(Piano/Vocal/Guitar Songbook). Over 50 huge hits that defined the '90s, including: All I Wanna Do * Are You Gonna Go My Way * Barely Breathing * Building a Mystery * Creep * Fields of Gold * From a Distance * Good Riddance (Time of Your Life) * Have I Told You Lately * I Will Always Love You * Livin' La Vida Loca * Losing My Religion * MMM Bop * My Heart Will Go On * Semi-Charmed Life * Smells like Teen Spirit * 3 AM * Under the Bridge * Waterfalls * Who Will Save Your Soul * You Get What You Give * You Oughta Know * and more. Songs are arranged for piano and voice with guitar chord frames.

Some of the titles include: Always Be My Baby (Mariah Carey) * Because You Loved Me (Celine Dion) * Butterfly Kisses (Bob Carlisle) * By Heart (Jim Brickman) * From a Distance (Bette Midler) * More Than Words (Extreme) * Quit Playing Games (With My Heart) (Backstreet Boys) * Tears in Heaven (Eric Clapton) * You Were Meant for Me (Jewel) and so many others!

Bastard Prince Eugene has decided on a whim that he will be a HERO . . . much to the dismay of the adventuring party of Michel, Hocus and Ani. But the decision is out of their hands, and they're forced to take him along on their travels. Life on the road is different than Eugene expected, but there's no time to wallow in pouty disappointment; townsfolk are going missing. It's the perfect opportunity for the prince to save the day, and even make his companions some coin! But unfortunately, his royal highness is about to learn the system that kept him safe in his silk-sheeted bed isn't particularly concerned with the well-being of anyone who isn't him. A funny, moving, tongue-in-cheek fantasy adventure!

An instant New York Times bestseller! From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history. It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

This is the story of a music-obsessed boy’s journey from his bedroom in Hitchin to the heart of nineties London just as Britpop is about to explode... From James Cook’s early encounters with pop’s pioneers – Revolver heard for the first time, Led Zeppelin glimpsed on evening TV – through an adolescence in which friendships are forged on a mutual love for the Velvet Underground, to the high-stakes gamble of moving to the metropolis, the years between the assassination of John Lennon and Kurt Cobain’s suicide are mapped in musical memories. Along the way, we explore the diverse influences that fuelled the nineties guitar pop boom, from John Barry to Bryan Ferry, and follow James as he forms a band with his twin brother and releases a critically acclaimed debut album. More than a memoir, Memory Songs stands as a testament to music’s power over the imagination, the way it punctuates our past and shapes our future. Woven through with meditations on the artists who defined the UK's last legendary scene, it delivers a passionate analysis of the music that shaped a crucial moment in British cultural history.

Really Easy Piano presents 24 of your favourite hits from the decade of indie, club dance, Brit-pop and Girl Power!. These simplified arrangements are accompanied by background notes on the songs as well as handy playing hints and tips. Suitable for beginners of all ages, including grades 1-3, this book will make learning the hits as stress-free as possible, ensuring that you master every song with ease. Song List: - (Everything I Do) I Do It For You [Bryan Adams] - All That She Wants [Ace Of Base] - Believe [Cher] - Common People [Pulp] - Don't Speak [No Doubt] - Fields Of Gold [Sting] - Girls And Boys [Blur] - Good Enough [Dodgy] - Hero [Mariah Carey] - I Will Always Love You [Whitney Houston] - I'd Do Anything For Love (But I Won't Do That) [Meat Loaf] - Kiss From A Rose [Seal] - Love Is All Around [Wet Wet Wet] - My Heart Will Go On (Titanic) [Celine Dion] - Nothing Compares 2 U [Sinead O'connor] - Sacrifice [Elton John] - Saturday Night [Whigfield] - She's The One [Robbie Williams] - Stay [Shakespears Sister] - Stay Another Day [East 17] - The Most Beautiful Girl In The World [Prince] - The One And Only [Chesney Hawkes] - Who Do You Think You Are? [Spice Girls] - Wonderwall [Oasis]

At no time since the rock & roll explosion of the 1960s did music matter more than in the 1990s—the decade of grunge, gangsta rap and Britney Spears. The Nineties might have kicked off with Vanilla Ice, but music changed forever the following year when Nirvana's "Smells Like Teen Spirit" exploded onto the airwaves, giving birth to the alternative nation. The decade spawned dozens of new stars (Pearl Jam, Eminem, Dave Matthews, Christina Aguilera and Jay-Z among them); top artists from U2 to Madonna made their most adventurous records; and hip-hop icons Tupac Shakur and Biggie Smalls met violent ends. Rolling Stone was there to tell all those stories and more—and The '90s collects the best of them: the last major interview with Kurt Cobain, conducted by David Fricke three months before the Nirvana singer took his life in 1994; Jonathan Gold's 1993 trip to Compton to check in with Snoop Dogg and Dr. Dre; Carrie Fisher's intimate one-on-one with Madonna following her 1991 film, Truth or Dare; Kim Neely partying with a riot-starting Guns n' Roses in 1991; Anthony Bozza riding along with an Ecstasy-gobbling Eminem in 1999; and, that same year, Steven Daly's visit to the bedroom of a teenage Britney Spears. Packed with over fifty stories, portraits by the biggest names in photography including Mark Seliger, David LaChapelle and Steven Meisel, and a guide to the decade's hundred greatest albums, The '90s is a definitive look back at the decade that rocked.