Thomas Schipflinger traces the concept of Sophia--Holy Wisdom--throughout history in Scripture; art and literature; in the writing of Sophia scholars; in Russian iconography and architecture; and in the images and incarnations of Sophia in Eastern traditions. The common thread running throughout the work is the belief that Sophia appears as the Virgin Mary.

Award-winning filmmaker and writer Sophia Al-Maria’s The Girl Who Fell to Earth is a funny and wry coming-of-age memoir about growing up in between American and Gulf Arab cultures. Part family saga and part personal quest, The Girl Who Fell to Earth traces Al-Maria’s journey to make a place for herself in two different worlds. When Sophia Al-Maria's mother sends her away from rainy Washington State to stay with her husband's desert-dwelling Bedouin family in Qatar, she intends it to be a sort of teenage cultural boot camp. What her mother doesn't know is that there are some things about growing up that are universal. In Qatar, Sophia is faced with a new world she'd only imagined as a child. She sets out to find her freedom, even in the most unlikely of places. The Girl Who Fell to Earth takes readers from the green valleys of the Pacific Northwest to the dunes of the Arabian Gulf and on to the sprawling chaos of Cairo. Struggling to adapt to her nomadic lifestyle, Sophia is haunted by the feeling that she is perpetually in exile: hovering somewhere between two families, two cultures, and two worlds. She must make a place for herself—a complex journey that includes finding young love in the Arabian Gulf, rebellion in Cairo, and, finally, self-discovery in the mountains of Sinai. The Girl Who Fell to Earth heralds the arrival of an electric new talent and takes us on the most personal of quests: the voyage home.

Prom night turns from happy to horror in this tale of teen tragedy.

The rising interest in goddess spirituality expresses our current need to understand the feminine side of God, the Sophia (or Divine Wisdom), and her relationship to the masculine aspects of God. Offering a new perspective, the author draws on his own research and on the teaching of Russian philosopher Pavel Florensky, according to whom Sophia has a relationship to the masculine Trinity as an independent spiritual being. Robert Powell discusses Sophia as a Trinity-as Mother, Daughter, and Holy Soul- and as the feminine aspect of Divine Godhead. He connects our reawakening to the feminine aspect of God with many of the changes now taking place in the world. Also included is an introduction to the Divine Feminine by Daniel Andreev, author of The Rose of the World.

Sad Sack' is a book of collected writing by Sophia Al-Maria, taking feminist inspiration from Ursula K. Le Guin?s 1986 essay 'The Carrier Bag Theory of Fiction'; opposing "the linear, progressive, Time?s-(killing)-arrow mode of the Techno-Heroic." Encompassing more than a decade of work, 'Sad Sack' tracks Al-Maria?s speculative journey as a writer, from the first seed of her "premature" memoir, through the coining and subsequent critique of "Gulf Futurism", towards experiments in gathering, containing, welling up and sucking dry.0Sophia Al-Maria was Whitechapel Gallery?s Writer in Residence 2018 ? her exhibition ?BCE? (Whitechapel Gallery, January ? April 2019), draws on a year of performances and readings, culminating in two short creation myth films: one from the ancient past, originating with the Wayuu tribe in northern Colombia; the other from the distant future, made with Victoria Sin.0.

A fascinating life of a ruler who was deservedly styled 'the Great'