It's not just a weekend for Lux Castelo. She has a plan, of course. Phase One: Escape to the beach for a music festival. Phase Two: Deal with what she can't control. Phase Three: Return to reality whole and ready. Nowhere in that plan is Micah Jacinto, self-proclaimed adventurer and the kind of boy with his head stuck in the clouds and the moon inked on his arm-everything her rational sense tells her to stay away from. And yet Lux finds herself welcoming the distraction. As they spend the entire weekend together, Micah leads her to rediscover the lost pieces of herself amidst the excitement and the confusion of a raving mosh pit. But all weekends come to an end and Lux needs to return to the dreaded reality she's running away from. Does being brave enough to leave summer behind mean being brave enough to ask Micah to stay?

Second Edition of the beloved Song of the Summer King, with brand new cover art by illustrator Jennifer Miller!ONE WILL RISE HIGHER . . .Shard is a gryfon in danger. He and other young males of the Silver Isles are old enough to fly, hunt, and fight--old enough to be threats to their ruler, the red gryfon king. In the midst of the dangerous initiation hunt, Shard takes the unexpected advice of a strange she-wolf who seeks him out, and hints that Shard's past isn't all that it seems. To learn his past, Shard must abandon the future he wants and make allies of those the gryfons call enemies.When the gryfon king declares open war on the wolves, it throws Shard's past and uncertain future into the turmoil between. Now with battle lines drawn, Shard must decide whether to fight beside his king . . .or against him.

One of Kirkus Review's Best Books About Being Black in America "Powerful... Calling for Black women (in and out of the public eye) to be treated with empathy, Blay’s pivotal work will engage all readers, especially fans of Mikki Kendall’s Hood Feminism." —Kirkus (Starred) An empowering and celebratory portrait of Black women—from Josephine Baker to Aunt Viv to Cardi B. In 2013, film and culture critic Zeba Blay was one of the first people to coin the viral term #carefreeblackgirls on Twitter. As she says, it was “a way to carve out a space of celebration and freedom for Black women online.” In this collection of essays, Carefree Black Girls, Blay expands on this initial idea by delving into the work and lasting achievements of influential Black women in American culture--writers, artists, actresses, dancers, hip-hop stars--whose contributions often come in the face of bigotry, misogyny, and stereotypes. Blay celebrates the strength and fortitude of these Black women, while also examining the many stereotypes and rigid identities that have clung to them. In writing that is both luminous and sharp, expansive and intimate, Blay seeks a path forward to a culture and society in which Black women and their art are appreciated and celebrated.

From the Pulitzer Prize-winning author of Martin Dressler comes a stunningly original book set in a Connecticut town over one incredible summer night. • "[A] master of a prose that doesn't merely aspire to the condition of music but actually achieves it." —The Washington Post Book World The delicious cast of characters includes a band of teenage girls who break into homes and simply leave notes reading "We Are Your Daughters," a young woman who meets a phantom lover on the tree swing in her back yard, a beautiful mannequin who steps down from her department store window, and all the dolls "no longer believed in," left abandoned in the attic, who magically come to life. With each new book, Steven Millhauser radically stretches not only the limits of fiction but also of his seemingly limitless abilities. Enchanted Night is a remarkable piece of fiction, a compact tale of loneliness and desire that is as hypnotic and rich as the language Millhauser uses to weave it.

Analyzes the role of insects in teaching humans about music, tracing research into exotic insect markets and research labs while explaining how insect sound and movement patterns inspired traditions in rhythm, synchronization, and dance.

Magic begins when a frog hops through Lucy's bedroom window with a party invitation. What follows is a delightful summer idyll, complete with cricket music, a baby bird, and a birthday cake, and ending with the happy reunion of an old lost doll and her original owner. Color illustrations.

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.