"Song from the Land of Fire" explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of "mugham" performance-a fusion of traditional poetry and musical improvisation-and analysis of hybrid genres, such as "mugham"-operas and symphonic "mugham" by native composers. Intimately connected to the awakening of Azerbaijanian national consciousness while ruled by the Russian Empire and the USSR, "mugham" is inseparable from the contexts in which it is produced and heard. Inna Naroditskaya provides the historical and political contexts for "mugham" and profiles the musicians, musical genealogies, and musical institutions of Azerbaijan. INCLUDES AUDIO CD.

When Jeremy awakens after falling through ice, everything is different. He has been called to another world to free an entire civilization from slavery. The people have lost all touch with God and are fast sinking into oblivion because of greed, materialism, and petty warfare. Jeremy must risk everything to make a difference.

A Journey through Story to Poṉṉivaḷa Nāḍu: An Ancient Tamil Kingdom This remarkable epic-length legend presents a rich and well-rounded view of local South Asian folk history, masterfully interwoven with many social themes and multiple layers of religious tradition. The text provides a lively read and can be enjoyed by students of all backgrounds and levels. This richly decorated oral telling combines numerous poetic songs with direct conversations and detailed narrative passages. The descriptive segments help to advance a broader story trajectory, leading the reader towards a long-foretold, yet still surprising, conclusion. In 1965 a highly respected troubadour duo, C. Rāmacāmi of Erucaṇampāḷayam, and his nephew Paḷaṇicāmi, sang this magnificent legend in front of a live South Indian village audience. It took them eighteen nights to complete this tale! Weeks later the senior performer, Rāmacāmi, patiently dictated this same story to a local assistant who was working for the translator at the time. The text was meticulously written down by hand, phrase-by-phrase, over many days. Both bards wanted to preserve a story they knew in their hearts was truly unique and sacred. Each gave the present collector permission to share the words of this tale. They wanted the whole world to learn about a great legend they had themselves spent years learning. This story is about the potential for social renewal and those two singers believed it could better the lives of all who listened to it. Fifty-five years later, following in in the footsteps of these two men, their enthusiasm has now born fruit in a book they had both hoped for but could never have written themselves.

This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film.