Soon Comes the Sweetgrass By: Carol Woster “It’s the grass that never dies,” pronounced the aging farm woman of the plains. Sweetgrass means a lot to these cultures. In the late 1960s, medicine woman Cecile Last Star dug in her worn trunk and gave me a plait of it, and it’s still here intact. Great cowboy artist C.M. Russell knew well the serrated mountains of Glacier National Park, wide stretches of undulating prairies and colossal fame. A young Ace Powell helped blast for Going-to-the-Sun highway in the early 1930s. His mother had said, “Ace, you are always painting a picture.” Charley Russell died in 1926. Earlier they wove in and out of Apgar, later Ace babysat for Charley’s son. Ace also spent his sophomore year at high school in Browning. Another great Montana artistic genius, Bob Scriver, became a fast friend from those high school sophomore days. Ace would give some of his stretched window shades to young artists in the tribe. Rich genius poured out from these parts. Sweetgrass was a backdrop to daily and sacred activities. Fragrances intermingled with lives. Outsiders called this life vanishing. Not to be believed as artists’ lives dominated the scene. By 1967, Ace made possible for me to stand in the presence of Last Star and witness the beautiful event where she gave me the sweetgrass. It waves still around these areas and has different meanings for different people. Yet to say this way of life is vanishing… no way. Remember people have hearts…

“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.

A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

Essie Mae Laveau Jenkins is a 78-year-old sweetgrass basket weaver who sits on the side of Hwy. 17 in the company of her dead husband, Daddy Jim. Inspired by her Auntie Leona, Essie Mae finally discovers her calling in life and weaves powerful "love baskets," praying fervently over them to affect the lives of those who visit her roadside stand. When she's faced with losing her home and her stand and being put in a nursing home, Daddy Jim talks her into coming on up to Heaven to meet sweet Jesus-something she's always wanted to do. Once there, she reunites with Gullahs and African ancestors; but soon, her heavenly peace is disrupted, for she still has work to do. Now Essie Mae, who once felt powerless and invisible, must find the strength within her to keep her South Carolina family from falling apart.

Selected for the Notable Social Studies 2022 List Named to ALA Notable Children's Books 2022 In this Own Voices Native American picture book story, a modern Wabanaki girl is excited to accompany her grandmother for the first time to harvest sweetgrass for basket making. Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.

This story is set in Montana, the Big Sky Country with sweet grass, a merciless climate, and great beauty. You will find here an account of men as hard and merciless as the weather, but also men and women with a love for God and nature and a keen awareness of right and wrong. The hero named Joe Spotted Bear is such a man. Reading his story, you will find it hard to forget him and may well come to love him, as did the family he served.

When it originally appeared, Elizabeth Rollins Epperly’s The Fragrance of Sweet-Grass was one of the first challenges to the idea that L.M. Montgomery’s books were unworthy of serious study. Examining all of Montgomery’s fiction, Epperly argues that Montgomery was much more than a master of the romance genre and that, through her use of literary allusions, repetitions, irony, and comic inversions, she deftly manipulated the normal conventions of romance novels. Focusing on Montgomery’s memorable heroines, from Anne Shirley to Emily Byrd Starr, Valancy Stirling, and Pat Gardiner, Epperly demonstrates that Montgomery deserves a place in the literary canon not just as the creator of Anne of Green Gables but as an artist in her chosen profession. Since its publication more than twenty years ago, The Fragrance of Sweet-Grass has become a favourite of scholars, writers, and Montgomery fans. This new edition adds a preface in which Epperly discusses the book’s contribution to the ongoing research on the life and writing of L.M. Montgomery, reflects on how Montgomery studies have flourished over the past two decades, and suggests new ways to approach and explore the Canadian writer’s work.