A novel of unexpected passion from the author who “brings the West and her characters to life and gives her fans hours of true reading pleasure” (Romantic Times). Fort Reno, 1878. Glory Halstead faced her captor with the same pride and courage that had seen her through hardship and bitter scandal and vowed to be strong. She didn’t know what Two Arrows intended to do with her. But she knew her life had changed forever that fateful night she had witnessed three hundred Cheyenne fleeting captivity at Fort Reno. Two Arrows wanted vengeance—and he would get it by making another man’s woman his own. Yet as captain David Krueger of the U.S. cavalry rode hard and fast with his troops to recapture the woman he loved and the Cheyenne he hated, Glory was losing her heart to a man, a people, and a new life. Now as they made the brutal journey through the harsh, unforgiving wilderness, Glory and Two Arrows would discover passion as primal and unyielding as the land they were destined to tame . . . “Gentry’s best book yet!”—Janelle Taylor, New York Times bestselling author Praise for Georgina Gentry and the Panorama of the Old West series “Another wonderful battle-of-the-sexes novel . . . a most enjoyable read.”—Booklist (starred review) “Sharp, sexy repartee . . . filled with wit and ribald humor, double-crosses and heated passion, this is the most delightful Western of the season.”—Romantic Times “Ms. Gentry writes tantalizing love scenes by creating an ambience of romance.”—Rendezvous "Nobody does it like Georgina Gentry!"— Barbra Critiques

Rarely does a primary source become available that provides new and significant information about the history and culture of a famous American Indian tribe. With A Cheyenne Voice, readers now have access to a vast ethnographic and historical trove about the Cheyenne people—much of it previously unavailable. A Cheyenne Voice contains the complete transcribed interviews conducted by anthropologist Margot Liberty with Northern Cheyenne elder John Stands In Timber (1882–1967). Recorded by Liberty in 1956–1959 when she was a schoolteacher on the Northern Cheyenne Indian Reservation in southeastern Montana, the interviews were the basis of the well-known 1967 book Cheyenne Memories. While that volume is a noteworthy edited version of the interviews, this volume presents them word for word, in their entirety, for the first time. Along with memorable candid photographs, it also features a unique set of maps depicting movements by soldiers and warriors at the Battle of the Little Bighorn. Drawn by Stands In Timber himself, they are reproduced here in full color. The diverse topics that Stands In Timber addresses range from traditional stories to historical events, including the battles of Sand Creek, Rosebud, and Wounded Knee. Replete with absorbing, and sometimes even humorous, details about Cheyenne tradition, warfare, ceremony, interpersonal relations, and everyday life, the interviews enliven and enrich our understanding of the Cheyenne people and their distinct history.

Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.

Dont Let the Devil Steal Your Song! With 20 Essentials for Finding Your Sweet Spot deals with redeeming unfulfilled expectations. This personal testimony addresses the process of walking away from the world and finding Christ, coping with a parents Alzheimers and death, inner healing after parental divorce, and navigating complex family relationships.

This beautiful book takes Grinnell's classic work on the Cheyenne Indians andcondenses it into 240 fully illustrated pages of his most essential writings.During his career as editor of "Field & Stream" magazine, Grinnell documentedseveral tribes of the Old West, including this vivid account.