In the dark overlap between music and industry, there dwells a group of people whose lives and dealings are every bit as commonplace and fantastic, as high-flung and ridiculous, as noble and sordid as the stories they inspire. Don, Ross, and Chavez comprise Seventeen; Neil, Mika, Darcy, and Darren make up Limna. One is a hard-working club band committed to a music-first agenda and convinced by wily manager Deedee Vanian that this is indeed the road they're on. The other is an unapologetically commercial construct, pieced together and driven into the market by professional hitmakers and by manager Annika Guttkuhn, herself a "discovery" and protegee of Deedee's. Competing for the same recording contract, the two acts are combined on a single bill and booked for a string of appearances from New England to Florida. But who has orchestrated the ill-fated trip, and why? How far can Annika push her act, armed with nothing but an imaginary following and her trumped-up press releases? And why should Don fro Seventeen be her chief coconspirator? Songs from Nowhere Near the Heart presents an unforgettable and richly textured cast of characters, each trying to outwit and outflank the others, for reasons and with results that won't become entirely clear before a final, hilarious sequence of events in rural Florida.

In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.

About the Book In the winter of 2007 Bronx born Latin Pop artist Jon Pare got the opportunity of a lifetime when he met Brian B the man that ended up helping Jon realize his musical dreams by investing 400,000 dollars into Jons project and what transpired from both Jon and Brians hard work was a rollercoaster ride down reality with what this music industry can really do to you when you arent properly informed on what to do and when to do it and as a result after a year of work that produced their independent record label Sonrisa Discos, Jons debut album Mi Voz released in the summer of 2008, four music videos, countless television and radio appearances performances and all the money that was put out for the under the table deals that lead to thousands, the end result will shock you especially if youre one of the millions of people that long for a career in the music industry. There are many things that American Idol and all these talent television shows dont tell you but here is where youll learn.

What did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people’s lives in a period of total war.

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

An unorthodox musician from the start, singer-songwriter Joni Mitchell's style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell's songs specifically feminine and, if so, to what extent and why? Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first person, about whom are they actually singing? Mitchell offers a fascinating study, for the songs she writes and sings are intricately woven from the strands of her own life. Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines. In one of the only books to discuss Mitchell's recorded performances, with a focus that extends beyond the seminal album Blue, Karppinen explores the craft of Mitchell's songwriting and her own attitudes towards it, as well as the dynamics and politics of rock criticism in the 1960s and 1970s more generally.

What could you create if you fell in love with a Muse? 16-year-old musician, Sylvia Baker, has always been different. She's the only one who can see the "flickering people." When she sees a gorgeous flickering man named Vincent, she learns that they are Muses. With his help, she finds herself creating exquisite songs that she loves almost as much as songs by her favorite bands--Radiohead, M83, and The Black Keys--and she is falling in love in a way she never knew was possible. While trying to maintain her newfound friendships and her band, she falls deeper into the world of the Muses. When the original Greek Muses wake to find a world in which the internet has given everyone the tools to be an artist, a battle between traditional and new methods of creation ensues. As Sylvia discovers how she is connected to the world of the Muses, she learns that this war may put her music, her love, her very life at stake. This young adult urban fantasy romance was a semi-finalist in the YA Books Central 2017 Awards in the "All the Feels" category