There’s remarkable scope in Ayelet Tsabari’s The Best Place on Earth, which interweaves stories of discrimination, loss, displacement, sex, death, religion, and a host of other issues. And yet, despite the range of viewpoints and the different facets of Israeli society explored, this is a collection that always stays intensely personal, the broader forces of history moving not merely across nations but within the souls of her beautifully conceived characters.”—Phil Klay, National Book Award–winning author of Redeployment “With incredible compassion and a delicate touch, Ayelet Tsabari explores the heartbreak inherent in forming bonds, whether with another person or with a whole country. The Best Place on Earth, a complicated love song to Israel, is a sure-footed and stunningly skillful debut.”—Shelly Oria, author of New York 1, Tel Aviv 0 “Powerful . . . brilliant . . . These stories . . . depict minorities so skillfully, with such a light and accurate touch.”—The Daily Beast “Highly recommended . . . Compelling and compassionate; [Tsabari’s stories] speak out from the heart of Israeli society and experiences. . . . The stories of The Best Place on Earth leave you wishing they wouldn’t end.”—The Times of Israel “This short story collection is a fiction debut for Tsabari, but it demonstrates that she is already a talented storyteller. . . . Her writing has an immediacy and power that invites readers into her characters’ psyches.”—Publishers Weekly